May 242021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best bob dylan covers

When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.

We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.

So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.

With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)

In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”

The list begins on Page 2.

Jul 022020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Van Morrison

Some songs have the capacity to weave a legacy greater than simply a sum of their constituent parts. “Into the Mystic” is one such song. It isn’t necessarily the best song Van Morrison has ever constructed, but somehow it strikes chords heavier than it first seems to hit. Prefacing and pre-empting Morrison’s classic mid period of dreamy treatises on humanity and higher powers, all spiritual quests and transcendentalism, “Into the Mystic” actually appears on 1970’s Moondance, that almost most commercial of his works, the follow-up to the way more cerebral Astral Weeks. But for all the FM-friendliness of many of the songs, go read the lyrics, and Van is as philosophical as he ever has been. “Into the Mystic” proves to be the epitome, a yearning hymn to the seeking of an understanding of the cosmos, within and without the body and world.

The first draft was entitled “Into the Misty”; we can be grateful he took a pen through that, the meaning so less, well, cosmic in that phrase, and so more earthbound. The effect of the song is in no small part down to the superlative musicians then at his command, and the consummate arrangements, with the guitar, keyboards, and sax of John Platania, Jef Labes, and Jack Schroer, respectively, exquisite and never bettered subsequently. Even better than the studio take is that on 1974 live opus It’s Too Late To Stop Now, with the same musicians, and a stellar string section, still a high-water mark for live recordings by anyone.

Mind you, the vocals are pretty damn good too.
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May 152015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Maybe it is too facile to say that Van Morrison’s second solo album, Astral Weeks, is respected, while its follow up, Moondance, is loved. We looked at Astral Weeks about a year ago, so there’s no reason to repeat that here, but it’s clear that Morrison took a very different approach with the two albums, both of which have entered the rock pantheon as classics (for example, both albums were inducted in the Grammy Hall of Fame and Astral Weeks is 19 on Rolling Stone’s list of the 500 Greatest Albums of all time; Moondance was ranked 66.) But while the older album is revered as a work of art, you actually heard (and still hear) songs from Moondance on the radio. Astral Weeks failed to chart, and no singles from the album were released, but Moondance reached 29 on the Billboard Pop Album chart, and had three singles released.

Astral Weeks is considered to be a unified song cycle or a concept album, filled with stream of consciousness lyrics. The musicians that were recruited mostly had jazz backgrounds, and Morrison encouraged them to improvise after hearing Morrison play the songs on an acoustic guitar. Despite critical acclaim, it received little commercial airplay and limited support from the label, Warner Bros.

After recording Astral Weeks, Morrison and his wife moved into a mountaintop house near Woodstock, in upstate New York. He began to write the songs for Moondance and recruited local musicians for the recording sessions. Although, like with his previous album, there were no formal written charts, Morrison focused this time on shorter, more upbeat and optimistic songs with accessible song structures, in part influenced by another group of Woodstock area residents, The Band. It also was greeted with great reviews, but garnered significantly more radio airplay and immediate sales than its predecessor. And, I would argue, few albums have a stronger first side (when that mattered) than Moondance (“And It Stoned Me”/”Moondance”/”Crazy Love”/”Caravan”/”Into The Mystic”), and side 2 isn’t shabby, either.
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