Aug 142020
 

Blonde on the Tracksjenn champion the blue albumPutting together a cohesive, flowing covers album has always been no small feat – even more so in the age of streaming and playlists – but it can be done. Proof of this has recently been provided by Bob Dylan, who spent the mid-to-late 2010s releasing a series of Great American Songbook cover albums that, once he had finished with them, sounded like he could have written them himself. Now, Nashville-based singer songwriter Emma Swift has taken on a similar challenge with eight of Dylan’s own songs, for her new album Blonde on the Tracks.

The title references two of Dylan’s most famous records, 1966’s Blonde On Blonde and 1975’s Blood on the Tracks, but it’s the spirit of the latter album that comes through the strongest. Like Blood on the Tracks, Swift’s Blonde on the Tracks seems to be a snapshot of the end of a relationship. Also like Blood on the Tracks, there is sense that the story is being told out of sequence, with past, present and future melding into one.
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Jun 242020
 
Emma Swift

Bob Dylan just released his 39th studio album Rough and Rowdy Ways and in case you haven’t heard, it is very, very good. “I Contain Multitudes” was the LP’s second single and remains one of its undeniable highlights. Upon first listen, the song feels very stream of consciousness, with Bob reeling off, well, absolutely everything rumbling in his head about his life from the seemingly trivial (“I eat fast foods”) to the profound (“I sleep with life and death in the same bed”) and listing the sounds, pages, and images that have enveloped and defined it. And yes, the sound you just heard was Bob explaining the meaning of life in under 5 minutes because unlike the rest of us, he can just do that.

Australian singer-songwriter Emma Swift has recorded an album of Dylan covers titled Blonde on the Tracks which is set for release in August. And the first track she opted to release was not a familiar classic but a stunningly warm, heartfelt version of “I Contain Multitudes.” She serves it up as a hypnotic, melodic hymn, very reminiscent in style of vintage Gillian Welch, resulting in something exceptionally beautiful.
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