Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, courtesy of Cover Me staffer Mike Misch: What’s a favorite song you learned about on Cover Me? Continue reading »
The first big film to to emerge in the post-Bohemian Rhapsody biopic boom is Rocketman. Compared to the Queen movie, critics like Rocketman better (somewhat), fact-checkers call it more accurate (somewhat), and LGBT advocates praise it for more honestly addressing the star’s sexuality (somewhat). Also – and hopefully this is unrelated – it has fared worse at the box office. Again, somewhat worse; it’s done fine, but does not seem to be the smash Bohemian Rhapsody was.
Unlike Queen, though, Elton John didn’t really need a mega-blockbuster to return to the public eye. He never left (after all, it’s hard to look away from clothes that sparkly). The farewell tour he launched last year will take him through 2020, and 2018 also saw two tribute albums featuring megawatt performers: from Lady Gaga to Ed Sheeran on the pop one, Miranda Lambert to Willie Nelson on the country one. For Elton, the Rocketman biopic is just the latest tribute in a career full of them.
And nowhere has tribute been paid more often than in the world of cover songs. From his second, self-titled album onward (no one covers songs off his 1969 debut), Elton’s songs have been covered constantly. Hell, Three Dog Night released their cover of that second album’s “Your Song” a month before John’s original even came out. Though artists inevitably gravitate towards the huge hits, John’s songbook boasts a long tail, with even some relative deep cuts generating classic covers. So this month we count down the thirty best Elton John covers ever.
Best so far, at least. At the rate he earns tributes, it won’t be long before the next batch lands.
Today is Madonna’s birthday, when the Material Girl herself turns – well, one isn’t supposed to talk of such things, so let’s just say it’s a nice round number. Round enough for us to devote this month’s Best Covers countdown to her many hits and, in a few cases, underexposed deep cuts.
A very few cases, to be honest. More than anyone we’ve done these lists about before, Madonna remains best known as a singles artist (even Beyoncé now gets thought of as an album artist). As a result, it’s the singles a cover artist tends to focus on – f’rinstance, the song “Like a Prayer” has been covered more than every other track on the album Like a Prayer combined. The repeated dipping into the same dozen or so songs sets the bar pretty high. You can’t just tweak a tune here and adjust it there. To stand out amidst the million other “La Isla Bonita” covers, an artist needs to attempt something radical.
Many have taken up the challenge. Not one cover on our list would you confuse with Madonna’s version for a second. These artists translate her dance-pop smashes into garage-punk, gypsy-jazz, reggae-soul, and a few genres that no amount of hyphenates will do justice (just wait ’til you reach that Sonic Youth side project).
So get into the groove below. And, if you have any favorite covers we missed, express yourself in the comments!Continue reading »
When people argue over the Worst Song of All Time, inevitably someone will mention Journey’s (in)famous “Don’t Stop Believin’.” If Starship had never built that city on rock and roll, it would probably take the crown.
Frankly, I like other Journey songs, but “Don’t Stop Believin'” deserves most of the hate it gets. Its ubiquity on class rock radio, bad karaoke stages, and every college a cappella group that ever donned bow ties has made in insufferable (thank the Glee cover inexplicably going to #4 on the charts for the last one). Even The Sopranos couldn’t give it a coolness bump. It is not only Journey’s biggest song by a mile, it’s one of the most well-known songs of the 1980s, period.
The funny thing is that when it came out, not only was it not Journey’s biggest hit, it wasn’t even the biggest hit on that same album. “Open Arms” off Escape went to #2. “Who’s Crying Now” went to #4. “Don’t Stop Believin’,” meanwhile, barely scraped its way into the top ten.
Escape turns 36 this week, which might occasion a Full Album if anyone ever covered any of the other songs off it. But they don’t. They only cover “Don’t Stop Believin’.”Continue reading »
Mark Oliver Everett, sometimes known simply as E, always pulls off great covers. And he often does it best when he slows the song down wringing every last bit of emotion from the source material. Recently, the Eels frontman performed a version of ‘Don’t Stop Believing’ in Amsterdam, in tribute to Steve Perry, the ex-frontman of Journey. This tribute to Perry seemed in response to the ex-Journey man partially coming out of his self-imposed retirement to perform with the Eels at recent gigs in the US.Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
Dearly beloved, we are gathered here today to celebrate this thing called life.
Electric word, life. It means a mighty long time but in this case, we’re talking about 56 years and one man – Prince Rogers Nelson. You probably know him as Prince, The Artist Formerly Known as Prince, an unpronounceable symbol, The Purple One, Joey Coco or (in certain circles) That Skinny Motherfucker with the High Voice. Continue reading »