Jul 022021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

girl group covers

The matching outfits. The perfectly coiffed hair. The synchronized finger-snapping. The beautiful faces. And, of course, the angelic voices. Just saying the phrase “Girl Groups” conjures images of these well-styled ladies from the past singing their hearts out, dreaming of those young boys they hoped to marry.

Many of the group names are legendary. The Supremes, The Ronettes, The Crystals, The Shirelles, and Martha and the Vandellas have been fixtures of “oldies” format radio for decades. Leading these groups were great frontwomen like Diana Ross, Ronnie Spector, and Martha Reeves, as well as Darlene Love, who sang for multiple groups unbeknownst to the record buying public. There were also countless ladies who did not become household names, such as Arlene Smith, lead singer of the Chantels, who belted out the group’s classic “Maybe.”

For the purposes of this list, we decided to focus on the period known as the “Golden Age of Girl Groups.” Though we’re calling it ’60s in the headline, it really spanned from roughly 1955 to 1970. In this era, the music was transported from the street corners and dance halls to the radio, which broadcast it into living rooms across the country. The songs blended elements of doo-wop, early rock ‘n’ roll, pop, gospel, and rhythm & blues. When melded together, it created a sound as fresh and new as the 45s and transistor radios that blasted out the music.

Most of the best-known girl groups were women of color (with a few notable exceptions, such as the Shangri-Las). These women not only topped the charts, they broke down barriers as they helped to integrate segregated audiences across the country, including the Deep South.

Behind the scenes were equally legendary songwriters, musicians and producers. You know their names, too: tunesmiths such as Carole King and Gerry Goffin, and the Motown song and production trio Holland/Dozier/Holland (Lamont Dozier and brothers Brian and Eddie Holland).

Such a shiny veneer had a dark side, though, in the form of the notorious Phil Spector. He was a brilliant producer who presided over many of the era’s biggest hits, but he was also a truly terrible human being who physically and emotionally abused his charges, including his ex-wife Ronnie Spector. He would eventually be convicted of murder and died in prison earlier this year.

The music has continued to inspire covers by both male and female artists – or boys and girls, in the parlance of the genre. Our list features covers by everyone from Aerosmith to Amy Winehouse, the Beatles to Bananarama (a girl group of another era), as well as ska bands, punk bands, indie bands, and countless Rock and Roll Hall of Famers who have covered tracks from the era.

That’s probably because the songs were so darn powerful. Love songs that captured the ecstasy and agony of teenage emotions like “Will You Love Me Tomorrow,” “Please Mr. Postman” and “You Can’t Hurry Love.” Party favorites such as “Dancing in the Streets” and “Heat Wave.” And songs that dealt with more complex social issues such as “Love Child,” and the disturbing “He Hit Me (And It Felt Like a Kiss).” Such great songs inspire great artists to record fantastic covers. Here’s a selection of our favorites.

– Curtis Zimmermann

The list begins on Page 2.

Apr 142020
 
live-from-home covers

It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!

Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.

One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here. Continue reading »

Dec 172018
 
best cover songs of 2018

Two things strike me as I scan through our list this year. This first is that many of the highest-ranking covers are tributes to recently-deceased icons. No surprise there, I suppose. But none actually pay tribute to artists that died in 2018. They honor those we’ve been honoring for two or three years now – your Pettys, your Princes, your Bowies. Hundreds of covers of each of these legends appeared in the first days after their deaths, but many of the best posthumous covers took longer to emerge.

Good covers take time. That principle – the cover-song equivalent of the slow food movement, perhaps – holds true throughout the list. Sure, a few here appear to have arisen from sudden moments of brilliance, flash-arranged for some concert or radio promo session. But many more reveal months or even years of painstaking work to nail every element. Making someone else’s song one’s own isn’t easy. These 50 covers took the time to get it right.

– Ray Padgett, Editor-in-Chief

Start the countdown on the next page…

NEXT PAGE →

Apr 302018
 
best cover songs april

April was the best month for covers of the year so far. There’s no particular reason for that, I suspect. These things just ebb and flow. But the fact remains that it was a proverbial embarrassment of riches, as the length of the list below confirms.

As always, there’s no quality difference between the main picks and the honorable mentions; a cover’s categorization is only determined by how much I had to say about it. Continue reading »

Feb 282018
 
best cover songs february

Today we continue the tradition we started way back one month ago. Since we’re still new at this, I’ll reiterate that our picks are unranked and semi-impulsive. Even the un-blurbed “Honorable Mentions” at the bottom aren’t necessarily worse than the rest; in many cases, we’ve just already written about them at length and have little else to say.

Okay, disclaimers behind us, let’s dive in. Continue reading »

Nov 022016
 
DeltaRae

If you didn’t see the recent Broadway musical Bright Star, you probably don’t know Steve Martin (yes, that Steve Martin) and Edie Brickell’s new “Asheville.” The pair set their musical in North Carolina’s Blue Ridge Mountains in the 1940s, using the area’s bluegrass music as its inspiration. Though Martin is best known for his comedy, for some time now he has been a more than credible banjo player, even recording no-joke bluegrass albums with the Steep Canyon Rangers and Earl Scruggs, plus several now with Brickell. Continue reading »