Mar 292021
 
jess cornelius i can't tell you why cover

Former Teeth & Tongue leader Jess Cornelius is about to release her first solo LP in July. As part of the promotion for this record, she’s recorded a grimey almost grunge cover of the Eagles hit “I Can’t Tell You Why.”

Timothy B. Schmit’s first and only lead vocal before the Eagles broke up in 1980, “I Can’t Tell You Why” is an atypical hit for the Eagles. Sounding more like a soul song than their typical country and classic rock, it’s notable for its distinctive three note guitar refrain after the chorus and Schmit’s blue-eyed soul vocal.

Cornelius’ version opens at a considerably slower pace than the original, with just her voice and a heavily distorted guitar. She layers an additional spiky guitar on top before she is joined for the second verse by drums, bass and and subtle keyboards. Aside from the tempo, she hasn’t done anything particularly different to the song, and she even mostly cops the solo. However, the vibe is entirely different, due to her heavily distorted rhythm guitar and her vocals, which are a far cry from the soul of a Smokey Robinson or Al Green.

Oct 022019
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, courtesy of Cover Me staffer Jordan Becker: What was the best/worst experience you have had seeing a “tribute” band?
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Feb 182019
 

Varshons 2What a strange and contrary man Evan Dando seems to be. Liked and lauded beyond any reasonable appraisal of the breadth of his output, nonetheless he seems a decent enough dude as to get away with it. Yes, he has written some great material, he has an agreeable voice and an extensive taste in cover versions. He’s also written a lot of filler and chosen strange songs to interpret. All in that agreeable voice, a slightly bruised tenor. Moreover, there is the dichotomy between his live persona and his studio self. His later records suggest an acoustic troubadour, plugging in to widen his listeners palate, yet live he turns it all up to 11, chucking everything at the audience at once, good, bad and indifferent, hoping enough sticks, appearing either not really to care or to notice.
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