Aug 162021
 

Colin HayFirst things first: don’t be so hard on yourself. Sure you know who Colin Hay is; he’s the chirpy singer from Men At Work, his slightly husky and agreeable tenor singing about a land where women glow and men plunder. A Scot, who found fame in Australia, he has lived and kept his career going in the US, a resident of Los Angeles for many a long year. Men At Work still exist, sporadically, with Hay the last man standing from the original line-up, but he also has a bevy of solo recordings, amiable and pleasant fare, with a great live show to boot. Now he’s got a new cover collection out, called I Just Don’t Know What To Do With Myself.

Why a cover album? Well, his choice for the title track gives a clue–that’s right, it’s another quarantine album, where the artist is stuck at home and wants nothing to do with idle hands. It seems these are the songs that have inspired and uplifted Hay over the years. Unsurprisingly, most stem from his teens, with the Beatles, the Kinks, and even Gerry and the Pacemakers all represented. And nothing off-center in the song choices, they all being staples and standards.

Which is perhaps the problem. Songs as ubiquitous as this cry out for something a bit different from the the love and respect he clearly has for them. Individually, they are all polished and presentable. Thrown singly into a performance amidst his own or his band’s stuff, you’d sit up and take note. Together, not so much, it all becoming a little M.O.R. Inoffensive. Bland, even. Having said that, I dare say they would fly off the merch table at a gig, and maybe that is the target demographic.

The title track is a strong start, initially just strummed guitar and Hay’s straining but never strained voice. The piano and strings are then a bit Bacharach. As I guess they would be, he being the author and the originator of the original presentation. A bit too Bacharach, frankly, way more Dusty than the White Stripes. Likewise, when it’s just Hay’s unadorned vocal, “Waterloo Sunset” is fine, but then the strings and some sort of backing chorale gloop in and drench the beauty within this old chestnut.

Strangely, “Wichita Lineman” just about works within this production style, Hay’s vocal endearingly and plaintively sad. Whereas “Norwegian wood” really doesn’t. Here Hay sounds like a busker who has strayed into a an easy listening orchestral jam session. Ghastly.

“Don’t Let The Sun Catch You Crying”? I had to catch myself here, trying to recall the original, before remembering this was peak Gerry and the Pacemakers at their cloying best. Which actually means that Hay here has, after all, done something surprising with it, excising no small amount of the sickliness that Gerry Marsden regularly injected into it during his later cabaret years. Similarly, I like his rendition of “Ooh La La,” a more “modern” song, sort of. His voice is closer to Ronnie Lane’s, who sang the original for the Faces in 1973, and thus infinitely preferable to Rod Stewart’s latter-day revamp of his old band’s song. I’ll go further, I like this a lot. And like even more the next song, Del Amitri’s “Driving With The Brakes On.” No extraneous strings, just voice, guitar, and piano. Well, most of the way through, the conductor unable to keep his hands of the baton, if with more restraint than earlier on this disc. Are things looking up?

Sadly not, as that busker is still here, this time mangling “Across The Universe,” aided and abetted by Mantovani-alike again. With that bloody wretched choir. Beam me up, Scotty, a fast forward just quick enough to find a not-bad “Can’t Find My Way Home.” As in not that good, just (that word again) inoffensive.

Final track is the Jimmy Cliff classic “Many Rivers To Cross.” Methinks he bases this telling on the Linda Ronstadt version, the piano and guitar broadly redolent thereof. Which is no bad thing, it’s OK, and as good a place as any to close the album.

I think this is a great shame: Hay still has the voice and this is for the most part a good sound song selection. But just who is he listening to on production? The PR says his “frequent collaborator/producer” Chad Fischer, who seems a big cheese on TV themes. Figures.

Heck, what do I know, but, if I did, Colin, I’d say “it’s a mistake”…….

I Just Don’t Know What To Do With Myself tracklist:
1. I Just Don’t Know What To Do With Myself (Dusty Springfield cover)
2. Waterloo Sunset(Kinks cover)
3. Wichita Lineman (Glen Campbell cover)
4. Norwegian Wood (This Bird Has Flown) (Beatles cover)
5. Don’t Let the Sun Catch You Crying (Gerry & the Pacemakers cover)
6. Ooh La La (The Faces cover)
7. Driving With The Brakes On (Del Amitri cover)
8. Across the Universe (Beatles cover)
9. Can’t Find My Way Home (Blind Faith cover)
10. Many Rivers to Cross (Jimmy Cliff cover)

Mar 232021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Erma Franklin

You would think there would be a ton of good and/or quirky covers of “Piece of My Heart,” it being such an icon of overwrought emoting. But surprisingly (and not a little disappointingly), whilst there are many of them, most are known nearly as well known as the first cover, many making waves in the charts of their particular day. So, fewer hidden nuggets to unearth, but more fond reminders of times mislaid to be gained by revisiting.

“Piece of My Heart” was written by Jerry Ragovoy and Bert Berns, both jobbing songwriters with a slew of hits to their credit, individually and collectively. Ragovoy also had a hand in “Stay With Me, Baby,” arguably the other song of a heart breaking in explosive slo-mo. Berns was responsible for, amongst other things, our first glimpse of Van Morrison, performing the early singles of Them, “Here Comes the Night” and “Baby, Please Don’t Go.”

It was Aretha’s little sister, Erma Franklin, who first tried out “Piece of My Heart,” in 1967. (Berns had, unsuccessfully, first offered it to Van, which could have been intriguing.) Her rendition was good, very good even, hitting a credible #62 in the chart. That may well have been that, had it not caught the ears of a certain band beginning to make waves in the Bay Area.
Continue reading »

Mar 252020
 

‘The Best Ever’ series counts down our favorite covers of great artists.

aretha franklin cover songs

August 16 has long been a day of infamy in the history of American popular music. It started in 1977 when Elvis Presley, the King of Rock n’ Roll, passed away. Forty-one years later, another member of rock royalty also died: Aretha Franklin, the Queen of Soul. Though she was older and her death less of a shock to the cultural landscape, I still remember the exact moment when I heard the news. I was with my family driving home from Sesame Place in Pennsylvania listening to the Beatles channel on SiriusXM. The DJ interrupted to tell us the sad news and in Franklin’s honor played her version of “Let It Be.” Continue reading »

Dec 132019
 
best cover songs of 2019

In 2019, Cover Me wrote about more new covers than in any year in our 12-year history. I know; I checked the numbers. Our News team wrote amazing stand-alone stories on sometimes tight deadlines, adding context and research beyond “here’s a new cover” quickie. Plus, we rounded the best of the best into monthly 30+ lists, and added even more for supporters of our new Patreon. Even our Features team, who ostensibly couldn’t care less whether a cover came out last month or last century, seemed to be constantly finding new things to slip into their deep dives.

The point here is not to toot our own horn… well, that’s not entirely the point. What I want to do is emphasize just how high the bar to appear on this list has been set. Calling these covers great almost does them a disservice. There were way more than 50 great covers in 2019. In fact, we’ve already got 150 more bonus tracks lined up for Patreon supporters (which, I know I mention it a lot, but it’s how we keep this site afloat, so please consider supporting us if you like what we do). Honestly, we could throw all of the above in the trash and still come up with a pretty impressive batch of 2019 covers. But these 50 below – these are the cream of the crop, the belles of the ball, the toppermost of the poppermost.

You won’t agree. I guarantee it. As you go through this list, there will be at least one cover you hate. Maybe more than one. And if you followed cover news yourself this year, you’ll probably be outraged when a personal favorite placed too low, or didn’t make it at all. Great! That’s the beauty of these lists: It’s all opinion. Extremely educated opinions in our cases – I can pretty much guarantee that we collectively listened to more 2019 covers than any other site out there – but opinions nevertheless. So dive in and discover something new. Then help us discover something new by adding your own favorites in the comments.

– Ray Padgett, Editor-in-Chief

NEXT PAGE →

Dec 122019
 
vampire weekend dusty

Vampire Weekend closed out the US portion of their Father of the Bride tour in Cover Me style. Performing at the intimate Mcmenimans Crystal Ballroom in Portland, Oregon, the band played several crowd requests and special covers during a special one hour acoustic set for radio station 94/7’s December to Remember series. Continue reading »

Sep 172019
 
cover songs 1969

This marks the fourth year I’ve done a big anniversary countdown (after 1996, 1987, and 1978). It also proved to be the most challenging. There were a lot of covers released in 1969. In fact, according to covers-and-samples database WhoSampled, there were more than in any of the other years we’ve done. Their database lists 3,110 covers, which is surely still a small fraction.

The reason for the cover song’s proliferation seems clear to me after going through them all: Popular bands released a lot more music back then. Aretha Franklin released two albums in 1969. So did The Byrds, Elvis Presley, Joe Cocker, Johnny Cash, Johnny Winter, and Nina Simone. Creedence Clearwater Revival and Merle Haggard released three albums apiece. James Brown topped them all with four. To get that kind of output, artists would pad their albums with covers. Every 1969 album by every artist I just mentioned includes at least one cover. Many include several. A few are all covers. It adds up.

Impressively, many of those covers reinterpreted songs that had come out within the previous year. This entire list could easily have been “Hey Jude” covers. “Wichita Lineman” and “Light My Fire” came up constantly too (the latter song slightly older, but it had hit the charts again in 1968). Even songs from 1968’s soundtrack to Hair got covered endlessly in 1969.

Even beyond “Hey Jude,” Beatles covers dominated the year. I’m not going to go back through the entire 3,110 covers and count, but if you told me Beatles covers made up a full half of those, I wouldn’t be shocked. Add Bob Dylan covers to that side of the scale and it’s probably true. Beatles songs got covered in every conceivable genre for every conceivable audience. Jazz and swing and folk and proto-metal Beatles covers everywhere the eye can see. Plenty of people cover the Beatles these days, sure, but trust me: It’s nothing like it was in 1969.

So wheedling all those down to the top 50 proved incredibly difficult. But it means this is maybe the top-to-bottom strongest set thus far, and it killed me to leave some off (that’s why our Patreon supporters will get a set of 69 bonus tracks – so join now).

One note: I left off Woodstock performances. For one, we counted down the 50 best covers performed there last month. But more importantly, most people did not actually hear those covers until the movie and soundtrack came out in 1970. Jimi Hendrix performed his iconic Star-Spangled Banner – pretty much everyone’s top cover of the weekend – to a nearly empty field. Most of the audience had left before he punched in at 9 AM that Monday morning. That said, several of the classic covers performed at Woodstock were released as singles or on albums the same year – including Joe Cocker’s “With a Little Help from My Friends” – and those studio versions make this list.

Now, let the sunshine in with the 50 best covers of 1969.

The countdown begins on page 2…