‘The Best Covers Ever’ series counts down our favorite covers of great artists.
If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting. – David Bowie
In March 1975, David Bowie released Young Americans, the album that saw him move from glam rock to Philly soul. It was his first top ten album in America, featuring his first number one song in “Fame.” Fifty years later, that golden anniversary is enough of a hook to hang a Cover Me Best Covers Ever feature on. But the remarkable thing about David Bowie is, this was little more than a blip in his career. He had other personas to invent, other forms to master, other brilliancies to create. And he wouldn’t rest until (long after) he did.
Bowie’s influence on popular culture cannot be overstated, and not just in the music world – I’m convinced that roughly one-third of Tilda Swinton is David Bowie. For millions of misfits worldwide, he himself was the freak flag, the one who made it okay to be other than. I’ll help you with the pain, he sang. You’re not alone. Give me your hands. ‘Cause you’re wonderful. It’s a message that still sings out today, in Bowie’s songs and in the work of those he influenced.
One reflection on the ravages of the Grim Reaper is that it offers the opportunity for folks to be reminded of the breadth of talent offered by those on the wrong side of the grass. And what a talent Leon Russell’s was. One of the founding fathers of contemporary American music, Russell got his start in sessions with the Wrecking Crew, that seasoned band of players, gilding the lily of any number of better remembered performers. Next, he took on the task of ringmaster for Joe Cocker’s Mad Dogs And Englishmen, thereby inventing the whole milieu of raggedy roots revues.