Mar 282025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best david bowie covers

If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting. – David Bowie

In March 1975, David Bowie released Young Americans, the album that saw him move from glam rock to Philly soul. It was his first top ten album in America, featuring his first number one song in “Fame.” Fifty years later, that golden anniversary is enough of a hook to hang a Cover Me Best Covers Ever feature on. But the remarkable thing about David Bowie is, this was little more than a blip in his career. He had other personas to invent, other forms to master, other brilliancies to create. And he wouldn’t rest until (long after) he did.

Bowie’s influence on popular culture cannot be overstated, and not just in the music world – I’m convinced that roughly one-third of Tilda Swinton is David Bowie. For millions of misfits worldwide, he himself was the freak flag, the one who made it okay to be other than. I’ll help you with the pain, he sang. You’re not alone. Give me your hands. ‘Cause you’re wonderful. It’s a message that still sings out today, in Bowie’s songs and in the work of those he influenced.

Continue reading »

Sep 152023
 

One reflection on the ravages of the Grim Reaper is that it offers the opportunity for folks to be reminded of the breadth of talent offered by those on the wrong side of the grass. And what a talent Leon Russell’s was. One of the founding fathers of contemporary American music, Russell got his start in sessions with the Wrecking Crew, that seasoned band of players, gilding the lily of any number of better remembered performers. Next, he took on the task of ringmaster for Joe Cocker’s Mad Dogs And Englishmen, thereby inventing the whole milieu of raggedy roots revues.

Thereafter, Russell cemented his reputation producing and playing for and with everyone, from Bob Dylan and George Harrison to most of the Rolling Stones. An early adopter was Elton John, much later able to repay the influence with 2009’s The Union, a record co-credited to each of them, boosting once again the standing of then then-ailing Russell. Seven years later, he was to die in his sleep, a heart attack complicating previous surgery, at 74. No more would he grace the stage in the guise of an Old Testament prophet, bedazzling in his white suit, with his mane of white hair and beard crowned usually by a hat, ten-gallon or top, white too.

A side arm of his career included a series of albums under the nom de guerre, Hank Wilson, wherein he took on the mantle of a country bluegrass rocker, with four albums of honky-tonk music, with another being his mentoring and production duties for funk outfit, The Gap Band; they also backed him on ‘Stop All That Jazz’, in 1974. Another fun fact: his 1978 album Americana was potentially the first sighting of the word, a full 21 years ahead the Americana Music Association coming into existence. So yeah, a whole lot more to him than just “Delta Lady,” “Superstar” and “A Song For You.”

With a body of work stretching to nearly 40 albums, solo or collaboration, studio and live, the problem for a Leon Russell tribute album is what not to cover, and what stones to leave unturned. A Song for Leon truly has its work cut out for it; for the most part, it does proud to both the tribute album genre and the Master of Space and Time himself.
Continue reading »