Jun 182022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

paul mccartney covers

There are a lot of weird and wacky images within Alan Aldridge’s 1969 cult classic book The Beatles Illustrated Lyrics. One of the most memorable is a drawing imagining what John, Paul, George, and Ringo will look like as senior citizens. In this fantastical portrait, John and George are depicted as eccentric elders. Ringo, in keeping with his everyman persona, is shown as a shopworn sad sack. But it is Paul McCartney who offers the most disturbing vision of the future. “The cute one” appears as a conservative besuited and well-fed bank manager. His smug grin suggests he is proud to have finally outgrown all that silly pop music nonsense. Continue reading »

Nov 012021
 
best cover songs 1991

As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.

But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.

And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.

All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.

Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.

The list begins on Page 2.

May 152020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

John Martyn

You getting a bit weary with the news this year? Getting all a bit dark, isn’t it? If evil is too strong a word for this virus, good it certainly ain’t, with some of the actions of our leaders sometimes also bordering on, let’s say, willful. So it is to John Martyn I turn, with his plea for a little more uplift, a little more enlightenment. A little more love.

John Martyn was a mercurial man, a mass of paradigms. He had the voice and look of an angel at the start of his career, and the recreational habits of the devil. Those lifestyle choices visibly destroyed his body, as over the years he became the embodiment of Dorian Gray’s attic artwork. Yet the voice remained–sure, a tad more blurred around the edges–with the songwriting seeming not to suffer at all. Sounding as though he was never sure if he was a home counties poet or a Glaswegian hardman, Martyn’s onstage persona and accent slipped randomly from the one to the other, belches and sonnets taking turn for attention. Said not to be the nicest of men, not least when afire with alcohol, he left a trajectory of broken relationships and broken faces behind him. His bad habits ultimately killed this 20-stone diabetic amputee, although, with no small irony, his death came at a time where he had finally taken to sobriety. This was no challenge in itself, when journalists, seeking a good story, would sneak him in bottles of hooch, directly against the wishes of his final partner.
Continue reading »

Apr 282020
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Deadicated

Deadicated is so much more than a great covers album; it’s a great album, period. But more, it also heralded the era for covers albums to be more than a leg up for aspiring musicians to get a grip on the slippery pole, by riding on the laurels of another more established act. This was one of the first tribute albums where the great and the good lined up to salute their peers.

But I’ll get back to that. My reasons for it attaining classic status stemming a whole lot more than from the fearsome reputation of the Dead. As a… well, whatever I was, I loved the idea of the Grateful Dead. But over here in Britain, there was no Deadhead culture as such. They came over, what, once? (Yup, Bickershaw Festival, 1972, as at least one contributor to the album knew only too well.) As an avid reader of New Musical Express and Melody Maker, the UK “inkies”, the musical press within whose hallowed pages they were ensured good copy, to me they were just the coolest dudes ever. I’d also read Tom Wolfe’s The Electric Kool-Aid Acid Test and was smitten.

But where to start? In truth, I was daunted, happier to wear the T-shirt than buy the music. I didn’t want it spoilt by any risk of finding the idea to be less than the reality of the dream.

Luckily a trip to Orlando, circa 1987, solved that conundrum, around about the time of In the Dark. Of course, the big hit single helped, even if there were more filler tracks than killer tracks on the album. Clearly I hadn’t quite got that the Dead were more a live experience than a studio band. Still haven’t, really; to this day, listening to live records has never been a great immersive for me. But, praise be, I loved the studio records, snapping up the back catalog.

When Deadicated dropped in 1991, I bought it, unheard. The roster of artists included an impossible array of my favorites: Elvis Costello, Los Lobos, Suzanne Vega, Dr. John, Indigo Girls, Cowboy Junkies and more. Catnip and heaven combined. (Deadicated also served as a benefit for Rainforest Action Network, active to this day, a charity dedicated to the preservation of these vital once macro-climates, shrinking by the day through the scourge of deforestation.)
Continue reading »

Jul 312019
 

Check out the best covers of past months here.

best new cover songs july
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)

For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover. Continue reading »

Jun 112019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Dr John

Having watched the glorious images of New Orleans saying goodbye to their very own Dr. John, Mac Rebennack, it was daunting for me to try to do justice to his legacy with a piece on “I Walk on Gilded Splinters,” arguably the best known of his songs. Scarcely the most representative, it was the highlight, I guess, of his 1968 debut Gris Gris, owing more to the voodoo priest persona that gave him his break than to his latter-day body of work. It’s the song that casual fans, upon hearing the news of his death, might have known best through cover versions (by Humble Pie or by Paul Weller, depending on their age) as they asked who he was. (“The guy from Treme might actually be a commoner answer………)

But is it any good? Well, yes, of course it’s good, nothing quite like it having made the charts previously, and it was a hit – just not for its writer.
Continue reading »