Jul 052023
 

One Great Cover looks at the greatest cover songs ever, and how they got to be that way.

Progressive rock band Yes was at the top of its game in 1974 when their keyboardist Rick Wakeman abruptly departed. The band invited an obscure pioneer of electronic music, Vangelis, to replace him. Vangelis shunned the offer, preferring to stay home and compose film scores. Or maybe certain members of Yes shunned Vangelis–accounts differ. In either case, the synth maven hit it off with Yes co-founder, singer, and lyricist Jon Anderson. They collaborated intermittently in the following years, finally forming Jon and Vangelis in 1980.

By the time the second Jon and Vangelis album dropped in 1981–The Friends of Mr Cairo–their individual fortunes had reversed. Vangelis was having a breakout year. He had a smash hit in “Chariots of Fire,” a selection from his sweeping, grandiose full-length score for the film of the same name. The song swept through popular culture, and the film itself went on to win Academy awards for Best Picture and Best Music. By then Vangelis was already at work on the Blade Runner soundtrack. If he noticed that the new Jon and Vangelis album barely sold, and the release of its single “State of Independence” fell flat, it probably didn’t worry him.
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Dec 172021
 

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

best cover songs of 2021

To come up with our year-end list, we listened to thousands of covers.

That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.

They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.

So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.

– Ray Padgett, Editor in Chief

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Nov 022021
 
Pigs Pigs Pigs Pigs Pigs Pigs Pigs hot stuff

UK psych rockers Pigs Pigs Pigs Pigs Pigs Pigs Pigs are not the first band you would think of to cover an iconic disco hit like Donna Summer’s “Hot Stuff.” The song opens with super slow doom metal guitars before it breaks out. Gone is that instantly identifiable synth hook, replaced instead by super sludgy distorted guitars. Lead singer Matthew Baty shouts the lyrics like he’s in a proto punk band. On the chorus he’s replaced by Holly Ross of the Lovely Eggs, also shouting, with her voice slightly distorted. Continue reading »

Nov 012021
 
the best cover songs of october
Andrew VanWyngarden – Dance Monkey (Tones and I cover)

One of the biggest one-hit wonders of the last few years, pop singer Tones and I’s “Dance Monkey” emerged out of seeming nowhere to top charts across the world last year. In her home country of Australia, it is the longest chart-topper ever, breaking a record held by Bing Crosby’s “White Christmas”! Despite its ubiquity, however, major covers have been sparse (perhaps because many people find the song, you know, annoying). Never one to shy away from putting off his audience, though, MGMT frontman Andrew VanWyngarden gave it a trippy psychedelic-folk cover as part of a radio station fundraising challenge. Continue reading »

Nov 052019
 
sam smith i feel love cover

Most of the world first heard Sam Smith via Smith’s vocal turn on English electronic duo Disclosure’s hit “Latch.” Smith has collaborated with them a couple times since, and now the partnership continues with Smith’s new cover of Donna Summer’s “I Feel Love,” produced by Disclosure’s Guy Lawrence. The track doesn’t differ that much from the original, but Smith’s inimitable falsetto proves a perfect match for this disco classic. Continue reading »

Oct 152018
 

Folk FeverWhat is the difference between pastiche and parody, I wonder? The dictionary tells us the first becomes the second when comic intent is sought. That said, pastiche all too often implies a knowing degree of tongue in cheek, and, however lovingly performed, I fear this is where the outcome lies on the Band of Love’s album Folk Fever.

Certainly nobody designed Folk Fever to make you laugh. Indeed, the standard of playing and singing, by a selection of the UK folk scene’s finest established and upcoming names, is exemplary, the love evident in the performances. The key players are probably unknown outside purist circles – they would be Jim Causley, Greg Russell, Alice James and the duo of Phillip Henry and Hannah Martin, all of whom have made respectable names for themselves on the folk circuit in Britain. Older timers like Steve Knightley and Phil Beer, aka Show of Hands, perhaps known to these pages for this, and Mike McGoldrick, a flute and pipes whiz currently earning a crust with Mark Knopfler, are along to add gravitas, instrumentally and vocally.
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