The previous supergroups we’ve featured for Supergroup Week have been members of other bands, forming a new band with musicians based on their musical networks. This sometimes is a natural progression: band dynamics cause groups to fracture and leave members looking for a new team to create music with. Friends from a musical past-life join others that they’ve jammed with at some point to try something new. This time around, we have solo artists joining forces. This suggests a longing to collaborate and be part of a bigger musical effort. We also switch genres, from rock to country & western with some outlaw flair. The supergroup networks are still strong in the ’80s, often first marked by solo artists covering others’ work that they admired, and their legacies sparked new supergroups in the ’10s.
Mick Jagger turns 75 today, three decades past his famous 1975 benchmark: “I’d rather be dead than sing ‘Satisfaction’ when I’m 45.” Mick’s still singing “Satisfaction” today – and so are a lot of other people. So what better way to celebrate his birthday than with a countdown of the best covers of Rolling Stones songs of all time?
But we’ve never pulled it all in one place until today. Just as we did for Fleetwood Mac, Pink Floyd, Beyoncé, and Talking Heads, we’re counting down the best covers of Rolling Stones songs ever. The length beats Floyd’s forty-song record; we’ve got fifty Stones covers, from A (Albert King) to Z (Zydeco, Buckwheat). The Stones have been covered in all eras, all genres, and by all sorts of people. By the time you read this, the next all-time-great Stones cover might well have landed.
You can’t always get what you want, as the man once said – but if you click on, you just might get what you need.
Aerosmith’s Joe Perry is no stranger to covers. During his 47-year run as lead guitarist for “America’s Greatest Rock and Roll Band,” Perry and his Aerosmith mates have taken on dozens. Not surprisingly, most, like the band itself, are rooted in R&B with a few Beatles tracks thrown in for good measure. Their long list of covers can be seen here.
For the most part, Joe’s been consistent with a similar formula both as leader of The Joe Perry Project (during two separate stints) and as a solo artist. But as we’ll see, up to and including his latest album, Sweetzerland Manifesto – released last week – one could argue that his personal choices have been a bit more adventurous…Continue reading »
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
This week we’re working through the entire six decades that produced over 100 versions of “(There’s) Always Something There to Remind Me,” the timeless Burt Bacharach and Hal David classic. If you missed yesterday’s post, where we introduced the song and “covered” its origins, you can find it here.
Part II: The ’70s
R.B. Greaves’ cover of “(There’s) Always Something There to Remind Me,” to our mind the best cover version of the ‘60s, vanished from the Billboard charts in March of 1970. The rest of this decade pretty much went downhill after that. Not every decade has been great for covers of the song, but the ‘70s represent the low-water mark. Is that an indictment of this decade’s popular music in general? Possibly.
It would be hard to argue the case that any of our choices below is good enough to move forward in a best-of-all-time playoff. Half of the verified baker’s dozen of covers released were instrumentals – the highest whole number and percentage for any decade. Thankfully, most are not available online, but if you must, here are the Moog synthesizer and “happy” Hammond organ versions. That doesn’t mean everything was bad. But after the standouts, we’ll point out a few dishonorable mentions before moving forward tomorrow. So in the ‘70s… Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
1967 found the Rolling Stones still struggling to find their true voice. Sure, they’d had their across-the-board number-one hit a couple of years earlier with “(I Can’t Get No) Satisfaction,” but both their singles and albums found them following the trends of the day, not truly leading the way. It wouldn’t be until 1968’s “Jumpin’ Jack Flash” that they would really break free of the pack and enter their glorious Golden Age. Continue reading »
It’s neck and neck this year which we’re hearing more of: Bon Iver covering other people or other people covering Bon Iver. The latter seems to have pulled a bit ahead, but the Bon Iver Performance tally gets a boost today with another live cover. It’s Justin Vernon and the band going country at a gig this summer at Nashville’s Ryman Auditorium on a cover of Don Williams’ “If Hollywood Don’t Need You (Honey I Still Do).”Continue reading »