Jun 072013
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

In 2008, Melissa Rich Mulcahy died, leaving behind two-year-old twin girls and her husband Mark. That would be Mark Mulcahy, leader of the ’80s college radio favorites Miracle Legion and Polaris (Adventures of Pete & Pete – ’nuff said) and a solo artist who was suddenly not just a widower, but one who was unable to record or tour because he needed to be there for the kids. What he didn’t know was that plans had been set in motion to put together a tribute album whose proceeds would assist him in his hour of need – plans which evolved into what Big Takeover called “a sort of indie-rock equivalent to the final scene of It’s a Wonderful Life.”
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Mar 262013
 

Phoenix frontman Thomas Mars is a self-proclaimed fan of legendary rockers Dinosaur Jr. and has been since he saw them perform live back in 1991. It is a safe assumption to say then, that the singer was probably more than pleased when Dinosaur Jr. decided to cover “Entertainment” off their upcoming album Bankrupt! Continue reading »

Sep 142012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Richard Thompson is an ideal subject for a tribute album. He’s been acknowledged as the most underrated guitarist in rock for so long he’s in danger of losing the title. His songwriting is inspired, both musically and lyrically. If his singing voice is by default the weak leg in the tripod, that only means a band can put their own stamp on it with greater ease. To top it off, his cult audience would guarantee small but significant sales to people who knew music and who would be more open to a wide range of approaches to Thompson’s songs. 1994’s Beat the Retreat: Songs by Richard Thompson is a gathering of some of Thompson’s best work, performed by disparate artists with devoted followers of their own, bringing all their contrasting styles to salute one man – as such, for all its flaws, it has become an archetypal tribute album. Continue reading »

Feb 022012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Over the years, tribute albums have been given a bad name. Nowadays they frequently consist of either inferior bands covering the works of superior bands in the hopes of getting noticed and having talent hopefully rub off on them, or of well-known bands dragooned into making product that’s sure to shift units, radio-friendly and otherwise. There’s also an excess of narcissism and/or irony on too many of these albums, where the inherent message isn’t “Look at this song” but “How funny/awesome is it that I’m doing this song, when it’s so obviously a song I should never do because I play in a different genre!” Continue reading »

Aug 172011
 

Twenty-two years ago, a group of what was then called “alternative rock bands” (remember that?) recorded and released The Bridge: A Tribute to Neil Young. The album featured artists like Sonic Youth, Nick Cave, Pixies and The Flaming Lips recording, you guessed it, Neil Young songs, with all of the proceeds going towards The Bridge School (a school for disabled children). Sure, this all seems like old hat now, but back in 1989, these bands were seriously underground and for many Neil Young fans who bought the album this was the first they ever heard of them. Continue reading »

May 232011
 

Last night a slew of alt-indie heroes descended on New York’s Bowery Ballroom to pay tribute to the bands featured in Michael Azerrad’s era-defining tome Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991. Ted Leo covered Minor Threat, Titus Andronicus did the Replacements, and, strangest of all, Dirty Projectors played Black Flag. Continue reading »