Bria – When You Know Why You’re Happy (Mary Margaret O’Hara’ cover)
Bria’s “Where Have All The Cowboys Gone?” made our list of the Best Covers of 2022. The track was a sneak peak at her covers EP Cuntry Covers Vol. 2, and the full thing dropped a few weeks ago. It includes a wonderful version of this much more obscure song. Bria explains: “Mary Margaret O’Hara is a creative force and one of my favorite Canadian artists. I have been a huge fan of hers for quite some time and really wanted to try my hand at one of her songs for Vol. 2. She is a real queen of vocal improvisation. It’s a trait of hers that I’ve always admired, so I really wanted to explore that when recording this cover. The video for this track is special to us, a sort of collage of memory; fragmented footage of summer taken over the last two years is dispersed throughout shots of a vast winter scene, filmed while we finished the record up North with our live band.”Continue reading »
As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.
But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.
And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.
All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
For a band now in its fourth decade, The Cure has enjoyed a surprisingly big year in 2019. Most notably, after fifteen years of being eligible for but mostly ignored by the Rock and Roll Hall of Fame, The Cure were finally inducted in April. Then May saw two big anniversaries: The band’s debut album Three Imaginary Boys turned 40 and their most-beloved album Disintegration turned 30. For a band firmly affixed in the classic-rock firmament at this point, they’ve suddenly found themselves back in the spotlight – even if, by all indications, they prefer the dark.
The Cure has never gone out of style in one area though: covers. Whether the band’s in the news or not, every year delivers dozens more versions of “Lovesong,” “Boys Don’t Cry,” and the rest. We whittled them down to the 30 best ever, dramatic reimaginings that veer from gorgeous orchestral ballads to dark post-rock drones. Listen below (and join our new Patreon for MP3 download and playlist versions of the full set).
That’s the sort of thing that would slow down most musicians, but not Barlow. He kept right on touring the UK with Dinosaur Jr. after the mishap this spring, posting a celebratory video when he made it the whole way through without the metal pin popping out. Now he’s about to embark on a June solo tour; hopefully the pin will stay in for that too. In April, he even released a new 7″ with a photo of him in the hospital on the cover. Watch the self-directed video for “Love Intervene”:
In the middle of all that touring and healing, he took some time out to tell us about his favorite cover songs. As anyone who’s followed his career with Sebadoh and Dinosaur Jr. will not be surprised to learn, he knows his stuff. From alt-rock peers like Mudhoney to more-unexpected personal favorites (an Ace Frehley solo cut?), Barlow digs deep. And, never one to do the bare minimum, he picked six cover songs for his Pick Five. We just hope he didn’t have to use his collarbone to write ’em.Continue reading »
In Pick Five, great artists pick five cover songs that matter to them.
Next year marks the fiftieth birthday of Robert Christgau’s “Consumer Guide” record reviews. His blurbs pioneered the idea of giving albums letter grades, and he’s graded thousands over the years. In the 2010s, though, he’s only awarded a coveted A+ four times. The recipients: A Tribe Called Quest, Laurie Anderson, Vampire Weekend, and… Wussy. As if that wasn’t high enough praise, in that Wussy review for 2014’s Attica! he dubs them “the best band in America.”
He’s not alone, either. This Ohio band, based around the duo of Chuck Cleaver (formerly of Ass Ponys) and Lisa Walker – middle and left in that top photo, respectively – has become a critics’ darling in recent years. Their new album What Heaven Is Like should only continue that trend. Billboard’s already called it “a concise 10-song meditation on hope and fear,” and it doesn’t come out until tomorrow.
Two of those ten songs are covers, the first time the band’s included any on a proper album. Not that most listeners will probably realize that they’re covers; these music superfans dig deep into the vaults, covering cult favorite folkie Kath Bloom’s “Oblivion” and 1970s garage rockers The Twinkeyz’ “Aliens in Our Midst.” Listen to the latter:Continue reading »