Mar 152018
 

“Covering the Hits” looks at covers of a randomly-selected #1 hit from the past sixty years.

Rich Girl covers

In 1960, Victor and Everett Walker opened the first Walker Bros. Original Pancake House in Wilmette, IL. By the end of the decade, Victor retired, having sold his restaurant and the 15 KFC franchises he owned. At age 50, he was fixed for life – as were his three sons. One of them, Victor Jr., dated a woman named Sara Allen for a while in college. She broke up with Victor Jr. (but remained friends) and began going out with Daryl Hall, who would write “Sara Smile” about her and write many other songs with her.

Hall knew the young Vic and later referred to him as a “burnout.” “He came to our apartment, and he was acting sort of strange,” Hall said in an interview. “I said, ‘This guy is out of his mind, but he doesn’t have to worry about it because his father’s gonna bail him out of any problems he gets in.'” That thought led to a song. “But you can’t write, ‘You’re a rich boy’ in a song,” Hall said, “so I changed it to a girl.” Continue reading »

Dec 082010
 

On her second release, singer/songwriter/pianist Diane Birch unites with neo-soul outfit The Phenomenal Handclap Band for The Velveteen Age, a seven-track cover collection of dark eighties/early nineties cult hits. Album cover aside, however, little here suggests the tunes’ stygian origins. Exuberance, not melancholy, is the dominant atmosphere.

To say Diane Birch and The Phenomenal Handclap Band reimagine gothic rock as pop would be misleading. Classics of the genre like the Sisters of Mercy’s “This Corrosion” and Siouxsie and the Banshees’ “Kiss Them for Me” were rousing pop songs from the start. Rather, Diane Birch and The Phenomenal Handclap Band reimagine these songs as seventies pop, complete with Motown and doo-wop flourishes. On “This Corrosion,” Sisters’ singer Andrew Eldritch self-consciously refers to his outsider rock as “selling the don’t belong.” By giving the dark side of the eighties/early nineties a retro feel, Diane Birch and The Phenomenal Handclap Band repackage that same “don’t belong” for a new audience. Continue reading »