Sep 082023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

1990s One Hit Wonders

This month, our ongoing series of One Hit Wonders covers comes to its end. We’ve done the 1950s (think “Earth Angel,” “Tequila”), the 1960s (“96 Tears,” “In A Gadda Da Vida”), the 1970s (“My Sharona,” “Black Betty”), and the 1980s (“You Spin Me Right Round,” “Turning Japanese”). Now we hit the 1990s today and the 2000s next week.

For millennial readers, these will be the songs you remember hearing on the radio and watching on MTV growing up. So many ubiquitous classics of the era like New Radicals’ “You Get What You Give” and 4 Non Blondes’ “What’s Up,” by artists who only had a brief moment in the sun (you might say someone stole their sunshine…). Also some fun flukes, where the artist’s cultural impact goes way beyond “one hit wonder” — but, according to the fickle US pop charts at the time, they qualify on a technicality: Robyn, Fiona Apple, etc. Plus Sir Mix-a-Lot’s “Baby Got Back,” which has to be in the conversation for the most One Hit Wonder to have ever One Hit Wonder-ed. Continue reading »

Feb 032012
 

The Axis of Awesome bill themselves as “Australia’s Most Awesomest Musical Comedy Sensation.” With their 2011 viral video hit “4 Chords” nearing four million views, they are certainly trying to earn that title. The trio features Benny Davis on keyboard and vocals; Benny was an original member of the Aussie sketch comedy troupe “The Delusionists” and is a virtuoso on keyboard. He has taken on a side-project featuring his uncanny skill-set as The Human Jukebox. Continue reading »

Sep 292010
 

Song of the Day posts one cool cover every morning. Catch up on past installments here.

B-sides are a wonderful thing. With iTunes and the vinyl revival independently bringing back the single, bands promote songs as much as they do albums. Problem is, when iTunes makes everything a single, how do you convince a fan to pay attention? Why, you press a 7” and slap something else on the B-side. Often that something is a cover.

We saw one yesterday from the Dirty Projectors. Here’s another. In August, when noise-pop duo Crocodiles pressed “Sleep Forever” onto wax, they threw an unexpected tune on the flip side. It’s a cover that melds Deee-Lite’s super-cheesy hit “Groove Is in the Heart” with the slightly-more-classic “California Girls.” It winds up sounding very little like either. Continue reading »