Anyone who was paying attention to cover songs a decade ago will remember The A.V. Club’s “Undercover” series. In the vein of the BBC Live Lounge and Triple J Like a Version, the entertainment web site would bring bands into their Chicago offices to cover a song. The concept, though, was the site started with a masters list of songs and the band had to pick one. The later they came in, the fewer song choices remained. It went on for years and the covers were ubiquitous (we must have posted a million of ’em). Practically every indie band of the era stopped by (many several times), and they often delivered something great. Continue reading »
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
As album reviews go, Rolling Stone writer Jon Landau’s take on Paul & Linda McCartney’s Ram in 1971 was exceptionally brutal. Its opening barb, “Ram represents the nadir in the decomposition of Sixties rock thus far,” was a mere taster for what was to follow. Landau asserted that Ram was a “very bad album… unbearably inept… unpleasant.” He ended the review with a direct kick to Paul’s (apparent) hubris; “McCartney (the first solo album) and Ram both prove that Paul benefited immensely from collaboration and that he seems to be dying on the vine as a result of his own self-imposed musical isolation” (translation: you suck without the band that YOU broke up).
Landau was by no means alone in his disdain. Joining the pile on were NME’s Alan Smith, who declared Ram to be “the worst thing Paul McCartney has ever done,” and his own ex-bandmate John Lennon, who stated that it was “awful.” Speaking of the latter, even Ringo, our sweet beloved Ringo, weighed in with a “I don’t think there’s a tune on it.”
Oh boy. These assessments have not aged well, to put it mildly. The 21st century has seen Ram’s homespun charm endlessly lauded everywhere from Pitchfork to, yes, Rolling Stone. The album’s seeming lack of concern for shiny sonic commerciality has led many folks to refer to it as the one of the first real “indie” albums (debatable, as its self-titled predecessor went even further in that direction, but you get the idea).
What led to the critical sea change? Well, the simplest answer is that enough time passed that people stopped looking at Ram through the fog of despair over The Beatles’ break-up. It’s no longer characterized as an album by the villainous Beatle destroyer, but is instead regarded as prescient masterpiece by one of the greatest artists of all time. For maybe the truest sign that humanity has come full circle in terms of recognizing the merits of Ram, look no further than arguably the world’s biggest pop star.
In 2019, Harry Styles was asked by writer Rob Sheffield to describe the recording process and inspiration for his soon to be platinum album Fine Line and offered up this little nugget:
We’d do mushrooms, lie down on the grass, and listen to Paul McCartney’s Ram in the sunshine.
There you have it. This muddy Wellington sporting, wet dog scented, Fair Isle sweater wearing album from 1971, the album that everyone hated, helped inspire a #1 retro pop album recorded in sunny southern California in 2021. “Monkberry Moon Delight” begat “Watermelon Sugar.” Yup.
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Revisiting TLC’s 1995 smash hit “Waterfalls” is like stepping into a time machine. Once inside you come face to face with many of the societal fears that defined the ‘90s. The song and video address both the drug war and AIDS crisis head on. The lyrics delve into a whirlwind of topics from faith, love, sex and death, all packaged together with a pastoral refrain and a hypnotic R&B slow jam. Continue reading »
Amy Helm – Twilight (The Band cover)
Al Green – Before the Next Teardrop Falls (Freddy Fender cover)
Sorry, Beyoncé; the biggest surprise release of the year might be Al Green’s sudden return after a decade away. Well, not totally away; he still conducts weekly services at his Memphis church and, when I attended, was liberally sprinkling quotes from “Love and Happiness” and “Take Me to the River” into his sermons. Best of all: This Freddy Fender cover sounds like Al hasn’t lost a step. It’s apparently a one-off, but hopefully recording it will whet his appetite to do more. Continue reading »
With the exception of a small-minded baker in Colorado with a penchant for litigation, the wedding-service industry has mostly welcomed the legalization of gay marriage in the U.S. because of the new business it brings. Same-sex couples strutting down the aisle in greater numbers presents another hot-button cultural issue: how to find the perfect song for that first dance? Despite the fact that pop music has been loosening its collar since Elvis first shook his pelvis, when it comes to gender roles, mainstream songs tend to be as heteronormative as a ‘50s sitcom, no matter how suggestive the lyrics may be.
To address this issue, and no doubt tap into a lucrative commercial market, MGM Resorts sponsored a six-track EP called Universal Love. The collection features reworked versions of popular love songs with altered pronouns to celebrate same-sex love. The company must be betting big as they tapped serious star power, namely Bob Dylan, St. Vincent, Kele Okereke (lead singer of Bloc Party), Valerie June, Benjamin Gibbard (lead vocalist of Death Cab for Cutie) and Kesha. Continue reading »