Jul 072023
 

Nick DrakeWhen tasked with covering a Nick Drake song, your first thought might very well be, are my finger-picking skills up to scratch? Then you’d likely be anxious that your acoustic guitar isn’t tuned in the strange and unorthodox way it should be, while under pressure to do justice to Drake’s deeply poetic lyrics. You might also be tempted to slur the occasional word for jazzy effect, as you basically try to honor a uniquely melancholy acoustic sound that’s become a sacred thing since the English singer’s death in 1974, aged just 26, from an overdose of antidepressants.

The message behind The Endless Coloured Ways – The Songs Of Nick Drake, however, is this: don’t sweat all that stuff.

The newest Drake tribute album curators are Cally Callomon, Manager of the Nick Drake Estate, and Jeremy Lascelles, co-founder of Blue Raincoat Music, who are both keen to popularize Nick Drake posthumously in major new ways. Indeed, now that the Estate has agreed to a global publishing deal with Blue Raincoat Music Publishing, why wouldn’t they be? Lascelles, therefore, claims to have issued “one simple brief to each of the artists” involved in paying tribute to the musician barely recognized in his lifetime, which was to “ignore the original recording of Nick’s, and reinvent the song in their own unique style.”
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Oct 142022
 

Here It IsWith peak anticipation building in lovers of the Bard of Montreal, here finally drops Here It Is: A Tribute to Leonard Cohen, the Larry Klein-helmed and Blue Note-imprinted all-star tribute we have been sneaking peeks at these past few months. We have been a little underwhelmed by James Taylor and then bowled over by Nate Rateliff, so what of the rest?

First, some background. Klein and Cohen were good buddies during the final decade and a half of the singer’s life, having been crossing paths a good deal longer. Klein himself has an interesting pedigree, a jazz bassist of some renown, starting his career off by playing with Joe Hubbard and Wayne Shorter. Becoming more mainstream, as rock drew out for the greater sophistication jazz might offer, he began to play with, most notably, Joni Mitchell, actually marrying her. Whilst that didn’t last, he became one of the go-to bassists. It is him on Don Henley’s “Boys of Summer” Bob Dylan’s Down in the Groove, and Peter Gabriel’s So album, still keeping his hand in with older buddies like Herbie Hancock.

Adding the production arrow to his quiver, Klein went on to take charge of studio work by a throng of artists encompassing many, many genres. Who else can say they produced acts as varied as Holly Cole, Rodney Crowell, and (Jefferson) Starship? Not to mention Joni, even after their marriage dissolved, and the aforementioned Hancock, including his The Joni Letters, where those two worlds aligned.

Having spent a fair amount of time covering Cohen songs for other artists, Klein came up with the idea of assembling an album’s worth of new ones. He brought together a collection of his contacts and acquaintances, largely from the jazz world, or, as he himself put it: “a group of the most prescient and forward-looking musicians.” Thus the band here, which is led by unassuming guitar titan Bill Frisell, includes also saxman Immanuel Wilkins, Kevin Hays on piano, and the rhythm section of bassist Scott Colley and drummer Nate Smith. Longtime Frisell associate and pedal steel player to the stars Greg Leisz also gets to play, as does Larry Goldings. So a crack band, and already catnip to the Blue Note label, even ahead the roll call of vocalists.
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May 192020
 
quarantine covers
Amy Helm – Twilight (The Band cover)

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Mar 292019
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

the cure

“Friday I’m In Love” is a dumb pop song, but it’s quite excellent actually, just because it’s so absurd…. It’s so out of character – very optimistic and really out there in happy land. It’s nice to get that counterbalance. People think we’re supposed to be leaders of some sort of “gloom movement.” I could sit and write gloomy songs all day long, but I just don’t see the point. – Robert Smith

For a mopey band, the Cure sure knew their way around a good pop song. Any number of sunshine ‘n’ rainbow combos would give their proverbial eyeteeth for the skills to write, record, and release songs like “In Between Days” or “Boys Don’t Cry.” But of all their songs, none seem so counter to Robert Smith & Co’s image as “Friday I’m In Love.” It’s so exuberant, so euphoric, you almost don’t know what to do with it. Picture someone skipping down the sidewalk, hands up high, beaming at the sunshine, people turning to stare at his wake – that’s “Friday I’m In Love.”

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Nov 252015
 

joyTo all reports, Ewan MacColl was a difficult man. It’s perhaps hard to believe that a man who could write as sensitive a song as “The First Time Ever I Saw Your Face” (for Peggy Seeger, Pete’s half-sister and MacColl’s third wife), the song made into a cross-genre standard by Roberta Flack in 1972, could be so uniformly feared and vilified, yet still admired. I guess it’s the usual case of ignoring the man and embracing the music, and this man, who arguably invented the UK folk boom of the late 1950s and early ’60s, had little interest in embracing any of the young acolytes drawn to his flame – he called Bob Dylan’s work “tenth-rate drivel.”

Born James Miller in Manchester, his life was a series of reinventions, as he became a communist rabble-rouser in his teens, then a George Bernard Shaw-admired  playwright and, in his mid-30’s, self-acclaimed champion of a fiercely curated folk idiom, wherein such modern anachronisms as make-up for women (and possibly women in general) were decried and denied, while Dylan, Paul Simon, and others of those young acolytes were freely liberating the repertoire into their own.
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Aug 162011
 

Artists who contributed to the new John Martyn tribute album had a lot of options when choosing a track to cover; Martyn released twenty albums during his forty-plus year career. Thirty artists covered a song from Martyn’s expansive catalog to create Johnny Boy Would Love This: A Tribute to John Martyn. The British singer-songwriter, best known for his unique style on guitar, had a career that spanned genres from folk to jazz to rock and his music touched artists old and new. We previewed contributions from Beck, David Gray, and others earlier this month; now the complete album is available.

The remarkable scope of Johnny Boy Would Love This is an asset in that the album offers a rich, diverse group of tracks from well-respected artists. However, similarities between many tracks give the feeling that the collection could have been more carefully curated. Both discs are disproportionately populated with gentle, introspective covers; all the tracks respectfully pay tribute to Martyn, but not all offer something unique to the collection. There are, however, a selection of standouts among the thirty songs that make Johnny Boy Would Love This a worthwhile purchase for Martyn fans. Continue reading »