Dec 182020
 

Follow all our Best of 2020 coverage (along with previous year-end lists) here.

Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.

As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.

Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)

There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.

Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.

– Ray Padgett, Editor-in-Chief

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Oct 302020
 
best cover songs 2000

Every year, I do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969 (in 2019), 1978 (in 2018), 1987 (in 2017), and 1996 (in 2016). And in 2020 we circle back to the not-so-distant past with the most recent year yet: 2000.

Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.

There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).

None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.

YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.

Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.

The list begins on Page 2.

Oct 052020
 
best tribute albums

Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now. Continue reading »

Sep 302020
 
cover songs september 2020
Amigo the Devil – Before He Cheats (Carrie Underwood cover)

When we last heard Amigo the Devil, he was stripping down a Tom Jones song to create a haunting murder ballad. Now he does the same to another highly polished pop song – but a much more recent one. “[The original is] this very confidence-boosting, really good-feeling, power-infusing song,” Amigo’s Danny Kiranos told Rolling Stone. “I was curious what it would sound like if you took away the positive nature of it and kept the lyrics, essentially the emotions they are portraying.” Continue reading »

Jul 282020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Mark Lanegan covers

How many Mark Lanegans there are, I guess, depends largely on where you heard him first. For some it will have been the angry grunge of Screaming Trees; for others, the desert stoners of Queens of the Stone Age, or even the badass bromance of the Gutter Twins. Or they may, like me, have arrived from an altogether opposite direction, the low-fi acoustic of his duo work with Isobel Campbell, doe-voiced folkstrel and onetime cellist from Glasgow’s Belle and Sebastian. Other outliers will have been drawn in by the gospelectronica, if you will, of Soulsavers. Plus there will have been all those, suddenly marveling at his soundtrack tones, stamping over any number of films or boxsets.

But, once heard, that voice sticks. Memorably once described as being like a three-day stubble, it imprints, demanding both attention and immersion. And if the directions take you outa your usual safety genres, too bad; you go, you follow, opening new vistas on the way. Oh, and if you haven’t yet discovered Mark Lanegan, what are you waiting for?
Continue reading »

May 212020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When the indie band Grant Lee Buffalo burst on the scene in the early 1990s, they seemed destined for stardom. Emerging from a residency at L.A.’s Largo nightclub, the fresh young band got snatched up by a major label or two, and embarked on world tours with more seasoned pros–first R.E.M., and later Pearl Jam. Rolling Stone magazine pronounced the guy behind it all, Grant Lee Phillips, the male vocalist of the year in 1994, and Michael Stipe practically started a GLP fan club.

But instead of parlaying the attention into fame and fortune, Phillips grew disillusioned with the star-maker machinery, and the pressure to deliver instantly likable hits. His songs needed time to warm up, he said, like an old car or an old tube amp. By 2000 he had disbanded Grant Lee Buffalo and dissolved their Warner Records contract. He got to work as plain old Grant Lee Phillips. Allying himself with independent labels (Rounder, Yep Roc), he’s been recording and touring on smaller scales ever since. His work earns the critical adoration, and he doesn’t go through gyrations to transform his sound or his image. He has a knack for interesting side hustles, like composing for film and television, and acting, too. You might have seen him on seasons 1-7 of the Gilmore Girls, in the role of the wandering troubadour.

Continue reading »