Jul 282020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Mark Lanegan covers

How many Mark Lanegans there are, I guess, depends largely on where you heard him first. For some it will have been the angry grunge of Screaming Trees; for others, the desert stoners of Queens of the Stone Age, or even the badass bromance of the Gutter Twins. Or they may, like me, have arrived from an altogether opposite direction, the low-fi acoustic of his duo work with Isobel Campbell, doe-voiced folkstrel and onetime cellist from Glasgow’s Belle and Sebastian. Other outliers will have been drawn in by the gospelectronica, if you will, of Soulsavers. Plus there will have been all those, suddenly marveling at his soundtrack tones, stamping over any number of films or boxsets.

But, once heard, that voice sticks. Memorably once described as being like a three-day stubble, it imprints, demanding both attention and immersion. And if the directions take you outa your usual safety genres, too bad; you go, you follow, opening new vistas on the way. Oh, and if you haven’t yet discovered Mark Lanegan, what are you waiting for?
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May 212020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When the indie band Grant Lee Buffalo burst on the scene in the early 1990s, they seemed destined for stardom. Emerging from a residency at L.A.’s Largo nightclub, the fresh young band got snatched up by a major label or two, and embarked on world tours with more seasoned pros–first R.E.M., and later Pearl Jam. Rolling Stone magazine pronounced the guy behind it all, Grant Lee Phillips, the male vocalist of the year in 1994, and Michael Stipe practically started a GLP fan club.

But instead of parlaying the attention into fame and fortune, Phillips grew disillusioned with the star-maker machinery, and the pressure to deliver instantly likable hits. His songs needed time to warm up, he said, like an old car or an old tube amp. By 2000 he had disbanded Grant Lee Buffalo and dissolved their Warner Records contract. He got to work as plain old Grant Lee Phillips. Allying himself with independent labels (Rounder, Yep Roc), he’s been recording and touring on smaller scales ever since. His work earns the critical adoration, and he doesn’t go through gyrations to transform his sound or his image. He has a knack for interesting side hustles, like composing for film and television, and acting, too. You might have seen him on seasons 1-7 of the Gilmore Girls, in the role of the wandering troubadour.

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Apr 302020
 

Check out the best covers of past months here.

best cover songs april 2020
Arlo Parks – Redondo Beach (Patti Smith cover)


I’ve wanted to do a “Full Albums” on Patti Smith’s Horses for years. But it, and she, gets covered less than you’d think. This beautiful piano “Redondo Beach” gets me one step closer. Though, admittedly, I already had Courtney Barnett’s recent cover for that slot. Someone cover “Break It Up” already! Continue reading »

Apr 142020
 
live-from-home covers

It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!

Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.

One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here. Continue reading »

Under the Radar: Sweep

 Posted by at 12:00 pm  1 Response »
Apr 022020
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

SWEEP

Regular readers might not all be aware of erstwhile UK teatime favorites, the TV duo of Sooty and Sweep. Whilst the show limps on in several formats, time has not always been kind to Sweep, a roan cocker spaniel who first made his performing debut, astonishingly, as far back as 1957, and he has had to learn to adjust to the changing demands of a fickle audience. In the last year or so he has discovered a powerful and emotive singing voice: previously able only to vocalize in a fashion understandable to his close colleagues and family, he has learnt how to sing. Whilst this is not fully understood, this is perhaps akin to a stroke victim retaining or recouping the power of song ahead of the return of speech. and, although he can now speak, this famously first taking place on air in 2014, song still remains easier.

Sweep, always a keen musician anyway, through his longstanding membership of the Sooty Braden Showband between the late ’60s and early ’70s, has produced, to date, 186 videos, encompassing all genres and styles. These are usually solo acapella performances, he proving himself adept at maintaining rhythm with clapped hands and vocal beatbox effects, much in the style of Bobby McFerrin, with polyphony and multiphony.
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Feb 282020
 

Check out the best covers of past months here.

best cover songs of february
Amanda Palmer – Beds Are Burning (Midnight Oil cover)
Julia Stone – Beds Are Burning (Midnight Oil cover)

Due to the wildfires devastating Australia, Midnight Oil’s ecological anthem “Beds Are Burning” has gotten covered a lot this year (Patti Smith was, as always, ahead of the curve). The sudden abundance of covers of a great song is not a silver lining – there is no silver lining – but hopefully the funds from these go some small way towards rebuilding. The two most prominent come from honorary Australian Amanda Palmer and actual Australian Missy Higgs, on a charity EP that sees the first low-key Dresden Dolls reunion in ages, and from Julia Stone, who put together a covers set that comes out next month and features The National and more covering Aussie acts. Continue reading »