The newest cover from the A.V. Club’s resurrected Undercover series has hit the internet featuring a performance by GWAR, and the internet is responding with the appropriate amount of enthusiasm. This season’s list of songs that artists could select to cover included Nick Lowe‘s “Cruel to Be Kind,” and The La’s “There She Goes.” But GWAR went to the most timely choice: Chappell Roan‘s “Pink Pony Club.” Continue reading »
Follow all our Best of 2025 coverage (along with previous year-end lists) here.
Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.
That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)
Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.
Cover art by Hope Silverman
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Some songs have an adaptive trait that allows it to survive out in the musical wild. Trends come and go, stylistic sea changes surge and retreat, and tech revolutions rise and fall; they cause other great songs to fall to the wayside, while the truly classic song only gains luster as time goes by. For me, “Time After Time” is one of those songs.
I grumble every year at this time about the wrong artists getting into the Rock Hall of Fame. (What I really mean is that my favorite performer has once again been overlooked.) But this year I’m glad for Cyndi Lauper getting inducted. When you write and record a song like “Time After Time,” a song covered by Willie Nelson, Miles Davis, and over 400 other artists, you are richly deserving of the honor. (It should have happened in 2023, when Lauper was first nominated, but we’ll let that go.)
“Time After Time” (co-written with Rob Hyman) is just one of Lauper’s many achievements. In fact, the song is not even her best-seller–that’s “Girls Just Wanna Have Fun.” Nor is it the song of hers I like best–that would be “All Through the Night.” But it’s “Time After Time” that looms largest in her catalog, and that’s because it has entered the American Songbook.
Now that’s a true honor. Sales figures and popularity polls don’t get you into the American Songbook. There’s no selection committee involved. A song like “Time After Time” becomes a standard only gradually, after thousands of musicians decide individually it’s a song they want to play. Jazz singers, folk artists, pop stars, rockers, even bluegrass banjo pickers have added the song to their set lists, and to their albums. Pros and semi-pros have played it at countless wedding parties, and amateurs have played it at countless more open mics and karaoke nights.
For a song that was recorded almost as an afterthought (the label insisted the album was one track short), “Time After Time” has done pretty well for itself. It was nominated for, but did not win, the Grammy award for Song of the Year. The winner that year was Tina Turner’s “What’s Love Got to Do With It,” and that was almost certainly the right call in 1985. But in all the decades since, “What’s Love Got to Do With It” has been covered only 40 times, compared to over 400 covers of “Time After Time.” Songs move through the culture in mysterious ways.
Here are five adaptations of Lauper’s signature song (or one of her signature songs). Each one is worth a second listen as we ponder what makes “Time After Time” impervious to time itself.
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That’s A Cover? explores cover songs that you may have thought were originals.
An unusual thing happened after Cyndi Lauper released her debut album, She’s So Unusual (an accurate title if ever there was one). Lauper became the first female artist ever to have four singles from one album reach the Billboard Top 5 in the U.S. (Michael Jackson accomplished the feat the year before with Thriller.) We are going to look at the last of those, “All Through the Night,” the sleeper hit, and the only one of the four singles that Lauper didn’t write or co-write herself.
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Cher’s pushing 80, but, as seen most recent on the SNL 50th concert, she can still command a stage like nobody’s business. At the recent Love Rocks benefit concert in NYC, she reprised her ‘90s “Walking in Memphis” cover, complete with full Elvis costume, pompadour very much included.
A heavy-metal cover of the least heavy group of all time (they are French, after all): Air. Dååth (you “know it’s heavy with that punctuation in the name) writes: “Our version of “Run” has been a long time coming. It’s a creepy, weird song I’ve wanted to cover since I first heard it… This is a weird song. If you haven’t heard it, listen to the original, then ours. To do it justice, we needed an unconventional mix that could also go full metal. Gautier Serre, of Igorrr, was the obvious choice. If he can handle Igorrr, he can handle this—and being French, he already knew the song. The result is truly unique. If you’re expecting pure extreme metal, you might be disappointed—and that’s fine, because we do what we want.” Continue reading »
Screamo Oasis? That’s sure to piss some people off! Can’t wait for the Gallagher brothers to weigh in. This reminds me of Biffy Clyro’s highly divisive “Modern Love” a few years back. Not generally my genre of music, but I do love when a band takes a swing like this.
For a couple weeks this months, my Google Alerts were taken over by some TV-performance show called Chefsache ESC 2025. Which I’d never heard of, and still only vaguely understand what it is (some sort of Germany-only Eurovision?). It produced some wild covers though. The Feuerschwanz medieval-metal version of “Dragostea Din Tei” must be seen to be believed. But we’ve written about that song before—they released it on an album a couple years ago—so, instead, here’s a group called The Great Leslie performing Coldplay like they’re Franz Ferdinand. Continue reading »