Released in 1971, Creedance Clearwater Revival’s “Have You Ever Seen the Rain” is one of their defining songs, summing up the sound of the band in a melodic yet gritty track. Singaporean singer Linying’s cover of the track adds a beautiful element of softness, translating the bitter and harsh tone of the lyrics into one of tranquility and sadness.
Intronaut are an American progressive metal band who’ve been putting out albums for about 14 years. They are known for a sound that incorporates, among other things, stoner metal, jazz and math rock. They might be one of the last bands you’d think of to cover a band as rootsy as CCR.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
People frequently think of the Ramones as being goofball one-trick ponies, fit more for T-shirts than turntables. This grossly misrepresents their point and their purpose, never mind the debt they pay to whole swathes of earlier, largely ’60s music. Like no other punk band, the Ramones brought back the energy and the intuition up into a future (now the past) that both honors and updates those motifs. And this never became clearer than on 1993’s Acid Eaters, where many of the songs sound like they were originals that “da brudderz” wrote. Even if you know the originals forwards and backwards.
We are closing in on six decades of amazing music from Bruce Springsteen. In all those years of performing, The Boss has covered over 300 songs. Some he’s covered hundreds of times. Others he’s covered just once.
A new “Songs Under Cover” playlist he just released as part of his Live Series collects 15 soundboard covers spanning several decades and genres of music. Some of the covers are more successful than others, and we’re going to rank them for you right here. (Play along with the official playlist on Spotify, Apple Music, and Amazon Music).
With their surprise success “Africa,” Weezer delivered easily the biggest cover-song news of 2018. And they similarly seemed poised to dominate this year’s cover-album news when they dropped a full set of similar songs in January (that album’s not on our list, because it is – and I say this as a fan for going on 20 years – terrible).
Thankfully, that album got forgotten about five minutes after its release. A slate of other high-profile cover albums took its place, and delivered more staying power. Angelique Kidjo, Morrissey, and Juliana Hatfield all released covers albums, and a host more stars contributed in one way or other to tribute compilations, from Norah Jones and Margo Price covering Bobbie Gentry to Courtney Barnett and Kurt Vile tackling Wilco. Some of the aforementioned made our list and some just missed it, but all are worth investigating.
That’s to say nothing of the many lesser-known artists who came out of nowhere, amazing covers records by bands and singers I’d never heard of before. Covers albums can offer a wonderful entry point for discovery, and I’ve now got a lot of new favorite bands to dig deeper into. Hopefully you’ll find a few here too.
– Ray Padgett, Editor-in-Chief
I’ll pull no punches: Janiva Magness is one of the best blues voices you maybe won’t have heard of. Despite being only the second ever female artist to win the B.B. King Entertainer of the Year award, she has been operating largely under the mainstream radar since the early ’90s, quietly building up steam, aided and abetted of late by the retro chops of Brian Setzer/Dan Hicks producer, Dave Darling. Now, with Janiva Magness Sings John Fogerty: Change in the Weather, she sets out to cover the work of a voice that’s been hears far more often.
Magness has done Fogerty before: she included “Long As I Can See the Light” in her 2016 release, the Grammy-nominated Love Wins Again. Clearly this hit a chord, as this time she runs with a further dozen, both CCR material and some later songs. But make no mistake, this is no cut’n’paste job, settling for substituting her husky vocal for his hoarse holler; rarely does she revisit the swamp-pop murk of the originals, applying instead varied shades of classic blues to the palette, giving new life and, dare I say it, depth. So, rather than the potential overkill of listening to a Creedence greatest hits selection, the varied timbres bring added nuance to the lyrics, bringing forth more — and again I falter — subtlety than the bombast Fogerty and the band gave the material (rightly so in their case, as it worked for the needs of their audience at the time).