Jul 072023
 

Nick DrakeWhen tasked with covering a Nick Drake song, your first thought might very well be, are my finger-picking skills up to scratch? Then you’d likely be anxious that your acoustic guitar isn’t tuned in the strange and unorthodox way it should be, while under pressure to do justice to Drake’s deeply poetic lyrics. You might also be tempted to slur the occasional word for jazzy effect, as you basically try to honor a uniquely melancholy acoustic sound that’s become a sacred thing since the English singer’s death in 1974, aged just 26, from an overdose of antidepressants.

The message behind The Endless Coloured Ways – The Songs Of Nick Drake, however, is this: don’t sweat all that stuff.

The newest Drake tribute album curators are Cally Callomon, Manager of the Nick Drake Estate, and Jeremy Lascelles, co-founder of Blue Raincoat Music, who are both keen to popularize Nick Drake posthumously in major new ways. Indeed, now that the Estate has agreed to a global publishing deal with Blue Raincoat Music Publishing, why wouldn’t they be? Lascelles, therefore, claims to have issued “one simple brief to each of the artists” involved in paying tribute to the musician barely recognized in his lifetime, which was to “ignore the original recording of Nick’s, and reinvent the song in their own unique style.”
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Oct 122020
 

Off the Beaten Path looks at covers of songs from a less popular era in an artist’s career.

Blue Nile

It takes a certain amount of bravery to give yourself over to The Blue Nile. Listening to their songs of wistful rainswept regret and longing, outside the confines of home or a solitary space, suggests that you are 100% okay with crying in public. That you are fine with subjecting yourself to sounds that may cause you to seek temporary solitary shelter in a random doorway or bathroom stall, or slide down the wall of an elevator until you can pull yourself together. But as the bands devoted fanbase will tell you, it’s absolutely worth it.

The fact is, within the history of pop, there are very few bands capable of holding your hand as tightly and accompanying you down, down, down with as much beautiful empathy as The Blue Nile. I saw the band play at The Bottom Line in NYC in 1990 and have a vivid memory of crying as the band were performing their solemn ballad “Let’s Go Out Tonight.” It was silly and slightly embarrassing, but mostly, it was magical.
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