Mar 312026
 
best cover songs
Anna Prior — No More Drama (Mary J. Blige cover)

Metronomy drummer Anna Prior is back with a new EP, Firefly. The first single is a cover of the Mary J Blige classic. “I’ve wanted to do a cover song for a long time and I just never found the right one that fit with my sound,” Prior wrote. “The overall tone and feeling of the original fit so well with the ‘A minor’ theme of the EP that I just couldn’t resist. It’s a song that shaped my late teenage years and I really hope I’ve done it justice and I don’t get sued.” [Editor’s note: You won’t. That’s not how covers work…]

Bonnie “Prince” Billy — Trustfall (Pink cover)

Last December, the prolific Bonnie “Prince” Billy hopped onstage with Yo La Tengo to cover—of all people—current Rock and Roll Hall of Fame nominee Pink. The song was a pretty deep cut too, a single from 2023. Will Oldham must really like that song, because he’s returned to it again in a solo incarnation. As if that combo wasn’t wild enough, add this one: This video was recorded at the early 18th-century pub The Lamb in Bloomsbury London, regular haunt of Charles Dickens. Continue reading »

Mar 102026
 
CHVRCHES

CHVRCHES bandleader Lauren Mayberry told Billboard that the band recorded two covers during the sessions for their next album. The group previously released Robert Palmer’s “Addicted To Love” on the Tell Me Lies soundtrack, and now they add The Postal Service’s “Such Great Heights” to the list, which also now appears on the show’s soundtrack. This version of the song stays true to the original while offering a refreshed timbral softness and imparts an ever-so-slightly different sonic flavor. Continue reading »

Jan 302026
 
The Best Cover Songs of January 2026
The Beaches — I Ran (So Far Away) (A Flock Of Seagulls cover)

The Beaches released one of the best albums of last year with No Hard Feelings. Now they’ve followed up with a Flock of Seagulls cover. Why? Why not! They don’t veer too far away from the original arrangement, but add an extra dose of indie-rock crunch. Halfway through it gets a little more shoegazy and expansive, with a huge build.

The Damned — Making Time (The Creation cover)

This deeper cut is a high point of the Damned’s new covers record, which, per our review, “takes the song into near heavy metal territory, if leavened by the catchy choral chorus, which, especially with the bass and drums, comes over like the Who in their prime.” Continue reading »

Jan 212026
 

The slow piano cover of an old hit is a 21st century cliché. Ever since Michael Andrews and Gary Jules covered Tears for Fears’ “Mad World” at the beginning of the century for the Donnie Darko soundtrack, the slow piano cover has spread. First slowly and then like wildfire, to the point where now there are thousands on YouTube and numerous movie and TV trailers and soundtracks make use of them. So it’s a bit of a dangerous game now for anyone attempting one: will it stand out among the legion of these covers? Continue reading »

Apr 102020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Justin Timberlake's "Cry Me a River"

Justin Timberlake was one of the rare artists who successfully escaped a ’90s boy band to become a “serious” and respected artist. This was almost unheard of at the time; many “leaders” of bands failed to breakthrough as solo artists, let alone boy bands. But Timberlake paved the way for others like Harry Styles to flourish beyond their first act. However, Timberlake did not do it alone. Timbaland and The Neptunes, a production duo made up of Pharrell Williams and Chad Hugo, helped craft Timberlake’s first solo album Justified.

I didn’t always know this fun fact. I recently re-discovered Timbaland’s Shock Value and Shock Value II, and although I appreciated the wide variety in collaborators (Jet, Fall Out Boy, Chad Kroeger, and Elton John are some of the most surprising), I realized that Timberlake and Timbaland sure were collaborating a lot. Then I started to do some digging and realized how influential Timbaland was in Timberlake’s career. Throwing the whole way back to Justified put Pharrell on my radar as well. I then wondered how many other artists these two had influenced in a similar way, and with that question, this week of posts was born.

I discovered that The Neptunes produced hits like “Señorita,” “Like I Love You,” and “Rock Your Body,” while Timbaland produced “Cry Me a River” and the less mainstream but still impactful “Right for Me” and “(Oh No) What You Got.” Since then, Timbaland has been involved in each of Justin Timberlake’s solo albums, helping Timberlake to bring SexyBack and rock a Suit & Tie, among other good deeds. He is even involved in the Trolls soundtrack! Man in the Woods also reunited Timberlake, Timbaland, and The Neptunes. Where would Timberlake be without these two?!

After a week of exploring the influences of the two triple threats Timbaland and Pharrell Williams (they write, they produce, and they perform), we delve into five covers of “Cry Me a River,” Justified‘s second single that features Timbaland vocals. For context, the song was inspired by Timberlake’s breakup with Britney Spears. Key features to listen for are the piano and synth lines,  the opening monk chants, an intense beat drop, and falsetto accusations like “don’t act like you don’t know it” and “I found out from him.”

Continue reading »

Jan 242020
 

‘The Best Ever’ series counts down our favorite covers of great artists.

best boy band covers

2020 marks a number of twenty-year anniversaries in music, but perhaps nothing as much as the extremely turn-of-the-millenium phenomenon of the boy band. At the start of the year, NSYNC set a first-week sales record with No Strings Attached. At the end of it, Backstreet Boys set their own sales record with Black & Blue. No one before or since sold CDs like boy bands sold CDs. Even the year’s other huge artists seemed defined in reaction to boy bands; Eminem dissed boy bands in seemingly half of his songs, while Limp Bizkit’s Fred Durst was constantly starting feuds with them. It was that kind of year.

Because boy bands had their detractors. Boy oh boy, did they have their detractors. I was a 13-year old in 2000, and I remember the arguments dominating middle school hallways. But whether you were a fanatic or a skeptic, it’s hard to argue that, stripped of the love-it-or-hate-it presentation, the songs were rock solid (melodically, if not always lyrically). I imagine every one of us has gotten some of these stuck in our head – even if we didn’t want them there.

So rather than picking just one artist, we decided to pay tribute to the entire genre. We didn’t limit it to songs from the year 2000, but we did limit it to the phenomenon that 2000 represents. Though you can make a fair argument that The Beatles and Jackson 5 were boy bands, including groups like that would render this list pretty meaningless. Every artist here fits a pretty strict definition of a boy band, even if they came just before the genre’s cultural peak (New Edition) or after it (One Direction).

So everybody, rock your body with the 25 best boy band covers ever.

– Ray Padgett

The list starts on Page 2.