Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, courtesy of Cover Me staffer Mike Misch: What’s a favorite song you learned about on Cover Me? Continue reading »
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What’s your favorite example of an artist “covering” their own song? Continue reading »
We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late.Continue reading »
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
I came early to the Bee Gees. For the barely teenage me they gave a plaintive, yearning sound to well-constructed ballads, with keening mid-range harmonies that totally belied their higher pitched ’70s second coming (which, incidentally, is where I left again). And never mind the earnest re-appraisals of their disco years – when is someone going to give a punt for their still-remarkable ’60s canon? Do we have to wait until the original Bee, Barry, last man standing and eldest sibling of the brothers Gee (Gibb), departs this earth? Whilst today I but celebrate this sole song, “New York Mining Disaster 1941.” Was there a mining disaster in New York in 1941? It seems not, but since when did the truth need to bother a decent song.
This is the song that started the Bee Gees down their yellow brick road – it’s reputedly the one which, when played by their staunch impresario/manager Robert Stigwood to Paul McCartney, led to their being signed to a recording contract. In turn it was their first worldwide hit, reaching #14 on the Billboard chart in 1967. And I dispute the latter-day dismissal given of it by Maurice, who didn’t write it anyway, it being the product of his twin, Robin and aforementioned elder brother Barry. (Maurice had suggested it was a deliberate rip-off of the Beatles, whereas the only Beatle link was to do with some duplicity in the disc jockeys of the day, making out it may have been actually by them.) It appears on their imaginatively titled first LP, Bee Gees’ 1st, and I commend it, along with later double concept album Odessa, as both dated but overlooked artifacts of a time blessed with more ideas and experimentation than is now remembered of the three toothy brothers from Melbourne, Australia (but actually all born in Manchester, England). Continue reading »
