Jun 262026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Police Covers

Conceived and delivered during a time of band strife, Synchronicity was nevertheless the biggest record (and cassette) in the world in 1983, and was the fourth consecutive #1 album for The Police. Every band who formed in the ‘80s, and many subsequently, knew their music. Already on rotation on the radio, The Police also timed their run well to coincide with the launch of MTV, and they and their publicity team were keen to harness the power of that medium. When a new musical format emerged (a regular occurrence in the ‘80s) re-releases of The Police would be top of the list as guaranteed sellers, generating more listens. The back catalogue is quite compact, but it hums with complex, sophisticated music that speaks to many.

That breadth of interest means that the world of Police covers is particularly rich. Reggae and dub artists, keen to repay and mark the favor that The Police did for them in publicizing their craft, were grateful and expressed themselves in their genre. Sting recorded phonetic vocals for some tracks in Spanish and Japanese, and there are great covers in those languages as a thank you. Indie god Juliana Hatfield was the perfect age to be a Police completist as she dreamed of a career in music, and repaid that love with a whole tribute album. There is a great goth and emo covers album, and not all of it is covers of “King of Pain” and “So Lonely.” Punks can see themselves in the ramshackle start of the band. Genre tribute albums have to incorporate The Police, with a greater or lesser level of success.

Musicians who have a different taste in music, but similar in nasal stimulants, can be difficult to keep together. Especially when one of them keeps 80% of the writing royalties to himself, not allowing his talented bandmates to record more than one of their own songs per blockbuster album. Synchronicity was the last studio album the band made. The other great thing about ubiquity, though, is that you can find copies, in multiple formats, of their records in vinyl and thrift stores throughout the world. New bands will be formed from what people find there. It was a challenging task to identify the best Police covers, but it was very worthwhile.

— Mike Tobyn

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Oct 012025
 
Brad Mehldau and Chris Thile

Jazz pianist Brad Mehldau is paying tribute to Elliott Smith with his new record Ride Into the Sun. And in the track, “Colorbars,” Mehldau teams up with mandolin player Chris Thile. (Also featured on the album are bassist Felix Moseholm, drummer Matt Chamberlain and Daniel Rossen, from Grizzly Bear.) Continue reading »

Nov 142023
 

Cover Genres takes a look at cover songs in a very specific musical style.

We begin with a bow to Seuras Og and his genre-expansive post earlier this year about banjo covers. We can’t leave the banjo hanging–or getting the last word, either. So: Let us now praise the mandolin.
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Nov 042022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

dolly parton covers

Dolly Parton is a singer and a songwriter. I mention that obvious truth because these days it tends to get overshadowed by her other titles: Icon. Inspiration. National Treasure. The Only Human Being Alive Everyone Agrees On (Radiolab produced an entire nine-part radio series based on that premise). And she is all those things, but first and foremost she’s a working 9-to-5 musician who has been perfecting her craft for seven decades.

Parton says she wrote her first song as a five year-old in 1952. She hasn’t stopped writing songs since. She once estimated she’s amassed 10,000. Maybe that’s an exaggeration, but the verifiable numbers speak for themselves: 52 studio albums, 25 Number One songs, 100 million records sold worldwide. Just as important a tribute to her gifts, though, are how often her songs get covered. Not just the obvious ones, the “Jolene”s and “I Will Always Love You”s (though plenty of those, lord knows), but the album cuts, the singles that didn’t top the charts, and the songs she didn’t write herself but made into Dolly Parton songs anyway.

Some of the below covers sound a little bit like Dolly’s own music. Most do not. She considers herself straight country, not, as she made clear when first nominated for the Rock Hall earlier this year, rock and roll. But, in this list, she is rock and roll. And folk and pop and hip-hop and soul and a whole host of other genres. Dolly Parton may indeed be the only human being everyone agrees on. What a way to make a living.

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Jul 222022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

white stripes covers

The always prolific Jack White releases his second album of 2022 today. So it felt time to look back at his most iconic musical project: Goober & the Peas.

Okay, okay – we’re of course talking about The White Stripes. Though by this point Jack’s released more solo and side-project music than the Stripes’ entire six-album discography, his and Meg’s music still gets covered far more than the rest. Part of that is because that band had actual hits; I doubt there’s anything on his new album that’s gonna do “Seven Nation Army” numbers. But part of it also reflects the stripped-down nature of that band’s work. With just two pieces, combining rudimentary guitar riffs from Jack and cavewoman drumming from Meg, the band’s output leaves plenty of open space to welcome in other interpretations.

So no surprise our list below includes a wide variety of genres, from orchestral bowers to soul belters, bluegrass pickers to reggae toasters. By the band’s end, the Stripes were bringing in genres beyond their beloved blues and garage-rock (see the cabaret of “The Nurse” or mariachi of their Patti Page cover “Conquest”), but these artists take their songs even further afield. They dig deeper into the catalog than you might expect too. The most-common song on our list won’t surprise you (all together now: dunnn, dun-DUN-dun, dun, dunnn, dunnnnnn), but just how obscure some of the others are might, hits and deep cuts from their first album to their last. Fall in love with a cover, below.

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Oct 182021
 

Georgia BlueWhen Joe Biden was bidding for POTUS, Jason Isbell declared his support by tweeting a promise. If the state of Georgia, his home state, went blue (Democrat), a possibility hitherto deemed impossible, he would record a cover album of Georgia-related songs for charity, “and damn is that gonna be fun.” As Isbell would later say, he had been looking for an excuse to record such a record for some time, but this now offered the ideal opportunity.

Well, Georgia went blue, against the odds and expectations, and with the release of Georgia Blue, three organizations are the better off for it, with all the album’s proceeds going toward Black Voters Matter, Georgia Stand-Up and Fair Fight.
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