May 082026
 
King Ultramega

Producer Mark Menghi’s all-star Chris Cornell tribute project King Ultramega has released a new song, this one paying tribute to a less explored area of Cornell’s career. Bringing together Brent Hinds, Mastodon‘s lead singer on vocals, Angel Vivaldi on all guitars, Frank Mitaritonna on keyboards, and Kenny Aronoff on drums (along with Menghi on bass,) the group’s newest song is a cover of “Dead Wishes,” which appeared on Higher Truth, the last album released during Cornell’s lifetime.

“I would constantly listen to the original version in moments of clarity, times of reflection, sitting in a sauna post-work out and/or cool down periods, etc. any time I needed to wind down or relax, I listened to it,” said Menghi. “As time went on, I became more and more connected to the song. I just love the simplicity of the song, the depth of the instrumentation, the acoustic guitar tone, etc. when tracking and producing our version, I wanted to stay true to the original but add things I was hearing in my head, hence the violins, cellos, keyboards, percussion, Leslie effects, xylophone, sleigh bells, etc. I wanted to create an atmospheric soundscape that would pay homage to the original.”

The group previously had released a cover of “Rusty Cage,” featuring Alice in Chains singer William Duvall. (It made our list of best covers of the month in February.)

All money raised by sales of the single will benefit MusiCares, which supports mental health services, addiction recovery support, and emergency assistance to members of the musical community.

Apr 242026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

After a long and tortured production process, the Michael Jackson biopic Michael comes out in theaters today. Is the movie any good? Does it matter? It’s enough of an excuse for us to count down covers of his biggest songs!

The legacy of Michael Jackson the person is—to put it mildly—complicated. But the legacy of Jackson’s music is unimpeachable. Dozens of songs that are all-time classics, and that get covered frequently, in every genre imaginable. Here are our favorites:

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Mar 272026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Led Zeppelin

Jimmy Page and John Paul Jones were veteran session musicians. Robert Plant and John Bonham hadn’t turned 21 yet. The first time the four of them got together, they played “Train Kept A-Rollin’,” and in Jones’s words, “the room just exploded, we could see the grins spreading, and we said, ‘Right. We’re on, this is it, this is going to work!'”

Eleven years and change later, the band released a statement: “We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”

In between, the band that someone predicted would go over like the world’s biggest lead balloon became the biggest band in the world. Led Zeppelin were pioneers in so many ways. Hard rock, AOR, studio wizardry, stadium touring, album cover design – all saw the band at the forefront. Most importantly, their music was what brought people to them, and what kept them there. All the members were among the best in the world at what they did, and together their alchemy made their songs, whether loud or soft, catch in their listener’s minds and hearts.

When Francis Malofiy called Led Zeppelin “the greatest cover band in all of history,” he didn’t mean it as a compliment. Malofiy was the attorney suing Zeppelin for stealing “Stairway to Heaven”‘s opening riff from the Spirit song “Taurus,” and he certainly wasn’t the first to take the band to court to get songwriting credit. But whether the greatest cover band in all of history synthesized, swiped, or supplanted their influences, the cover bands that came after them were given deep, deep cupboards to plunder, and plunder they did.

We’ve come up with thirty-five top covers of Led Zeppelin songs. Like the band, they branch into blues, country, reggae, folk, and hard rock (and, unlike the band, even jazz). Like the band, they take something great and make it greater. And like Robert, Jimmy, John and John, once you hear it working, your grin is going to spread.

–Patrick Robbins, Features Editor

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Mar 032026
 
Sombr
Asher White — Casper (Jessica Pratt cover)


Why does Asher White have a record titled Jessica Pratt? Because, as it turns out, it is a full-length cover of singer-songwriter Jessica Pratt’s 2012 debut record—which happens to be self-titled. Pratt herself approves: “White’s curiously inventive renditions took me by surprise,” she said in a press release. “A broad sweep stylistically and production-wise. Not just homage, but a record in its own right.”

The Belair Lip Bombs — Happiness (The 1975 cover)

“It was the first single that came out of their latest record and I just listened to it for like two years straight,” singer Maisie Everett said of the 1975 song the band covered on Like a Version. “I still do.” Continue reading »

May 262023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Prince

In July of 1958, a Prince was created. That was the month Charles became Prince of Wales. Earlier this month he was officially crowned King.

In June of 1958, another Prince was created. He died seven years before Charles’ coronation, but he had long before passed beyond the arena of royalty into the field of the celestial.

Prince was, if not a god, a divine presence, more felt than understood. That he was a musical genius was almost taken for granted; his prolific recording, his tremendous work ethic, his mysterious appearances where you least expected him (On Muppets Tonight?? Making fun of Hee Haw???)–all served to make him more myth than man, and now he’s less man than legend.

Prince famously told George Lopez that “covering the music means your version doesn’t exist anymore,” but that’s not quite so. Prince may not (or may) be immortal, but his music definitely is, and the covers that continue to roll in are all the proof you need. This post offers some of the evidence. (Certainly not all of it – more nominations missed the cut than made it, and the great majority of them were very worthy.)

Before we begin: to qualify, a Prince song needed to have been officially released before the cover version. Sadly, this means the Bangles’ “Manic Monday,” Sheila E’s “The Belle of St. Mark,” Celine Dion’s “With This Tear,” and others didn’t get considered.

And now for our selections. And don’t worry, Charles–it’s good to be King. It’s just more magical to be Prince.

–Patrick Robbins

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Sep 022022
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Pearl

The album Pearl saw Janis Joplin working with a strong set of songs, a tight band in Full Tilt Boogie, and a simpatico producer in Paul Rothchild. She may not have known she was making a masterpiece, but there was no disguising how well the sessions were going. They came to the most abrupt end possible, however, on October 4th, 1970, when Joplin died of a heroin overdose at the age of 27. A few months later, Pearl was released, and while her death couldn’t help but overshadow it, over the years that shadow has receded. More than just a final statement, it sealed Joplin’s place as the best female singer of blues and rock ‘n’ roll of her era, and in “Me and Bobby McGee” it contained her signature song, one that still feels good to hear on the radio.
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