Aug 162018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

madonna covers

Today is Madonna’s birthday, when the Material Girl herself turns – well, one isn’t supposed to talk of such things, so let’s just say it’s a nice round number. Round enough for us to devote this month’s Best Covers countdown to her many hits and, in a few cases, underexposed deep cuts.

A very few cases, to be honest. More than anyone we’ve done these lists about before, Madonna remains best known as a singles artist (even Beyoncé now gets thought of as an album artist). As a result, it’s the singles a cover artist tends to focus on – f’rinstance, the song “Like a Prayer” has been covered more than every other track on the album Like a Prayer combined. The repeated dipping into the same dozen or so songs sets the bar pretty high. You can’t just tweak a tune here and adjust it there. To stand out amidst the million other “La Isla Bonita” covers, an artist needs to attempt something radical.

Many have taken up the challenge. Not one cover on our list would you confuse with Madonna’s version for a second. These artists translate her dance-pop smashes into garage-punk, gypsy-jazz, reggae-soul, and a few genres that no amount of hyphenates will do justice (just wait ’til you reach that Sonic Youth side project).

So get into the groove below. And, if you have any favorite covers we missed, express yourself in the comments! Continue reading »

May 202016
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

caught_a_ghost

“It’s an old expression,” Jesse Nolan explained in an interview with MTV. “Musicians used to say you caught a ghost if you gave a good performance. Like you were possessed.”

The spirit has certainly moved Caught a Ghost, the Los Angeles indie-electro-soul musical collective headed by Nolan. They give a 21st-century voice to the ghosts of Stax and Motown, welding them to ’90s hip-hop and electronica. Nolan, who plays most of the instruments in the studio and leads a whole stageful in Caught a Ghost’s highly-praised live shows (could be four, could be eight – “We just take whoever is available when we play”), describes himself as an “imperfectionist,” making sure the music is realer by not refining it to death.

Continue reading »