Dec 172021
 

Follow all our Best of 2021 coverage (along with previous year-end lists) here.

best cover songs of 2021

To come up with our year-end list, we listened to thousands of covers.

That’s not an exaggeration, or loosely throwing around “thousands” for effect. My iTunes tells me I personally listened to and rated 1,120 new covers in 2021. And I’m just one of a dozen people here. Many of those thousands of covers were very good! But “very good” isn’t good enough for our annual year-end Best Cover Songs list. So when we say these 50 are the cream of the crop, we mean it.

They, as usual, have little in common with each other. A few tie into current events: Artists we lost, social justice concerns, live music’s fitful return. Most don’t. But does a doom metal cover of Donna Summer really need a reason to exist? How about African blues Bob Dylan, New Orleans bounce Lady Gaga, or organ ballad Fleetwood Mac? Nah. We’re just glad they’re here.

So dive into our countdown below – and, if you want us to send you a couple hundred Honorable Mentions culled from those thousands, join the Cover Me Patreon.

– Ray Padgett, Editor in Chief

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Nov 162021
 

Soulsavers is, or was, the nom de guerre for the initially electronica production team Rich Machin and Ian Glover, who have increasingly developed into the providers of a lush neo-gospel soundscape, incorporating element of country, soul, and blues, into which a variety of singers have embedded (usually) rich and evocative vocals. Dave Gahan is, of course, the front man for Depeche Mode, as famous for his medical history as his work in those early adopters of electronica/pop. His tones are perfect for the Soulsavers brand, and he first came aboard in 2012, singing and writing much the material for The Light the Dead See. This prove a bigger draw than earlier material and the collaboration continued, with the next album, Angels and Ghosts, perhaps ominously now under the Dave Gahan and Soulsavers soubriquet. The duo then made an instrumental album, Kubrick, Gahan returning to Depeche Mode duties.

Last year Gahan began to drop hints as to a further collaboration, and that it would be a covers collection: “When I listen to other people’s voices and songs—more importantly the way they sing them and interpret the words—I feel at home. I identify with it. It comforts me more than anything else.” A taster, the Cat Power song “Metal Heart,” dropped a month or so back and all seemed to be auguring well. Now we have Imposter, the full basket of fruits of their labors. And we have a problem.
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Oct 212021
 
Depeche Mode Cat Power Dave Gahan

While cover records may be old hat (and, recently, big news) for Cat Power, interpretations of her songs from other musicians are rarer to come by. Yet Depeche Mode’s Dave Gahan has nobly entered the fray this month, offering up an epic version of Cat Power’s “Metal Heart.” The cover is officially credited to Dave Gahan & Soulsavers, and the group’s near-holy name rings true: their version is fiery, gospel-tinged and expansive. Continue reading »

Oct 182021
 

Georgia BlueWhen Joe Biden was bidding for POTUS, Jason Isbell declared his support by tweeting a promise. If the state of Georgia, his home state, went blue (Democrat), a possibility hitherto deemed impossible, he would record a cover album of Georgia-related songs for charity, “and damn is that gonna be fun.” As Isbell would later say, he had been looking for an excuse to record such a record for some time, but this now offered the ideal opportunity.

Well, Georgia went blue, against the odds and expectations, and with the release of Georgia Blue, three organizations are the better off for it, with all the album’s proceeds going toward Black Voters Matter, Georgia Stand-Up and Fair Fight.
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Oct 082021
 
Cat Power Covers

Throughout indie rock’s ascendance in the ‘00s, Cat Power (a.k.a. Chan Marshall) was one of the foremost musicians to keep the flame of cover songs alive. Marshall’s epic pair of cover LPs in that decade, 2000’s The Covers Record and 2008’s Jukebox, were luminous and sharp — featuring pointed, personal interpretations of the likes of Smog, The Velvet Underground, Bob Dylan, James Brown, alongside legends of blues. While the albums may not have had an outsized impact (Marshall was often keen to deliberately tone her versions down, cooling the temperature and sitting back in the groove), both were brilliant vehicles for her evolution as an artist. Looking back, too, her open-hearted approach to interpreting songs of all sorts— commingling rock, folk, blues, punk and classic R&B in the same stew — was a harbinger for the genre-hopping that’s become standard in the years since Jukebox’s 2008 release. It seems only natural now, for example, to cover The Rolling Stones as a solemn dirge; to play a doo-wop classic on autoharp; or to take on Kander & Ebb with a band comprised of leading Memphis soul session players. Continue reading »

Feb 242021
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

a cappella cover

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question, suggested by staffer Hope Silverman: What’s the most bizarre cover you’ve ever heard?
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