The most basic, clinical way to describe singer-songwriter-guitarist Ryley Walker’s signature sound would be to liken him to legends like Bert Jansch, John Martyn or Michael Hedges. Which is to say he’s jazzy, folky, eccentric and joyfully unpredictable. But the ideal way to describe his sound requires that we get flowery and overly sentimental for a second: He infuses such an undeniable brightness into whatever he plays that he quite literally sounds like the sun peaking through the trees on a quiet street in the summertime.
On his new cover EP, titled, yes, covers, his slips his beautifully optimistic style onto tracks by Grouper, Cass McCombs, Isotope 217 and Amen Dunes. You don’t need to be familiar with the originals here to appreciate the EP’s sweet, embraceable sound. In fact if you aren’t, Walker’s engaging versions of these tracks might inspire you to check out the originals (in which case you are in for a treat). Continue reading »
Joan Wasser started out as a violinist, performing in a variety of bands throughout the ’90s including The Dambuilders, Black Beatle, and Antony and the Johnsons. She eventually broke out on her own, assuming the stage name Joan As Police Woman (inspired by the TV show Police Woman) and releasing her first solo album in 2006. After two solo records of original material, Joan As Police Woman released a limited edition covers album in 2009 that included a variety of songs, from 