Jun 102020
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Albert King is one of the undisputed Kings of the Blues, but he didn’t get to that point overnight. It took ten years, hundreds of nightclub gigs, numerous day jobs, and one name change (an attempt to present himself as a relative of  B.B. King) before King was able to record his first album, The Big Blues, in 1962, for the appropriately named King Records. After that, it was another five years of hard graft on the road before King finally settled into his home-for-life, Stax Records. At Stax, King formed a formidable partnership with Booker T. & The MGs, with whom he finally recorded his second album, Born Under A Bad Sign, in 1967.

It’s not entirely clear whose idea it was for Albert to record an album of Elvis covers for this, his sixth album on Stax, but the decision was an inspired one. Since Elvis’s brand of rock ‘n’ roll in part derived from the blues, Albert would simply be “bringing it all back home.”
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May 012020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Ada Habershon

Trying to find some positive across this wracked virus-strewn world, and it came, suddenly, in a flash. Actually, it didn’t quite come in a flash, it came as I semi-snoozed this another I don’t know what the hell day it is lockdown day, courtesy the joy of shuffle. I won’t say which version of “Will the Circle Be Unbroken” I heard, beyond it was one of these, but it caught my ear and set me thinking, feeling the song. In whatsoever version, gospel or secular, it has something to aspire us all to, that aspiration being hope. Continue reading »

Aug 202019
 
elvis presley comeback covers

Fifty years ago in the summer of 1969, an event occurred that changed the face of American popular music forever. As swarms of baby boomers were heading to and from Bethel, N.Y., their older siblings – and possibly their parents – made pilgrimages to the desert to see the King. On July 31, Elvis Presley returned to the stage for a month-long series of concerts at the International Hotel in Las Vegas, his first live performances since 1961. Continue reading »

Aug 022018
 

In Pick Five, great artists pick five cover songs that matter to them.

lucero cover songs

Memphis rock-and-roll lifers Lucero celebrate 20 years together, and they’ve never been better. Their last album, 2015’s All a Man Should Do, was low-key the best of their career – just listen to the fiery horn blast “Can’t You Hear Them Howl” if you’re not convinced. This Friday they will return with the follow-up, Among the Ghosts. Early signs point to another classic; I mean, how can you go wrong with a song titled “Cover Me”?

“Cover Me” is an original Lucero song, but the band does record actual covers regularly. Their last album’s Big Star cover even earned a spot on our Best of 2015 list. So in honor of their covers, and their “Cover Me,” we spoke with founding member John C. Stubblefield about his five favorite cover songs. He takes on a musical and personal tour of growing up in Memphis, a punk-rock kid discovering his city’s musical heritage. Continue reading »

Apr 112018
 

Check out more Rock and Roll Hall of Fame Class of 2018 cover features here.

rock and roll hall of fame covers

This week we’ve posted tributes to three of this year’s six Rock and Roll Hall of Fame inductees: The Cars, Dire Straits, and Nina Simone. And lord knows we’ve posted plenty of covers of the other three over the years: Bon Jovi, The Moody Blues, and “Early Influence” inductee Sister Rosetta Tharpe. But to celebrate them all in one place in advance of this weekend’s induction ceremony, we thought we’d round up a few of the best covers we didn’t include in all those other features. Continue reading »

Dec 092013
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

neil innes covers

The United States and Great Britain are two countries separated by a common language. – Unknown

Neil Innes turns 69 today. For more than forty years he has been acclaimed as a songwriter, musician, and performer, acclaimed by allmusic.com as “the most important figure in British musical comedy since the heyday of vaudeville.” He’s been on both sides of a plagiarism lawsuit – he has to credit John Lennon and Paul McCartney as co-writers of Rutles songs, while the Oasis song “Whatever” is now required by law to credit Innes due to lifting the opening of his “How Sweet To Be an Idiot.” So Innes has talent to burn and no-such-thing-as-bad-publicity to boot, but in the United States he remains relatively unknown. For all his accomplishments, Innes may be one of those whose peculiar talents simply aren’t appreciated as much on this side of the Atlantic. This is best described as “America’s loss.”
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