Sep 232024
 

Silver Patron Saints Jesse MalinYou’ll know Jesse Malin possibly best from his address book, stuffed full the big names who are more than happy to sing alongside him. This does him a disservice, as his four-decade-plus career, two-plus of which have been as a solo artist, has produced a glut of well-received albums, nine in the studio and two live. So, regardless of heavy friends, you could say Jesse Malin can stand perfectly well on his own two feet.

Except now, tragically, he can’t. Malin sustained a spinal stroke in May of last year, effectively severing his spine, decimating any use below the level affected. He is now paralyzed from the waist down. He is 57, so still in his prime, as an exponent of muscular heartland rock and roll music.

Time to put that address book into use. Actually it was they that came to him, so as to enable Silver Patron Saints: The Songs of Jesse Malin to exist. This package serves as both benefit and tribute, and it has quite the roster, with a list of the great and the good rubbing shoulders with the simply celebrated.

So we got Bruce Springsteen, always one of Malin’s biggest champions, side by side with Billie Joe Armstrong of Green Day. There’s also representation from some of the seers of urban “rawk”, Willie Nile and Alejandro Escovedo. Lucinda Williams (who produced one of his albums) appears, as do a number of Brits, including Elvis Costello and Graham Parker. In fact, given it has always been the UK that has given Malin some of his staunchest support, his releases often on or for record companies based there, there is also support from a younger wave of UK artists perhaps less acknowledged this side the pond, artists like Frank Turner.

How do you begin best to describe the sort of music made by Malin, without just listening those who provide similar? My best bet is to suggest it the sort of music you would enjoy listening to in a bar, with, preferably, a bevy of electric guitars, pounding piano bolstered by an organ backdrop, impassioned vocals and, perhaps, some cheese cutter sax. That the bass and drums are driving should come as a given. So far, so E Street band, but they weren’t the first and certainly not the last. And with Silver Patron Saint boasting 27 tracks (available on triple vinyl or two CDs), where to begin? Continue reading »

Feb 252022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Cars Covers

There’s plenty of good reasons that the Cars and their songs have retained their power long past the expiration date of most new wave bands. For one, though their cool-geek look was a part of their appeal, they never relied on it the way other bands had to rely on their appearance. For another, they brought together multiple influences – rock, pop, synth, punk – and created a sound with deep roots that was both edgy and fresh – no mean feat, that.

Most importantly, the songs that (mostly) Ric Ocasek and Benjamin Orr wrote for the band were strong and memorable, loaded with hooks and containing lyrics that take on more meaning the more you look at them – is “You’re All I’ve Got Tonight” a positive or negative? What does it mean if you “needed someone to bleed”?

Their self-titled debut album is their strongest, and Heartbeat City may be their biggest, but the Cars are primarily known as a singles band, with over a dozen of them reaching the top 40. So it seems appropriate that a list of the best Cars covers should echo that. Here are the top forty cover songs of a band whose best songs won’t be tied down to any one era, preferring instead to resonate to all the generations that followed.

clap clap clapclapclap clapclapclapclap Let’s go!

– Patrick Robbins, Features Editor

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Jan 252022
 
adam schlesinger tribute

Back in May 2021, Fountains of Wayne guitarist Jody Porter organized a tribute to his late bandmate Adam Schlesinger. Adam Schlesinger, A Music Celebration featured, among many others, Courtney Love, R.E.M.’s Peter Buck, Squeeze’s Glenn Tilbrook, Dashboard Confessional’s Chris Carrabba, Sean Ono Lennon, and a reunion of Schlesinger’s supergroup Tinted Windows. At the time, it was a paid livestream to raise money for musician charity MusiCares and then-closed NYC venue Bowery Electric, but now the full thing is up on YouTube. It’s a tribute to the depth of Schlesinger’s catalog that it’s two hours long and no one even covered “Stacy’s Mom”! Continue reading »

Nov 012018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

best nirvana covers

Nirvana released its first single 30 years ago today. Well, today-ish. That single was the first installment in the now-legendary Sub Pop Singles Club, so I imagine its “release date” was whatever day it landed in the mailbox for the 1,000 lucky people who got it (you can get it too, but you’ll have to drop $3,300 on Discogs).

And what was that very first Nirvana single? Whaddya know, it was a cover! The band launched their recording careers with “Love Buzz,” originally by Dutch psychedelic-rockers Shocking Blue. Not the most obvious start for the most iconic band of the ’90s (apparently it was Krist’s idea). Already a staple of their raucous live show, “Love Buzz” did represent, according to Sub Pop founder Bruce Pavitt, “an indicator of some of their direction in songwriting.”

Three decades on, that songwriting has generated a few covers of its own. “Smells Like Teen Spirit” has of course been covered thousands of times, but some other Nirvana songs aren’t as far behind as you might think. “Lithium,” “Come As You Are,” and “In Bloom” remain perennial cover selections, and “Territorial Pissings” seems surprisingly popular. (“Rape Me,” not so much.) Heck, half the artists we hear covering David Bowie’s “The Man Who Sold the World” or Leadbelly’s “In the Pines” seem to really be covering Nirvana’s MTV Unplugged versions.

So today, we continue our Best Covers Ever series by whittling down the moshing masses of Nirvana covers to the best thirty. Here we are now. Entertain us!

Honorable Mention: Nirvana – Lithium

No, not that Nirvana. The 1960s British band of the same name covered “Lithium” when they reunited in the 1990s. A cute nod, made less cute when you realize this older group had sued over the grunge band’s use of the name only a few years prior (Sub Pop reportedly had to pay them $100,000). At any rate, this Nirvana’s cover is not that good, but this psych-pop spin on “Lithium” perhaps paved the way for a much better version in the same vein a few years later. But we’ll get there… Continue reading »

Aug 262017
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Burt Bacharach with The Sydney Symphony Orchestra in a live 2008 performance at the Sydney Opera House.

This week we’re working through the entire six decades that produced over 150 versions of “(There’s) Always Something There to Remind Me,” the timeless Burt Bacharach and Hal David classic. We’ve covered the ’60s, the ’70s, the ’80s, and the ’90s; now it’s time to see the fruits of a new century.

Part V: The ’00s

Jazz proliferated in the cover versions produced between 2000-2010. In total, a few more versions were released this decade than the previous with over a third having roots in one jazz style or another. But for as many as we heard, most were average with one exception. Otherwise, rock & roll made a strong showing, and later we’ll hear from an old friend followed by a few more efforts of note. In the ‘00s…
Continue reading »

Aug 302016
 

A few months back, Nashville’s iconic Ryman Auditorium hosted two star-studded tribute concerts to Bob Dylan to celebrate his 75th birthday. Kesha performing “I Shall Be Released” was the big news-maker as her first high-profile performance during her ongoing legal battle, but many other members of country and Americana royalty also took the stage for an amazing couple nights. The full thing was webcast, but it hasn’t been archived anywhere, so if you missed that you were stuck with grainy YouTube videos – until now. We’ve got every song to stream below (except Kesha, which wasn’t webcast, presumably for legal reasons). For the first time since that night, you can hear pristine recordings of Jason Isbell, Kacey Musgraves, Kurt Vile, Emmylou Harris, Butch Walker, Wynonna Judd, Boz Scaggs, Langhorne Slim, John Paul Williams of the Civil Wars, Ann Wilson of Heart, and more covering their favorite Dylan songs, many for the first time ever. Continue reading »