Feb 282025
 

These Quiet FriendsThea Gilmore has been on quite a journey these past few years, and, against the odds, has shown herself to be a survivor, when the odds were more she may barely wash up. One of those artists seemingly around for ever, it is a shock to realize she is still only in her mid-40s, despite a staggering catalog of over 20 albums, starting in 1998.

Whilst her own writing is sharp and incisive, she is neither a stranger to covering the work of other artists. That’s how we know her here, with her 2011 track-by-track recreation of Dylan’s John Wesley Harding meeting with no small approval. Prior to that she had issued 2004’s Loft Music, a diverse set that ranged from Creedence Clearwater Revival through to Phil Ochs, via the Ramones and Neil Young. On Don’t Stop Singing (also in 2011), she was gifted the opportunity to put music to a set of posthumous orphan lyrics written by Sandy Denny. (The fact that UK Denny tributers the Sandy Denny Project have covered one such song, “London,” is a wry testament.)

Anyhoo, here we are in 2025, and here is These Quiet Friends, a second set of disparate covers. The mood is here more consistent than the earlier set, that mood being generally low key and pensive, perhaps given away by the album title. An impression is that these songs helped sustain her over the brick wall her personal life crashed into, back in 2021. The details aren’t for here, but rather than a career-put-on-hold stalling release, this set provides a companion to Gilmore’s new material, which continues, her muse anything other than consumed by circumstance.
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Jan 282025
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

The Band

Whilst it is now many a long year since the last active members of the Band threw in the towel, it is surely now appropriate to give a collective eulogy to this epochal and iconic band, now that the last surviving member, also the eldest, has died. Garth Hudson, the extravagantly bearded professorial figure behind his faithful Lowrey organ, left the earth last week, aged 87. It would be nice to hope the rest of the band have had time to patch up their differences, and that Valhalla is shaking once more to the mighty sound of the five-piece in their prime. For Robbie Robertson (1943 – 2023), Levon Helm (1940 – 2012), Rick Danko (1943 – 1999) and Richard Manuel (1943 – 1986) were like no other band, before or since.
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Dec 202024
 

Follow all our Best of 2024 coverage (along with previous year-end lists) here.

best cover songs of 2024

Welcome to the 50 Best Tom Petty Covers of 2024!

We kid, of course. But for whatever reason, this year’s big trend in covers was: Tom Petty. At one point there were something like 20 Petty covers on our longlist. Many came from two all-star tribute albums that dropped, entirely coincidentally, the same year (they both made our Best Albums list). We narrowed it down, of course. Three Petty covers ended up in this Top 50, one not even from those albums. Then, just this week, another high-profile Petty cover dropped: Snoop and Jelly Roll reworking “Last Dance for Mary Jane”! Suffice to say that one wouldn’t have been a contender even if it hadn’t arrived too late.

That was the big surprise trend in 2024 covers. The less-surprising trend you could have called from a mile out: The new wave of young pop divas—Chappell, Sabrina, Charli—got covered a lot. We could have done an entire 50-song list of their covers, too (the “Good Luck Babe”s alone!). But, if we had, we would have missed out on gospel R.E.M. and country The Weeknd and electropop Mott the Hoople and soul Green Day and… you know what, just read the list.

(Moo-chas gracias and Deng-ke schoen to Hope Silverman for this year’s tiny-hippo art.)

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Sep 232024
 

Silver Patron Saints Jesse MalinYou’ll know Jesse Malin possibly best from his address book, stuffed full the big names who are more than happy to sing alongside him. This does him a disservice, as his four-decade-plus career, two-plus of which have been as a solo artist, has produced a glut of well-received albums, nine in the studio and two live. So, regardless of heavy friends, you could say Jesse Malin can stand perfectly well on his own two feet.

Except now, tragically, he can’t. Malin sustained a spinal stroke in May of last year, effectively severing his spine, decimating any use below the level affected. He is now paralyzed from the waist down. He is 57, so still in his prime, as an exponent of muscular heartland rock and roll music.

Time to put that address book into use. Actually it was they that came to him, so as to enable Silver Patron Saints: The Songs of Jesse Malin to exist. This package serves as both benefit and tribute, and it has quite the roster, with a list of the great and the good rubbing shoulders with the simply celebrated.

So we got Bruce Springsteen, always one of Malin’s biggest champions, side by side with Billie Joe Armstrong of Green Day. There’s also representation from some of the seers of urban “rawk”, Willie Nile and Alejandro Escovedo. Lucinda Williams (who produced one of his albums) appears, as do a number of Brits, including Elvis Costello and Graham Parker. In fact, given it has always been the UK that has given Malin some of his staunchest support, his releases often on or for record companies based there, there is also support from a younger wave of UK artists perhaps less acknowledged this side the pond, artists like Frank Turner.

How do you begin best to describe the sort of music made by Malin, without just listening those who provide similar? My best bet is to suggest it the sort of music you would enjoy listening to in a bar, with, preferably, a bevy of electric guitars, pounding piano bolstered by an organ backdrop, impassioned vocals and, perhaps, some cheese cutter sax. That the bass and drums are driving should come as a given. So far, so E Street band, but they weren’t the first and certainly not the last. And with Silver Patron Saint boasting 27 tracks (available on triple vinyl or two CDs), where to begin? Continue reading »

Jul 122024
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Nebraska covers

A Full Album post of covers of Nebraska? Surely, you say, Cover Me has done this before. Well, I have checked, and whilst we have published posts about officially released full album versions of Born in the U.S.A., Darkness on the Edge of Town, and Tunnel of Love, as well as our Best Ever of Bruce covers piece, and even reviews of Nebraska tribute albums here and there and here again, we actually haven’t. So then, cometh the day, and this man’s job is to find ten Nebraska covers, one of each song, while avoiding as much duplication as is possible. You up for that?
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Jun 122024
 
Rebounder

“Born in the USA” is one of The Boss‘s biggest songs, but, for non-fans, also perhaps his least understood. The rousing chorus is (obviously) ironic, something that is seemingly lost on lots of casual fans and, particularly, on politicians. Maybe this accounts for why a number of Springsteen’s songs are more popular as covers, despite how big this song was in the 1980s. Continue reading »