Jun 232023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

1970s one hit wonders

Last month, we presented covers of one-hit wonders of the 1950s and the 1960s. And we’re back to do it again!

This month, we’ll tackle huge hits by not-so-huge bands from the ’70s and, next week, the ’80s. Today, covers of classics like “Spirit in the Sky,” “Black Betty,” “Why Can’t We Live Together,” and “Video Killed The Radio Star” (I would have thought that one was ’80s given the famous MTV connection, but it came out November 1979). Then next week we’ll dive into perhaps the greatest decade for one-hit wonders cover. Continue reading »

Apr 112023
 

Does the world actually need another countrified tribute to the Rolling Stones? We’ve already seen 1997’s Stone Country and 2011’s more alt-country focused Paint It Black, not to mention the myriad one-off covers stemming out of Nashville and Texas. (I dare say we mentioned many of them here.) Now we’ve got Stoned Cold Country, and you’re probably thinking you know just what it’s going to sound like. And you’re probably right. So I’ll ask again: Do we need this?

Frankly, the answer is probably immaterial, as I share the view that you can’t have too much of a good thing, even, if, to coin a phrase, you can’t always get what you want. And it’s always good to see some young cubs getting to take a bite at the Jagger-Richards canon. Let’s see if it’s any good.
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Jul 142021
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

How Long

Having a band more successful than your own court your bass player and attempt to entice him with money so he will join their ranks is not a universal human experience.

You know what is?

Being cheated on.

Welcome to the most beautifully ambiguous, arguably homoerotic slab of pub-soul ever to rise to the top of the pop charts: Ace’s infectious evergreen 1974 megahit “How Long.” The song was written by lead singer and keyboardist Paul Carrack, best known for his impressively productive stints in Squeeze and Mike & the Mechanics (as well as for his supremely soulful voice). He’s explained endlessly that “How Long” is about the attempted recruitment of Ace bassist Terry “Tex” Comer by a more successful band. But the song’s lyrics about parting ways are juuust the right amount of vague to allow for lots of romantic projection. Which is to say, to Carrack the song may be about Tex, but to the rest of us it mostly sounds like the heartbroken and bitter lament of a jealous, duped, and about-to-be-dumped lover.
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Jun 182018
 
the wild feathers neon moon

For a lot of us, a good cover song starts and stops with the careful curation of the song itself. And when done right, when the artist covering the song puts their entire body and soul into the delivery, it’s almost as if you have entered into a way-back machine taking you back to another time, another place, another band. With The Wild Feathers version of “Neon Moon,” they have hit the cover song sweet spot. Continue reading »

Mar 122018
 

Tonight, when the Eagles take the stage in Indianapolis for the start of their 2018 tour, they will be joined by country crooner Vince Gill to fill the void left by the death of Glenn Frey. Those who have followed Gill’s career know that his journey to Eagles-dom began in 1993. That year, he recorded a cover of “I Can’t Tell You Why,” for the triple-platinum covers album Common Thread: The Songs of the Eagles. The album, which will mark its 25th anniversary this fall, was such a commercial success upon its release that it played a major role in reuniting the band.

In the early ‘90s, despite having not played live or recorded in over a decade, the Eagles were as popular as they had ever been. The band’s music dominated classic rock radio. Their Greatest Hits (1971-1975) was on its way to becoming the best-selling album of the 20th century in the U.S. And most of the music coming out of Nashville sounded, well, a lot like the Eagles.

To capitalize on the group’s popularity amongst the boots-and-spurs set, Don Henley and Eagles’ manager Irving Azoff organized the tribute album as a fundraiser for Henley’s environmental charity The Walden Woods Project. To serve as executive producer, Azoff and Henley tapped James Stroud who assembled many of the hottest country stars of the era. “Everybody wanted in,” Stroud told Entertainment Weekly. “Once we started, the phones lit up.”

Common Thread was to Music Row in 1993 what Law & Order was to the New York branch of the Actors Equity Association: a full-fledged jobs program. The album featured 10 solo artists, two bands and one duo. More than 70 musicians and backup singers are directly credited as well as an orchestra called the Nashville String Machine. On the production side, 14 people were listed as producers or co-producers, including Stroud and two of the artists themselves: Suzy Bogguss, who produced her version of “Take It To the Limit;” and Billy Dean, who co-produced his rendition of “Saturday Night.” There were also 25 people listed as engineers, assistant engineers or mixers and seven production assistants. Continue reading »