J.T. IV aka John Henry Timmis was a Chicago-based punk musician active in the 1980s. He released only a smattering of music during his lifetime (and an extremely long film) that was collected for a posthumous re-release in 2008. However, a recent discovery of a tape has produced a second album, to be released in January 2023. One track on this brand new release is his cover of Brian Eno’s “The Fat Lady of Limbourg.”
If you’re familiar with Brian Eno‘s pre-ambient solo work, it’s quirky, dense but catchy ’70s art rock. His second album, Taking Tiger Mountain (By Strategy) is a pretty classic example. Eno hides his catchy melodies behind his somewhat unconventional voice and all sorts of strange instruments. “The Fat Lady of Limbourg” actually has one of the sparser and more restrained arrangements.
Canadian singer-songwriter Myriam Gendron has taken that sparseness to its logical conclusion on her new cover of the song. She recorded it as part of her Lagniappe Session for Aquarium Drunkard, along with songs by Michael Chapman, Billy Edd Wheeler and Leonard Cohen.
Brandi Carlile – I Remember Everything (John Prine cover)
Millions saw Brandi Carlile cover John Prine’s final song “I Remember Everything” at the recent Grammy Awards. Turns out, it was a preview of a new album, a sequel to 2010’s Broken Hearts & Dirty Windows: Songs of John Prine, one of the best tribute albums ever. Not much more info out there yet – it’ll be out in the fall, apparently – but it has a high bar to live up to.
Alex Kapranos & Clara Luciani – Summer Wine (Lee Hazlewood & Nancy Sinatra cover)
Clara Luciani is Nancy Sinatra and Franz Ferdinand frontman Alex Kapranos is Lee Hazlewood on this charming cover. Kapranos wrote, “When the lockdown started, we decided to record [‘Summer Wine’] — more for ourselves than anything else. We wanted to create the atmosphere of an imaginary world away from the confinement we were experiencing. Not that we were unhappy, but the imagination is the greatest medium for escape and adventure… After the lockdown eased off, we got together to film the video with our friends Adrien, Leo, Fiona and Hugo. I love the ideas they had, which suit the mood of the song and reflect our… well, our love of karaoke!”
Follow all our Best of 2016 coverage (along with previous year-end lists) here.
2016 in music will be most remembered for one thing: death. It seemed like an unprecedented list of major musical figures left us this year: David Bowie, Prince, Merle Haggard, Leonard Cohen. The list, sadly, goes on and on.
Prominent passings affect many aspects of the music world, but the impact is particularly clear in the world of cover songs: When an artist dies, a lot of people cover his or her songs. The world was hardly hurting for Prince covers before April 21, but afterwards, to paraphrase the man himself, we went crazy. Bruce Springsteen alone became a one-man tribute machine, covering Bowie, Prince, The Eagles’ Glenn Frey, and Suicide’s Alan Vega after they died (it’s a shame his tour ended before Cohen passed because he’d do a great “Everybody Knows”). Our list this year features a number of these tribute covers – though both the Cohen covers listed were actually released before his death, proving there’s no need to wait to honor one of the greats.
Our list also features fantastic final covers by the recently departed, brilliant song-interpreters like Sharon Jones and Allen Toussaint. The fact that they died may add extra meaning to these new songs, but they’d make the list regardless. Whether they performed wonderful covers or wrote wonderful songs for others to cover, we miss these artists because they were great. They don’t need any “death bump.”
The year wasn’t all dire though. Our list features many covers by and of artists who are alive in every sense of the word. Kendrick Lamar and Drake represent the new world of hip-hop, Kacey Musgraves and Sturgill Simpson in country, Animal Collective and Joyce Manor in indie rock, and in too many other genres to name. Jason Isbell currently holds a streak here, making his third consecutive appearance this year.
We also have plenty of artists whose names I won’t highlight here, because you probably won’t have heard of them…yet. We’re not in the business of predicting fame – the music industry is far too fickle for that – but some of our past best-cover winners have gone on to big things this year, like Chance the Rapper (2014 winner) and The Weeknd (2012 winner). Hell, Sturgill (#3 in 2014) just got an Album of the Year Grammy nomination!
Those early covers may have helped kick off such success. A revelatory cover song can help a musician attract early attention. When I interviewed Mark Mothersbaugh recently, he said no one understood what Devo was doing until they covered “Satisfaction.” A familiar song done Devo-style finally made the connection for people. “Whip It” and other original hits would not be far behind.
Maybe some of this year’s under-the-radar names will go on to Weeknd-level superstardom. But even if they don’t, all these covers, by household names and Garageband geeks alike, deserve recognition. We’ll miss all the great musicians who left us this year, but it’s gratifying to see so many promising younger artists coming in to fill their shoes.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
PS. Last year in this space, I mentioned I’m writing a book about cover songs. Well, Cover Me (the book, that is) is finished and will be out next year! In addition to the aforementioned Mothersbaugh, I interviewed Roger Daltrey about “Summertime Blues,” David Byrne about “Take Me to the River,” and many more. Follow our Facebook for updates on preorder, etc. Now, on to the countdown…
Brian Eno’s upcoming album The Ship has only two tracks, each over twenty minutes long. The second, “Fickle Sun,” is divided up into the three separate movements – and the third is actually a cover of the Velvet Underground’s “I’m Set Free.” A Serbian radio station has posted it as a part of a mix, so you can listen to it below.
With shimmering electronics and the occasional burst of orchestra, the cover is, for lack of a better term, Eno-esque. The choral vocals are beautiful (it’s unclear whether it is Eno himself singing) and it’s everything you might expect and hope for with Eno covering the Velvets.