Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now.
Amanda Palmer – Beds Are Burning (Midnight Oil cover)
Julia Stone – Beds Are Burning (Midnight Oil cover)
Due to the wildfires devastating Australia, Midnight Oil’s ecological anthem “Beds Are Burning” has gotten covered a lot this year (Patti Smith was, as always, ahead of the curve). The sudden abundance of covers of a great song is not a silver lining – there is no silver lining – but hopefully the funds from these go some small way towards rebuilding. The two most prominent come from honorary Australian Amanda Palmer and actual Australian Missy Higgs, on a charity EP that sees the first low-key Dresden Dolls reunion in ages, and from Julia Stone, who put together a covers set that comes out next month and features The National and more covering Aussie acts.
Anderson .Paak – Old Town Road (Lil Nas X cover)
Given how thoroughly “Old Town Road” dominated the summer – the longest-reigning Billboard #1 in history, for those under-a-rock-dwellers among you – it seems shocking that it took until now for the first truly great cover to emerge. Less shocking: that it came from rapper/singer/drummer extraordinaire Anderson .Paak. Back in May, he performed a more straightforward version with Lil Nas X himself, but for BBC’s Live Lounge he and his band The Free Nationals reinvented it into a soul groove with shades of D’Angelo.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Raphael Camara was raised in the Philippines and is currently based in Leipzig, Germany. He’s been writing for Cover Me since 2014. Of all his Cover Me pieces, he especially likes his pieces on Aurora covering Bowie and Dani Mari & Second Sky covering Radiohead.
On September 2, 2014, Ray gave the go on my first news article and published it to Cover Me (unbeknownst to him, it was also my birthday). It’s been nothing but great fun working with the crew here and this fall we celebrate our Aluminum Anniversary by asking our team to compile a list of covers they hold dear.
Down below, in no particular order of importance, are my picks. Enjoy!
Last year, in preparing to release his experimental new album 22, A Million, Bon Iver’s Justin Vernon held a one-time-only festival/art performance in Berlin. He brought a number of his favorite musicians to hang out and collaborate, performing new music in the round. The festival just posted videos of many of the performances, including a wonderful “Folk Circle” session that features Vernon trading folk songs with Damien Rice, Sam Amidon, Erlend Øye, O, and Ragnar Kjartansson.
Norwegian composer (and half of Kings of Convenience, who released our favorite cover of 2009) Erlend Øye covers The Moore Brothers’ 2004 song “New For You,” followed by our buddy Sam Amidon leading the crowd in a singalong of Appalachian folk song “Johanna The Row-di.” A French singer who goes simply by O sings a traditional French song, Damien Rice breaks the covers theme by playing his own “The Professor & La Fille Danse,” and then we get to the piece de resistance. Vernon plays a song from the man he calls “my favorite songwriter,” John Prine.
Preparing for this past weekend’s “Day of the Dead” concert – the all-star band rendition of The National-lead Grateful Dead tribute album of the same name at Bon Iver’s Eaux Claires festival in Wisconsin – I interviewed a handful of involved artists and kept asking a question that no one knew exactly what to do with. My question: “Given the legacy of the Dead as a live band, what is going to be different about playing these covers live, as opposed to recording them for a tribute album?”
After a thoughtful silence that may have been tinged with a little bit of puzzlement, everyone said something about it being a terrific opportunity to harness the additional energy of having a live crowd.
“No [it’s not going to be harder],” Megafaun’s Phil Cook told me, “mostly because people are just stoked as shit to hear a Dead cover. Whenever people in the audience recognize it, they just lose their shit. They’re so happy that you’re doing it. It’s a completely welcome enterprise.”