OK, skip the awful title and possibly, too, the cover, but as tributes go, Ian McNabb’s Fleetwood McNabb is pretty solid. McNabb is arguably better known, in America anyway, as the prime force behind the Icicle Works, still sometimes touring under the name, give or take the availability of various ex-members. Aside and away from that, he has an enduring solo career with dozens of releases. We’ve seen him here before, his covers set of 2018, Respectfully Yours, getting a Covers Classic polish. Always, it seems, a fan of the Mac, through their myriad shape-shifts, Fleetwood McNabb is a tad different from many tributes to the band, in that it starts in the ’60s British Blues Boom and travels all the way to almost the last extant incarnation. So South London to Malibu, and all points between. Including the bits few recall or even know about.
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Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

When we think of The Pointer Sisters–June, Ruth, and Anita, L to R above–we tend to think of their fun, frothy, soul-pop ’80s mega-hits like “He’s So Shy,” “I’m So Excited,” “Jump (For My Love),” and “Automatic” (to name a handful). These deliriously happy 40-year-old (!) songs, with their “roller rink-aerobics class-cruise the strip in a neon pink convertible” vibes, still have the power to kickstart even the most jaded heart.
But those hits don’t tell the whole Pointer Sisters story. You see, in the late ’70s, just before the aforementioned hot fudge sundae of singles was unleashed, The Pointer Sisters released two bona fide, screaming, strutting, sexy ROCK albums in a row. This is the story of those rebellious years when The Pointer Sisters, beloved AM radio sweethearts, went totally FM. Let the fantastical and improbable tale begin…
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While Brad Laner has been kicking out tuneful fuzz in an assortment of incarnations since the early ’90s, he is best known for leading shoegazing popsters Medicine. The band – Laner plus a revolving group of collaborators – have operated on and off over the past 25-plus years, with gaps of up to 10 years between releases. As a solo artist in between the Medicine records, Laner has sweetly revealed himself to be an ’70s AM radio kid, recording a couple of particularly heartfelt, sludgy and exceptional covers of Top 40 nuggets, Chicago’s “Feelin’ Stronger Every Day” and Blue Magic’s “Sideshow”. Continue reading »