Aaron Taos ft. Jordana — Under Control (The Strokes cover)
Aaron Taos says: “When Jordana and I met for the first time, we realized very quickly that we both shared an obsession with the Strokes. What’s more surprising is that we also share the same favorite Strokes song, “Under Control,” an album cut off of their second LP Room On Fire. Naturally, we decided that we had to cover this amazing tune. Reimagined as a minimalist duet, this slow burn produced by Blake Richardson (formerly artist Sage Baptiste) also comes with a lo-fi vid shot in Brooklyn, NY. We just want to make Julian Casablancas proud.”Continue reading »
As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.
But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.
And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.
All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.
As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.
Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)
There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.
Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.
True, in places Kindred Spirits shines, and it’s everything one could have expected from this talented pair of sisters.
Let’s first set the scene. Larkin Poe are Megan and Rebecca Lovell, two sisters from Tennessee, deeply ingrained with the sounds of “the South Will Rise Again,” i.e. the Allmans and all who knelt before them. Indeed, their publicity touts them as little sisters of the Allman Brothers (although the Black Keys, for me, is a better reference, sonically speaking). Kick-ass slide and sassy vocals are their calling cards, and since 2014 they have produced a run of well-received records, usually with an added rhythm section adding woomph to their twin guitars and vocals. In recent years they have seemed glued to the side of Elvis Costello, notably on his solo tours to support the autobiography, acting as his support band and accompanists. Frankly, at times, they were better than their employer.
A lighter side of their work has been the slew of YouTube recordings put up, looking all very ad-hoc, in hotel rooms, maybe whilst touring, and a delight they are.Kindred Spirits is in that style, just the the two of them. Continue reading »
Adam Green – All Hell Breaks Loose (Misfits cover)
Misfits go mariachi! Adam Green, best known as one half of the Moldy Peaches, plays “All Hell Breaks Loose” like it was “Ring of Fire.” He writes: “In The Misfits and in his glorious solo work, Danzig bridged punk and metal with the blue-eyed soul music of the mid-1960’s like The Righteous Brothers and The Walker Brothers. I’d had an idea for a while to do a Scott Walker / John Franz style production at punk speeds, and the Misfits song ‘All Hell Breaks Loose’ seemed like the perfect vessel for the experiment.”Continue reading »
The first big film to to emerge in the post-Bohemian Rhapsody biopic boom is Rocketman. Compared to the Queen movie, critics like Rocketman better (somewhat), fact-checkers call it more accurate (somewhat), and LGBT advocates praise it for more honestly addressing the star’s sexuality (somewhat). Also – and hopefully this is unrelated – it has fared worse at the box office. Again, somewhat worse; it’s done fine, but does not seem to be the smash Bohemian Rhapsody was.
Unlike Queen, though, Elton John didn’t really need a mega-blockbuster to return to the public eye. He never left (after all, it’s hard to look away from clothes that sparkly). The farewell tour he launched last year will take him through 2020, and 2018 also saw two tribute albums featuring megawatt performers: from Lady Gaga to Ed Sheeran on the pop one, Miranda Lambert to Willie Nelson on the country one. For Elton, the Rocketman biopic is just the latest tribute in a career full of them.
And nowhere has tribute been paid more often than in the world of cover songs. From his second, self-titled album onward (no one covers songs off his 1969 debut), Elton’s songs have been covered constantly. Hell, Three Dog Night released their cover of that second album’s “Your Song” a month before John’s original even came out. Though artists inevitably gravitate towards the huge hits, John’s songbook boasts a long tail, with even some relative deep cuts generating classic covers. So this month we count down the thirty best Elton John covers ever.
Best so far, at least. At the rate he earns tributes, it won’t be long before the next batch lands.