Molly Gordon, the co-star of the hit TV show The Bear will be seen next in the upcoming film Oh, hi!. Gordon stars, and also co-wrote the screenplay. And she’s also on the soundtrack.
Gordon has teamed up with Blake Mills for a cover of the Dolly Parton/Kenny Rogers classic, Islands in the Stream. She takes the vocals for the song, and Mills provides back-up, consisting mostly of an acoustic guitar, drawing an immediate difference from the original’s duet between Parton and Rogers. Mills has collaborated with an impressive number of other musicians, including Fiona Apple, Alabama Shakes and Bob Dylan.Continue reading »
For some artists we look at for these lists, it seems like every time someone covered one their songs, it turned out pretty good. Leonard Cohen was like that; the quality of the average Cohen cover is fairly high. John Prine, too.
Stevie Wonder is not one of those artists.
It’s not his fault, or the fault of his songs, but his material often gets sucked into the same cocktail-jazz muck that fellow piano man Billy Joel’s does. Nothing wrong with that sort of lounge jazz-pop when done well – and there are a few times on this list when it is – but there’s a lot of mediocrity to wade through. Stevie’s performance and production skills are so sharp that, when placed in lesser hands, his songs can come off as sentimental shlock. All the “Isn’t She Lovely”s alone are so sugary sweet you feel like you’ll get diabetes.
But here’s the good news: Covers of Stevie Wonder’s songs are so ubiquitous that, even when you weed out the bad and the just-okay, you’re still left with plenty of greatness. The fifty below span funk, bluegrass, rock, hip-hop, jam band, jazz, and into galaxies beyond. So here they are, signed, sealed, and delivered to knock you off your feet.
Though Bob Dylan moved away from his role as a ‘protest singer’ long ago — we saw Another Side by his fourth album — his name will forever be associated with social activism. The international human rights organization Amnesty International rose out of the same turbulent era as Dylan, forming in 1961, the year Dylan recorded his first album. Fitting, then, that in celebration of their 50th birthday, Amnesty would call on artists to contribute their Dylan covers to the massive four disc set Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International.Continue reading »
Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International doesn’t come out for another month, but the massive four-disc tribute is available to stream below. We’re just making our way through it ourselves, but the Gaslight Anthem’s “Changing of the Guards” and Queens of the Stone Age‘s “Outlaw Blues” are early highlights. On the flip side, Ke$ha‘s “Don’t Think Twice, It’s Alright” is truly atrocious (though Miley Cyrus‘ “You’re Gonna Make Me Lonesome When You Go” isn’t bad at all). For whatever reason, you can stream 60-second excerpts of the first two discs and the full songs for the second two. At 2+ hours of music, though, we think you’ll survive. Stream the album below, then tell us what the best/worst songs are in the comments. (via Facebook)Continue reading »
Can you ever have ever too much Bob Dylan? With the release of an astounding line-up of artists for the latest Dylan tribute, the answer is a resounding – never! Last month we brought you more info on the upcoming Bob Dylan tribute album, Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International (including Ke$ha’s unfortunate quote comparing her music to that of the legend), but the full tracklist gets us even more excited. Elvis Costello! The Gaslight Anthem! Pete Townshend! Flogging Molly! Kronos Quartet!Continue reading »
The Voice Project formed to support the women of war-ravaged Northern Uganda who use song to spread their message of healing and peace. The Project seeks out artists to create cover chains – one artist covers another who then covers another and so on – with donation and advertising revenue going to these women. In the latest episode, Blake Mills invited The Project into his living room and performed Lucinda Williams’ exuberant “I Just Wanted To See You So Bad” from her 1988 self-titled album.Continue reading »
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