Bjork‘s “Army of Me” is one of her most iconic songs of the ’90s, thanks in part to the Michel Gondry-directed video. The song deviates a little bit from her normal trip hop sound, to something closer to industrial pop. The song is about Bjork’s difficult relationship with her brother and how he needs to get his act together.
The Gay Agenda is a self-described “homo riot hardcore punk” band with extremely provocative imagery inspired by street artist Homo Riot, among others. Their version of “Army of Me” leans much more into metalcore than hardcore, with rumbling bass recalling the original’s pulsating bass keyboard, pummeling metal guitars, and screaming/growling vocals that fall somewhere on the spectrum between metalcore and black metal. It’s intense. Continue reading »
It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!
Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.
One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here.Continue reading »
Last week, Beyoncé surprised-dropped her live album Homecoming. It accompanied the Netflix film of the same name, which immortalized her lionized 2018 Coachella performance. The biggest surprise of all was the bonus track: a cover of Maze’s 1981 “Before I Let Go.” The original song wasn’t a huge hit when it first came out, but has grown to be referred to sometimes as the “black national anthem.” Beyoncé brings it right up to the present with a big production including marching band, new rap verse, and a sample of New Orleans bounce artist DJ Jubilee.Continue reading »
‘The Best Ever’ series counts down our favorite covers of great artists.
Mick Jagger turns 75 today, three decades past his famous 1975 benchmark: “I’d rather be dead than sing ‘Satisfaction’ when I’m 45.” Mick’s still singing “Satisfaction” today – and so are a lot of other people. So what better way to celebrate his birthday than with a countdown of the best covers of Rolling Stones songs of all time?
It’s not that we haven’t posted plenty before. They’re actually our fifth most-posted band, after Bob Dylan, The Beatles, Bruce Springsteen, and Neil Young (a little surprised about that one, but as of this post, Neil’s only ahead by one). We’ve shared our favorite covers of “Ruby Tuesday,”“Honky Tonk Woman,”“Wild Horses,”“Paint It Black,” and “Back Street Girl.” We’ve posted covers of every track on Sticky Fingers, Beggars Banquet, and – in case those weren’t long enough – Exile on Main St. And it’s not just covers of the band we adore either; the Stones’ recent album of blues covers ascended to the very short list of albums we’ve awarded five stars.
But we’ve never pulled it all in one place until today. Just as we did for Fleetwood Mac, Pink Floyd, Beyoncé, and Talking Heads, we’re counting down the best covers of Rolling Stones songs ever. The length beats Floyd’s forty-song record; we’ve got fifty Stones covers, from A (Albert King) to Z (Zydeco, Buckwheat). The Stones have been covered in all eras, all genres, and by all sorts of people. By the time you read this, the next all-time-great Stones cover might well have landed.
You can’t always get what you want, as the man once said – but if you click on, you just might get what you need.
Many listeners’ knowledge of Hawaiian music begins and ends with Israel Kamakawiwo’ole’s “Somewhere Over the Rainbow” (which, to be fair, deserves every play it gets). But on a new album, a new trio aims to change that by adapting a dozen familiar songs across decades into a new genre they call “Hawaiian noir.” Like David Lynch in Maui, they reinvent songs by Nirvana (“In Bloom”), The Cars (“Drive”), Radiohead (“Bulletproof…I Wish I Was”), Chris Isaak (“Wicked Game”), and more with ukuleles, lap steel, and harmonies.
Known as Hula Hi-Fi, the band is new but the players – Josh Kaler, Annie Clements and Sarah Bandy – are seasoned, having worked with the likes of Sugarland, Amos Lee, Butch Walker, and more in their respective careers. Their abilities show; these are carefully constructed productions, not tossed-off ukulele strum-alongs.Continue reading »
