
Benson Boone — Seventeen Going Under (Sam Fender cover)
chappell roan performing a cover of ‘barracuda’ by heart at primavera sound barcelona pic.twitter.com/SX3RVmP9m5
— best of chappell roan (@bestofchappell) June 7, 2025

chappell roan performing a cover of ‘barracuda’ by heart at primavera sound barcelona pic.twitter.com/SX3RVmP9m5
— best of chappell roan (@bestofchappell) June 7, 2025

“Pagan Poetry” is the second single from Björk’s Vespertine, her fourth album and a bit of a musical departure from previous records. The album features a lot of sounds assembled from unusual instruments, most notably music boxes. This song is pretty representative of the more subdued sound of the record.
Her New Knife are a Philadelphia-based indie rock band whose sound is often described as shoegaze. However, that descriptor that will not prepare you at all for this new Björk cover of theirs. It is not remotely shoegaze, it’s weirder than that.
The original stars with a harp melody and when her voice comes in, there is a pretty insistent, simple bassline. Her Knew Knife echo the opening harp part with detuned guitar but that bassline never comes in to anchor the song. Instead, lead vocalist Edgar Atencio’s voice just floats over top of the various guitar parts that come in and out of the mix, only occasionally fully playing the harp part. The backing vocals are relatively familiar if you
Some distant percussion joins part way through the track before giving way to a spanish guitar-esque break with Atencio’s voice even more unmoored than before. More instruments return as the cover builds towards the final refrain. Much like in the original, the lead vocal for the refrain is A Capella first before backing vocals and instrumentation join it. It is only at this point there is the tiniest bit of bass.
Never does the track once approach the gentleness of the original, nor does it ever approach the noise conjured by the term “shoegaze.” Instead, everything but that one acoustic guitar is frail and brittle. And the whole performance sounds like it could completely fall apart at any moment.

“Big Time Sensuality” is the fourth single from Björk‘s first adult album, the appropriately titled Debut. It was her third Icelandic #1, her second Top 20 UK hit and her first charting song in the US, so it’s a bit of a milestone for her career. Unlike the first three singles, musically “Big Time Sensuality” is a more traditionally up-tempo house number – though it takes a bit to get going and it has a distinct chorus that seems to disappear into the song. Like much of her music from this time, it shows off the full range of both her voice and her vocal techniques.
Dear Evangeline are an all-woman metal band from Brampton, a suburb of Toronto. They put out their debut EP last year. Their sound blends elements of sludge metal with metalcore, nu metal, alternative metal and post-hardcore. So they’re an obvious choice for a Björk cover.
Dear Evangeline’s cover begins with a sample of Björk being Björk from some kind of promo (presumably MTV). And then the sludgy assault begins. One of the singers (there are two) shouts/screams the verses and they sing the chorus (though they scream the title), giving a real contrast to the two sets of lyrics, unlike in the original. Meanwhile the bass plods underneath and the lead guitar runs around in the background. The band slows everything down for the final stanza, fully leaning into the sludge.
The vocals are very metalcore while the band is very sludgy. It’s a long way from house music but features an extreme vocal performance just like the original, even if it’s a very different kind of extreme. It’s fun and, if you like this kind of metal, it just might be for you.

It’s been 15 years since the last Al Green album. Does “Perfect Day” signal the beginning of his comeback? Unclear — I thought so after his last single, another cover, and that was five years ago. But we can hope. “I loved Lou’s original ‘Perfect Day’—the song immediately puts you in a good mood,” Green explained. “We wanted to preserve that spirit, while adding our own sauce and style.” Continue reading »

As In This Moment prepares for the release of their new album Godmode this October, they have been teasing us with Björk covers. This formidable force within the alternative sphere released a version of “The Purge” by Björk this past July, and more recently they made their into Las Vegas’s Hideout Recording Studio to cover “Army of Me.” Continue reading »

Manchester is on a roll. Manchester City is the best football team in Europe, and probably the planet. In addition to sport, music plays a central role in Manchester’s vibrant recovery. On a recent weekend, fans sang along at separate stadium gigs from Coldplay and Arctic Monkeys. Sir Elton John had an arena farewell on. Cover Me fans might have been at Scary Pockets‘ triumphant first visit to the city. Next year, a concert venue with input from Bruce Springsteen and Harry Styles aims to be the best venue in the UK for acoustics and attendee experience. Manchester icon, and City Fan, Noel Gallagher’s visit to The Radio 2 Piano Room to pay homage to one of the city’s most treasured songs had potential, at least. Continue reading »