Mar 302021
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

the bad plus covers

It’s a good time for a look back at The Bad Plus. The jazz trio recently announced a new chapter in their 20-year career: they are downsizing to a duo, as pianist Orrin Evans departs the band. (Evans joined in 2017 to replace the band’s original pianist Ethan Iverson.) The remaining musical chairs belong to bassist Reid Anderson and drummer Dave King. The moment is an interesting one for a band that always rejected the “piano-led trio” descriptor, insisting instead on “leaderless collective.” While fans await the band’s next chapter, we have highlights from their previous chapters to dig into.
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Oct 052020
 
best tribute albums

Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now. Continue reading »

Sep 212020
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Annie Lennox

It’s March of 1995, and by this point in time it has been firmly established that Annie Lennox doesn’t make bad albums. From her earliest days in The Tourists, through her incredible partnership with Dave Stewart in Eurythmics, to her glorious 1992 solo debut Diva, the quality level has been ridiculously high. Every album to the last has contained multiple soaringly wonderful evergreen pop classics, most of which are justifiably worshipped and treasured to this very day. But of course, if there’s one thing we know for certain about pop music, it’s that it’s a cruel, fickle beast, and critical favor can turn on a dime. And so, after a pretty consistent outpouring of acclaim, maybe it was inevitable that by 1995 the jar of journalistic goodwill was empty. Annie’s second solo album Medusa featured a perfectly sung and slickly produced selection of cover songs, and the time had finally come; the critics hated it.

While its brilliant, theatrical first single “No More I Love You’s” was a worldwide hit and the LP itself sold by the truckload, music journalists were pretty much across the board unimpressed (even here at Cover Me). One review in a big culture magazine at the time amusingly referred to the album as “a muff,” described Annie’s attempts at certain songs as “belly-flops,” and declared the overall sound to be “microwaved.”

So whose assessment of Medusa was “right,” the fans’ or the critics’? Well, truth be told, both. Put simply, it was an immaculately sung, pristinely produced, cleverly chosen selection of covers, with nary a rough edge to be seen. And while the overall sound could be characterized as chilly and/or mechanical in spots, it was still home to some pretty gloriously heartfelt and powerful song interpretations. Case in point: a broodingly beautiful take of Neil Young’s “Don’t Let It Bring You Down,” as well as a grandly dramatic reading of Procol Harum’s epic “Whiter Shade of Pale.” And of course, the aforementioned “No More…” was a brilliant pop song by any standard.

But here’s the thing: Despite its renown, Medusa shouldn’t be looked at as the final word on Annie Lennox’s ability to reinvent and breathe new life into old songs. Over the years, she has proven herself to be an exceptionally gifted interpreter… and the majority of her finest cover work has come in the form of free-standing one-offs. With that in mind, let’s put Medusa to the side for a minute and turn a spotlight on the heart-clutchingly wonderful stuff around the edges, the live, the rare, and the underrated. Let’s venture into the depths of Annie’s truly exceptional cover canon, wherein lay a whole lotta treasures…
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Jun 112020
 
The Gay Agenda band

Bjork‘s “Army of Me” is one of her most iconic songs of the ’90s, thanks in part to the Michel Gondry-directed video. The song deviates a little bit from her normal trip hop sound, to something closer to industrial pop. The song is about Bjork’s difficult relationship with her brother and how he needs to get his act together.

The Gay Agenda is a self-described “homo riot hardcore punk” band with extremely provocative imagery inspired by street artist Homo Riot, among others. Their version of “Army of Me” leans much more into metalcore than hardcore, with rumbling bass recalling the original’s pulsating bass keyboard, pummeling metal guitars, and screaming/growling vocals that fall somewhere on the spectrum between metalcore and black metal. It’s intense.
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Apr 142020
 
live-from-home covers

It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!

Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.

One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here. Continue reading »

Apr 302019
 
best cover songs of april
Beyoncé – Before I Let Go (Maze cover)

Last week, Beyoncé surprised-dropped her live album Homecoming. It accompanied the Netflix film of the same name, which immortalized her lionized 2018 Coachella performance. The biggest surprise of all was the bonus track: a cover of Maze’s 1981 “Before I Let Go.” The original song wasn’t a huge hit when it first came out, but has grown to be referred to sometimes as the “black national anthem.” Beyoncé brings it right up to the present with a big production including marching band, new rap verse, and a sample of New Orleans bounce artist DJ Jubilee. Continue reading »