Apr 222022
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Last year, a study by Fender and YouGov of Americans between 16-34 revealed that 16 million people had taken up the guitar since the beginning of the Covid-19 pandemic. Speaking to Insider about the study, Fender CEO Andy Mooney estimated that “as many as 72 million people are playing the guitar right now.” These are impressive statistics, and something to be celebrated. However, it’s hard not to wonder if the prominence of instruments like the guitar might be pushing other, less-well known instruments to the sidelines.

One person doing a lot to change this is London-based percussionist Rosie Bergonzi. Rosie has a YouTube channel dedicated to the handpan, a unique flying-saucer shaped instrument that can trace its roots back to the Trinidadian steel drum. The channel is a goldmine of information, featuring lessons, interactive livestreams, and an eclectic selection of covers arranged especially for the handpan.

“I first started playing the handpan in 2015,” Rosie tells Cover Me. “A few years before, I heard a busker playing in the street, and I thought it was the most amazing thing I’d ever heard–I was determined to have one! So after a lot for searching I found my own handpan and have kept up with it from there.”

The handpan itself was created in Switzerland in 2001 by steel drum makers Sabrina Scharer and Felix Rohner of Pan Art, based on a suggestion by hand percussionist Reto Weber. For its first twelve years of existence the instrument – originally known as the Hang drum – was extremely hard to come by, available only by sending a special request directly to Pan Art. However, once Pan Art ceased production of Hang drums in 2013, the instrument became widely available from other makers, soon becoming known as the handpan.

How does Rosie go about choosing songs to cover?

“I’ve found that the tunes have to be very melodic for an instrumental cover, so rap, for example, is really hard to make effective as it’s all about the words. It’s always surprising ones that work well, so I ask around a lot for song suggestions – any genre!”

And what about arranging the songs for the handpan?

“I get the chords down, normally while singing the tune. Then I work out the melody. The harder job is working out how to play the two at the same time. My handpans have limited amounts of notes (9-17) so getting the melody to sing clearly is an interesting challenge. My favorite part is working out the arrangement, sometimes playing with the speeds to make it feel really different to the original.”

To demonstrate this process, Rosie started a series called Covers Done Quick, where she selects a song a random and adapts it for the handpan in just one hour.

Let’s look at some of Rosie’s other handpan covers…
Continue reading »

Nov 302021
 
The Best Cover Songs of November
Barbaro – Believe (Cher cover)


Progressive bluegrass quartet Barbaro takes on a few obvious inspirations on their new EP Under the Covers. Gillian Welch’s “Dark Turn of Mind,” makes sense. Wilco’s “Jesus Etc,” sure. But the other two tunes venture a little further afield. Sheryl Crow’s pop hit “If It Makes You Happy” makes for a jaunty fiddle and banjo number, as does, surprisingly, Cher’s “Believe.” Continue reading »

Nov 122021
 
Lady Dan

Austin singer-songwriter Lady Dan just released her debut album last spring. Her sound is a mixture of country and indie rock, but that description does not prepare you for her cover of Bill Withers’ “Just the Two of Us.” Normally, a heartfelt ode top succeeding together in life as a couple, Lady Dan transforms the song into the story of a dangerous stalker. Continue reading »

Oct 202021
 
James Blake Bill Withers

Electronic-R&B auteur James Blake has shared a cover of the late soul great Bill Withers’ “Hope She’ll Be Happier.” Released as an exclusive for Spotify Singles, Blake’s cover was recorded live in Los Angeles in September 2021. Blake has a history with “Hope She’ll Be Happier,” having incorporated the song into his live sets for nearly seven years. While some of Blake’s solo covers that feel similarly spare were released at earlier junctures of his discography — among them, covers of Joni Mitchell, Don McLean and Feist — it’s only now that the long-gestating Withers cover has come to the forefront. Continue reading »

Feb 092021
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Goose covers

Goose, whose name was inspired by an inside taco-related joke between bandmates Peter Anspach, Ben Atkind, Trevor Bass, and Rick Mitarotonda, formed in Connecticut in 2006. Many point to their performance at the Peach Festival in Scranton, PA in 2019 as the moment that elevated them from local heroes to more widespread fame.

Following in the footsteps of great jam bands before them (yes, they get compared to Phish a lot), Goose is known for keeping the vibe going with extended instrumentals. They’ve been keeping busy during the pandemic, even profiting from a “Bingo Tour” where they live stream a setlist determined in real time by random draws of bingo balls and raising money for charity.

Throughout their different gigs they’ve performed quite a few covers. Let’s check out a sampling of them.

Continue reading »

Dec 182020
 

Follow all our Best of 2020 coverage (along with previous year-end lists) here.

Typically, the world of cover songs does not change that much year-to-year. You can point to big shifts across decades, sure, but the difference between cover songs in 2018 and 2019, broadly speaking? Negligible. But 2020 was – in this as in everything else – very different.

As concerts ground to a sudden halt, musicians turned to live-from-quarantine home performances, first on their social media, then, once some kind of business model got built up, on various paid platforms. And cover songs were a big part of that. Some musicians did themed covers nights, like Ben Gibbard on YouTube early on or Lucinda Williams’ more produced Lu’s Jukebox series more recently. Others just felt the freedom in such an intimate environment to try things out, spontaneously covering influences, inspirations, or even songs they only half knew. We collected dozens of those early home covers in our Quarantine Covers series, and still only hit a small fraction.

Musicians eventually settled in, and productions got a little more elaborate than the staring-at-your-iPhone-camera look. Witness the heavy metal comedy series Two Minutes to Late Night, which transitioned from a long-running live show in New York City to a series of YouTube covers with dozens of metal-scene ringers covering songs from their couches, corpse paint and all. Witness Miley Cyrus’s endless series of killer cover locales, from a fire pit to an empty Whisky a Go Go. Or witness long-running radio covers series like BBC’s Live Lounge or Triple J’s Like a Version – often the source of a song or two on these lists. First they had musicians tape special covers from home, then, in the BBC’s case, they moved to a giant warehouse studio for suitable social distancing. (Triple J’s pretty much back to post-coronavirus business as usual – sure, Australia, rub it in.)

There’s one other major way covers reflected 2020, and it’s almost too painful to think about, so I’ll just list their names. John Prine. Adam Schlesinger. Hal Willner. Charley Pride. So many musicians taken by this virus, many reflected in some of these covers (Pride’s death happened after our list was finalized, but tributes are already rolling in). In a year filled with tragedies, covers offered one place for musicians and fans to find solace.

Many of the songs on our year-end list reflect this terrible year in one way or another. But you know what? Many don’t. Because covers can also offer a fun respite from all the stress. Doom metal Doobie Brothers? Post Malone on mandolin? A viral TikTok hit by a guy who calls himself Ritt Momney? Those have nothing to do with anything! But they’re what we live for.

– Ray Padgett, Editor-in-Chief

NEXT PAGE →