Jan 312025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

This year, Billie Eilish is nominated for a bunch of Grammys. Then again, it feels like you could say that every year. (In fact, I just checked, and you could: She’s been nominated for multiple Grammys every year since 2019). The streak began for her very first album, where she became only the second artist ever to sweep every category in the so-called “Big Four” (after Christopher Cross in 1981) and has continued ever since. She is the ultimate Grammys Darling.

But being a Grammys Darling is perhaps a mixed blessing. Grammys voters are not known for their cool, cutting-edge musical taste (see, again, Christopher Cross). What’s remarkable about Billie Eilish is that her music is cool and cutting edge. She’s not just someone out-of-touch Recording Academy elders think of as a pop star; she is an actual, bonafide pop star! Grammy voters love her, and so do their (grand)kids.

So before this weekend’s awards ceremony, we’re celebrating Billie Eilish our own way: By sharing some great covers of her songs. For an artist with only three full-length albums so far, her songs get covered a lot. Not just the big singles either, though there’s no shortage of those. Album cuts, pre-album singles, loosies, and EP tracks – they’re all here.

And the Coverme goes to…

25. Participants — You Should See Me In A Crown


This cover delivers on the ominous tone of the original, with white noise fizzling in the beginning and firm electric guitar strums getting louder and louder as the song begins. Both the drums and guitar then further punctuate the “one by one by one” lines throughout. There are some subtle changes to the tune in the second verse, and singer Brittany Smith is joined by some haunting background vocals. Smith then goes on to take some vocal runs out for a spin in the ending chorus, fitting for the confidence of “you should see me in a crown.” — Sara Stoudt

24. Shamir — Ocean Eyes

Shamir is fully emergent as that most precious of sounds, the R&B-schooled countertenor. No matter whether the arrangement is lush and physical or lush and GarageBand-created, his voice radiates and shines. He may be looking down on the cover art, but he is soaring vocally. For his version of “Ocean Eyes,” he makes his case that he has fully emerged from his chrysalis by having a butterfly in the background. “I am here and I sound beautiful, and I should be heard.” It’s a wonderful show by a remarkable talent. — Mike Tobyn

23. Saoirse Daly — Bitches Broken Hearts


The original song’s heartfelt message is even more poignant in this cover which keeps things simple, removing the many production elements of the original: The noise interference, the R&B-style background murmurs, the syncopated high hat and drum pedal. Then, that all starts to fade away. The original closes with simple piano, and that could serve as a transition to this more sparse cover. Here it is just Daly and an acoustic guitar, with percussion elements rendered by tapping on the guitar itself. — Sara Stoudt

22. Phoebe Bridgers — When The Party’s Over

“When the Party’s Over” is one of 2018’s most iconic pop music videos. So what happens when an indie-folk artist takes it on? In the hands of Phoebe Bridgers, we are treated to a version with unexpected instrumentation and hard panning. The vocals are featured only on the left side of the track, while a piano with audible action gives the cover a quaint and close-up feel. Finally, ethereal and far-off backup vocals make a cameo. — Aleah Fitzwater

21. Lauren Babic — What Was I Made For?

This cover of the Academy Award-winning theme from Barbie “What Was I Made For” is not technically funny. But when it hits the 1:39 mark, it’s hard not to laugh. That’s the moment when Lauren Babic turns from daydreamy sweetheart to metallic freakin’ monster, unleashes her booming typhoon of a voice and proceeds to knock all and sundry on their asses. This is no endearing novelty, as many metal covers of pop songs tend to be; what Babic is doing here is serious business. Get out of the way or be steamrolled to oblivion. — Hope Silverman

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Apr 122024
 

The Tompkins Square Records label is best known for their allegiance to folk, country, blues and gospel, usually through the application of acoustic guitar, with or without voice. As such, they have developed a name for promoting so-called American Primitive guitar styles. That’s always a misnomer, given the skills of the artist concerned. but the label has stuck and here we are. Amongst names grateful to get a Tompkins Square leg-up are Michael Chapman, Ryley Walker, James Elkington and Nathan Salsburg, classic and classy players all.

The Imaginational Anthems series has covered a lot of good ground lately. Volume XI was an exploration of modern pedal steel; Vol. XII included a tribute to Michael Chapman. Now we have Imaginational Anthem vol. XIII : Songs of Bruce Cockburn, a tribute to the work of a Canadian artist unduly overlooked in favor of his better known compatriots. A very lazy descriptor might be the Canadian Richard Thompson, given his agility with a six-string and teasingly lyrical wordplay, but Cockburn’s dreamy soundscapes pack an altogether different spiritual punch.

Here, a selection of Tompkins Square stalwarts offer their take on him and his songs. I guess it is his playing that gets the most attention, but there are vocal tracks as well. Curated by James Toth, who has recruited a squad of lesser known names, this works well as a primer for all, or most, those contributing, as much as it does an introduction, if unfamiliar, to Cockburn. And if you do know him, better still.
Continue reading »

Mar 012024
 
best cover songs february 2024
Annie Lennox — Nothing Compares 2 U (Prince/Sinéad O’Connor cover)

The emotional highpoint of the Grammys—well, other than Tracy Chapman’s return (covers-adjacent!)–was Annie Lennox’s tribute to Sinéad O’Connor during the In Memoriam. Bonus points because she was backed by two longtime bandmembers of Prince (who, of course, wrote the song), Wendy and Lisa. The teardrop on Lennox’s eye was very Prince, and the political statement at the end was very Sinéad. Continue reading »

Jan 302023
 
best cover songs january 2023
Brandi Carlile – If It Makes You Happy (Sheryl Crow cover)

This month, Austin City Limits held its eighth annual ACL Hall of Fame ceremony. The inductees were Joe Ely and Sheryl Crow. The latter was covered by, among others, Brandi Carlile, who also delivered Crow’s induction speech. It will surprise no one who’s ever seen Carlile perform on an award show before that she crushes it. (Find another Crow cover from the ceremony, by Jason Isbell, in the Best of the Rest below.) Continue reading »

Aug 312022
 
Eddie Vedder – Long Shadow (Joe Strummer cover)

This month, Joe Strummer would have turned 70. In a few weeks, Dark Horse Records will release the compilation Joe Strummer 002: The Mescaleros Years. To promote it, director Lance Bangs filmed a video of Eddie Vedder covering the posthumously-released Mescaleros track “Long Shadow.” It’s a simple fireside performance, similar to Vedder buddy Neil Young’s lockdown videos, and hopefully will bring more attention to a lesser known non-Clash track from the Strummer catalog. Continue reading »

Jan 132022
 
Bill Callahan Wilco Nels Cline Austin City Limits

Austin City Limits held their 7th annual Hall of Fame ceremony in the fall of 2021, inducting the likes of Lucinda Williams, Alejandro Escovedo and Wilco as new members of the ACL pantheon. The ceremony premiered on PBS stations across the U.S. last weekend. One of the special’s flagship performances, featured ahead of the broadcast over at Consequence, found Wilco performing “California Stars” alongside a host of guest musicians present for the ceremony — among them, Mermaid Avenue collaborator Billy Bragg, Japanese Breakfast, Jason Isbell, Margo Price and Sheila E. A bit deeper into the proceedings, though, was an even more striking performance: Bill Callahan covering “Sky Blue Sky,” drawn from Wilco’s seminal 2007 album of the same name. Continue reading »