Today we continue the tradition we started way back one month ago. Since we’re still new at this, I’ll reiterate that our picks are unranked and semi-impulsive. Even the un-blurbed “Honorable Mentions” at the bottom aren’t necessarily worse than the rest; in many cases, we’ve just already written about them at length and have little else to say.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Jaime Joshi lives in South Florida amidst geckos, 24-hour Cuban coffee and soup-like humidity. She has been writing for Cover Me since 2013; of all her pieces, she is particularly proud of her pieces on Bruce Springsteen and Madonna. (She’s the one on the right.) Continue reading »
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Marc Bolan died in a car crash 39 years ago today, just short of his thirtieth birthday. Tragic as this was, it was a perfect cap to the legend of the former Marc Feld, a man determined to be a near-myth of a rock star; live-fast-die-young had to be the closing number. But as other would-be legends (hi, Jobriath!) might tell you, an image won’t last without talent to keep it up, and Bolan’s talent for writing simple, catchy glamthems has kept him in the front of public consciousness, even for the ever-growing segment of the public that was born after he moved on. Continue reading »
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Writing an “Under the Radar” piece inevitably forces the writer to address the elephant in the room: Why is an artist you like enough to spend time researching and crafting a piece about considered to be “Under the Radar” by the vast majority of people? Hem, a band that formed in 2002 and sporadically released music until last year, would seem to have had so many advantages – intelligent songwriting, fine musicianship, a distinctive sound and, maybe most importantly, a lead vocalist with a scarily gorgeous voice. Seven of their songs were used in national commercials for Liberty Mutual Insurance, a classic Christmas cover was used in an ad for Tiffany’s, and other songs have appeared in television shows. They created music, which was well received by The New York Times, for a production of Twelfth Night for New York’s legendary Shakespeare In The Park program, featuring Anne Hathaway, Audra McDonald and Hamish Linklater. They were touted by outlets as diverse as NPR and Entertainment Weekly. Yet it appears that radar just doesn’t pick them up. Continue reading »
Follow all our Best of 2015 coverage (along with previous year-end lists) here.
I didn’t realize it until I began laying out our post, but this year’s Best Cover Songs list shares quite a few artists with last year’s. And some that showed up here the year before that. Jack White’s on his fourth appearance. And Jason Isbell and Hot Chip not only both reappear from last year, but have moved up in the rankings.
Though we’re always on the lookout for the new (and to be sure, there are plenty of first-timers here too), the number of repeat honorees illustrates how covering a song is a skill just like any other. The relative few artists who have mastered it can probably deliver worthy covers again and again.
How a great cover happens is something I’ve been thinking a lot about this year as I’ve been writing a series of articles diving deep into the creation of iconic cover songs through history (I posted two of them online, and the rest are being turned into a book). In every case the artist had just the right amount of reverence for the original song: honoring its intention without simply aping it. It’s a fine line, and one even otherwise able musicians can’t always walk. Plenty of iconic people don’t make good cover artists (I’d nominate U2 as an example: some revelatory covers of the band, but not a lot by them). Given the skill involved, perhaps it’s no surprise that someone who can do a good cover once can do it again.
So, to longtime readers, you will see some familiar names below. But you’ll also see a lot of new names, and they’re names you should remember. If the past is any guide, you may well see them again next year, and the year after that.
Click on over to page two to begin our countdown, and thanks for reading.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
I guess I felt a little bad about by my recent damning by faint praise of Annie Lennox, so I’ve been feeling the need to redress with something topnotch. And I have it, with Relations, the 2004 LP by Kathryn Williams, silky-voiced folkish songstrel. I guess she isn’t well known outside her fan-base in the U.K., which is a shame because she damn well should be. Continue reading »