Aug 292025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Van Morrison

I do not consciously aim to take the listener anywhere. If anything, I aim to take myself there in my music. If the listener catches the wavelength of what I am saying or singing, or gets whatever point whatever line means to them, then I guess as a writer I may have done a day’s work. – Van Morrison

When I wrote my first post for Cover Me, it was in celebration of Van Morrison’s 66th birthday. In it, I called him “perhaps the most incantatory singer in rock history; the words tumble from his mouth so fast they become never-quite-meaningless sounds, or they emerge bound and struggling themselves raw, or they flow out like brook water. Truly, he’s mastered what he calls ‘the inarticulate speech of the heart.’”

Fourteen years later (my gosh, has it been that long?), as Morrison reaches his four score, that still holds true. He is rock’s most spiritual curmudgeon, inscrutable and evocative, grouchily but magnificently folding into the mystic. His songs tap into their listeners in ways that would be eerie if they weren’t so universal. You don’t listen to Van Morrison’s music – you respond to it.

Today we’re looking at thirty responses, in the form of cover songs. These artists felt the hand of Van and responded accordingly. We think you’ll find them to be worthy rejoinders, what with their acuity and grace. They will make you feel good, and they will make you feel whole, when their spirit moves you and fills you through and through.

Patrick Robbins, Features Editor

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Jun 272025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sly & The Family Stone Covers

Sly Stone died on June 9 at the age of 82. Two days later, Brian Wilson died, also 82. It was a rough week for eccentric musical geniuses years ahead of their time. We paid tribute to Wilson here, and a couple years ago did a full Best Beach Boys Covers Ever list that now serves as a de facto tribute too. After all, he wrote just about all of those songs.)

So today, the great Sly Stone gets the same treatment. Thirty covers of all the hits, and a few deeper cuts too. Hot fun begins on the next page. (And once you’re done with this, check out our new Five Good Covers piece on “Family Affair.”)

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The Best Who Covers Ever

 Posted by at 8:00 am  7 Responses »
Aug 302024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Who

One of the things everyone enjoys about the Beatles is the band’s equality. Take John, Paul, George, or Ringo out of the equation, they say, and the magic is over. Well, the same is true for the Who (something they proved, sadly, after Keith Moon’s death). Only the Who were bigger. Louder. More proficient at their instruments of choice. They could be more powerful, but they could be more vulnerable too. They were one of the best studio bands of their time, and one of the best live bands of all time. And when they were at their peak, they could be the best band in the world.

Pete Townshend, Roger Daltrey, John Entwistle, and Keith Moon combined to form a force of nature. Starting as one of the great singles bands, they segued into being masters of the LP. Townshend led the way with pioneer guitar playing – both slashing power chords and controlled feedback were part of his palette before any other Guitar God – and a pen that produced not one but two full-length operas for the band (three, if you count the belatedly released Lifehouse), as well as three-minute expressions of defiant angst. Daltrey gave voice to that angst, developing a roar that could surf the wave of noise or blow through it. Entwistle may have looked stoic, but they called him Thunderfingers for a reason. His bass lines were nimble yet forceful, and his sense of the macabre in his songs gave the band even more colors. And what can be said about Moon and his drumming that hasn’t already been said?

The Who’s songs will remain long after they’re gone. Not just for the performances the Who gave them, but for the songs themselves. They conveyed anger, regret, humor, and more, searching low and high within their psyches. The stories they told were both theirs and ours. Here are thirty-five of those stories, telling those stories in ways that approach and occasionally surpass the band that created them.

Patrick Robbins, Features Editor

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Feb 232024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

beatles covers

Sixty years ago this month, The Beatles played on the Ed Sullivan Show. You don’t need us to tell you what a momentous occasion this was; entire books have been written on the subject. Suffice to say we’re using the anniversary as our excuse to finally devote a Best Covers Ever to perhaps the biggest band of them all. We’ve done Dylan. We’ve done the Stones. We’ve done Dolly and Springsteen and Prince. But there was one last giant remaining.

Though it’s difficult to measure this precisely, The Beatles are the most-covered artist of all time according to the two biggest covers databases on the internet (SecondHandSongs, WhoSampled). And that certainly feels right. “Yesterday” is often cited as the most-covered song of all time, though that needs qualifiers (a ton of Christmas standards would beat it). But, again, it feels right. The Beatles were ubiquitous in their day, and they’ve been ubiquitous ever since. They just had a chart-topping single last month, the A.I.-assisted “Now and Then,” which was duly covered widely. If “Carnival of Light” ever surfaces, no doubt a carnival of covers will soon follow. Continue reading »

Apr 072023
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

God Bless The Child

Today marks the 108th anniversary of Billie Holiday’s birth. Her significance as a singer needs no elaboration from me; her songs speak for themselves, just as they have spoken to the souls of millions. “Strange Fruit” is considered her signature work, but a good argument has been made that “God Bless the Child” is of equal significance, with the added fillip of a sense of hope.

Born from an argument over money Holiday had with her mother, the song still has the zest of anger lain across it. But it also shows the way out; hard work, it’s implied, will bear its own fruit, both material and spiritual. The hope may not be powerfully warm, nor even all that self-evident, but it’s there, and it can help to lift you out and up.

With more than five hundred covers produced and released over the years, it’s impossible to single out only five as being among the best. That’s why you’ll find six featured here, and believe me, it could have been sixty. We hope these half-dozen bring you all that Mama may have and Papa may have.

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Jun 182022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

paul mccartney covers

There are a lot of weird and wacky images within Alan Aldridge’s 1969 cult classic book The Beatles Illustrated Lyrics. One of the most memorable is a drawing imagining what John, Paul, George, and Ringo will look like as senior citizens. In this fantastical portrait, John and George are depicted as eccentric elders. Ringo, in keeping with his everyman persona, is shown as a shopworn sad sack. But it is Paul McCartney who offers the most disturbing vision of the future. “The cute one” appears as a conservative besuited and well-fed bank manager. His smug grin suggests he is proud to have finally outgrown all that silly pop music nonsense. Continue reading »