Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Despite the fact that Barry, Robin, and Maurice Gibb have sold upwards of 120 million records, they can sometimes seem oddly underrated. They aren’t regarded with the reverence afforded to other artists that emerged during roughly the same era, like The Stones or The Who. They haven’t generated the same level of dramatic intrigue as Elton John or Queen. And discovering their music was never part of some traditional teenage rite of passage like Pink Floyd or Led Zeppelin. But while they don’t seem to receive near the same level of acclaim as the aforementioned artists, their music has remained as utterly ubiquitous as just about all of them. There are few other artists as essential to documenting the sound of an era as The Bee Gees were to the late ’70s.
Throw Here At Last…Bee Gees… Live album from 1977 on the turntable or queue up the stream. You will be confronted with a veritable assembly line of perfectly constructed, exquisitely performed pop songs. Take a step back and really listen. The outlandish songwriting gift on display is nothing short of mind-blowing, You might think, how is it even possible to have written this many incredible songs? And those are just 20 or so selected tracks Barry, Robin, and Maurice had done up to that point – before Saturday Night Fever! There were dozens more to come.
We were overwhelmed by the number of incredible covers of both Bee Gees classics and deep cuts and their glorious diversity. But we really shouldn’t have been surprised. Despite the band itself not always getting its due, the Bee Gees’ songs remain for everyone and forever.
Last night, UK singer-songwriter David Ford took his long-running annual charity concert “Milk and Cookies” to the internet. One feature of the show is covering songs he says he has no business covering, and the evening featured many, from an amazing looped-instruments version of Lizzo’s “Good As Hell” to songs by the Bee Gees and John Lennon chosen at random from a UK-number-ones sheet music book (the randomizer first tried to assign him R. Kelly, which he wisely vetoed).
But perhaps the high point was one of the most unlikely covers. It’s not that this song doesn’t get covered much – far from it, it’s in every wedding band’s repertoire. But, Ford explained, he wanted to find the happiest song he possibly could and make it a bummer:Continue reading »
Daniel Romano’s Outfit – Sweetheart Like You (Bob Dylan cover)
This one’s for all the Dylan superfans. In 1984, Bob Dylan played three songs on Letterman with L.A. punk band The Plugz. They were gritty and garagey and raw. It boded well for his new sound. And then he never played with them again. The album he was ostensibly promoting, Infidels, was much smoother, helmed by Mark Knopfler. For those who still wonder what could have been, Daniel Romano covered the entire album as if he’d recorded it with The Plugz.Continue reading »
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Reneé Dominique grew up in Manila, the capital of the Philippines. She has become quite the YouTube sensation over the years. Since she started her channel in 2013 she has amassed over a million subscribers. Known for her guitar and ukulele covers, she also performs original work (including a single with Jason Mraz).
Domique brings an easy listening style to a variety of both classic and modern tunes. Like most YouTubers do, she records many of her songs indoors. However, in some of her videos she brings us a taste of the outdoors by accompanying her uplifting sound with some fun scenery. We’ll take a listen to a subset of her collection, a mix of oldies and more contemporary songs, and live vicariously through her past travels.
Amanda Palmer – Beds Are Burning (Midnight Oil cover)
Julia Stone – Beds Are Burning (Midnight Oil cover)
Due to the wildfires devastating Australia, Midnight Oil’s ecological anthem “Beds Are Burning” has gotten covered a lot this year (Patti Smith was, as always, ahead of the curve). The sudden abundance of covers of a great song is not a silver lining – there is no silver lining – but hopefully the funds from these go some small way towards rebuilding. The two most prominent come from honorary Australian Amanda Palmer and actual Australian Missy Higgs, on a charity EP that sees the first low-key Dresden Dolls reunion in ages, and from Julia Stone, who put together a covers set that comes out next month and features The National and more covering Aussie acts.Continue reading »