Dec 162024
 

Baskery have never been shy of their influences, with the Swedish sisters indebted to the “file under country and folk” of North America. Although they self-describe their music as “killbilly”, or banjo punk, the reality is that they are a world apart from any of the frantic fringes of cowpunk, a closer reference point being maybe as an amalgam of the (Dixie) Chicks and the Roches. It is a good brew, though, and their previous releases contain a melodic fusion of country rock tropes. Greta Bondesson manages to combine playing drums with a guitar/banjo hybrid, with sister Stella playing bass and sister Sunniva handling guitars and cello. All sing, their sibling harmonies a characteristic feature. As well as playing all the instruments, the three usually write their own songs. However, The Young Sessions – Live to Tape sees them doing a cover album, selecting ten Neil Young tracks to cover, most of them from his 1969-1972 peak.
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Jan 202020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Old Man covers

The tale of Neil Young’s rustic and glorious “Old Man” is a pretty well-trodden one at this point, as he’s told it prior to performing the song at many, many a live show. To review: The song was inspired by conversations between Young and Louis Avila, the elderly foreman at Young’s beloved homestead, Broken Arrow Ranch (christened as such by Young). Young’s usual line regarding Avila is that “he came with the place when I bought it” in 1971. Upon meeting Young for the first time, Avila was gleefully flabbergasted at how someone so young could afford to buy such a huge piece of land. Young, inspired by his conversations with Avila, soon penned “Old Man,” musing on his own high life at the time as well as the overarching human need to be loved no matter what your physical situation, old or young, rich or poor.

The song ultimately appeared on 1972’s Harvest album and features James Taylor delicately plucking out the most memorable 6-string banjo solo in the history of pop music, as well as the legendary Linda Ronstadt on backing vocals. After almost 50 years, it’s still as wistfully perfect as the day it was born, a rousing singalong that still requires you to have a crying towel at hand.
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