Sep 122025
 

Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.

Countless fans of ‘90s music love “Zombie,” many without actually having listened to it. Sure they heard it–it was inescapable in 1994–and could sing along on the chorus, but few understood it as a protest song. They wondered more about Dolores O’Riordan’s ululating vocal style than about her lyrics, her intent. (We are all a bit zombie-like in our listening habits–we respond at gut level to a singer’s emotions, rhythms, textures; the semantic processing comes later if it comes at all.) But make no mistake, “Zombie” is not only a protest song, it’s one of the great ones.

The triggering event for the Irish singer/songwriter was the killing of two young English boys by Irish paramilitary forces. Thus the mournful opening. But in the lines that feel most raw and personal O’Riordan is not protesting the violence itself, but the fact that she is so powerless against it. “But you see, it’s not me, it’s not my family.” She’s saying, in essence, “I didn’t vote for this, no one I know supports it, and yet here we are, with a select few hate-minded people preaching mindless violence.” A few extremists. Zombies.
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Apr 282023
 
most popular covers

At Cover Me, our goal is to share great covers, whether they comes from artists with ten fans or ten million. But I am always vaguely curious what cover songs break out, which among the thousands we hear each year become genuine hits.

I was reminded of this when a recent Country Now headline crossed my Google Alerts: “Luke Combs’ ‘Fast Car’ Cover Is A Streaming Giant.” After only a month, the country star’s fairly faithful take on Tracy Chapman’s 1988 classic has racked up 33 million streams in the U.S. alone. Covers by famous singers come and go, but this one clearly has staying power.

So I decided to try to figure out which other covers from the 21st century have reached this level of breakout success. I’m not privy to Billboard‘s deep-dive chart data, so I used an easy metric available to an amateur like myself: Seeing how many plays something has on Spotify. As good a measure for “a popular song” as you can probably get these days, albeit still imperfect.

I found twenty-four 21st-century covers with over 100 million U.S. streams as of this writing (April 2023). Some very popular covers didn’t quite make the 100m+ threshold: Weezer’s “Africa” (75 million), Iron & Wine’s “Such Great Heights” (76 million), Fall Out Boy and John Mayer’s “Beat It” (89 million). Ryan Adams’ “Wonderwall” only just crossed the 100 million streams mark in the past couple months. And while older covers obviously have an advantage in more time to rack up plays, number one — by a lot! — came out only a few years ago.

Here’s the list of 24. No commentary since, for once, we’re not unearthing buried treasures here. Let’s count down the 24 most-streamed covers on Spotify, with the year of release and number of streams as of this writing. (And it’s possible, even likely, I missed a few, so feel free to suggest additions in the comments — if they qualify, I’ll add ’em.)
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Jan 242019
 
vic mensa zombie cover

Remember when Lil Wayne decided to become a rock and roll guitar hero, despite clearly not knowing how to play the guitar? Or, before that, Ice-T first ditched rap in his metal band Body Count? There’s a new name to add that list: rising rapper Vic Mensa, who has just debuted a new alt-rock band with a heavy cover of the Cranberries’ “Zombie.” Continue reading »

Jan 312018
 
best cover songs january

At the end of every year, we work for weeks curating our annual Best of the Year list (here’s last year’s). We’re monitoring what comes out all year though, so this month I thought: why wait? Here’s a more impulsive and spontaneous list, some songs we’ve written about already and others we didn’t get to. Just some great covers that stood out as the month comes to a close. Continue reading »

Jan 292018
 
bad wolves zombie

It has been a little over a week since the death of Cranberries singer Dolores O’Riordan. So much potential music was lost on the day she passed – including this cover.

O’Riordan was scheduled to record vocals on the Bad Wolves version of “Zombie” just days after her sudden death. She had heard from a former manager that the cover was special and, after hearing it, agreed. They’ve released the cover – sans O’Riordan vocals – and it’s not hard to figure out why it resonated with her. Continue reading »