May 302025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

yacht rock covers

“Yacht rock” is a genre kinda like emo: No musician admits to making this style of music. Unlike emo, though (maybe more like “indie sleaze”), no one called it “yacht rock” at the time. Nevertheless, whether artists like the name or not, yacht rock exists now. It used to be considered something of a guilty pleasure, but these days, after a splashy (no pun intended) documentary about it got a lot of attention, it’s just a regular pleasure. Questlove loves yacht rock! So do Thundercat, Mac Demarco, Vampire Weekend, and many other musicians considered far “cooler” than Toto ever was. So, today, we salute the yacht rock catalog through covers.

This brings up a contentious question though: What counts as yacht rock? We didn’t want to get derailed debating that indefinitely, so we deferred to the experts. The guys who coined the term in a 2000s web series have a long-running website and podcasts called Yacht or Nyacht. They literally invented the phrase, so we followed their guidance. Any song that scored above 50 on their 100-point scale—more yacht than nyacht—counted. Any song that scored below did not. (You can read more about their criteria on their website, but one thing to note is they define yacht rock not just by the sound of a song, but also whether it emerged from that specific ’70s-LA studio-rat scene.)

Their rigorous ranking includes most of the songs you’d expect, by The Doobie Brothers (and McDonald solo), Christopher Cross, Toto, etc. It also helps deal with the thorny cases. Steely Dan is mostly not yacht-rock, but some songs, particularly in the Aja era, very much are. Fleetwood Mac, though, is definitively not yacht-rock. (Good news: We have an entire Fleetwood Mac list you can peruse.)

So, if you have any beef with what songs do or don’t count, take it up with them. We just want to celebrate the music. Sail away on these 30 covers that do just that.

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Jul 132017
 
gavin castleton

We’ve written about Rhode Island songwriter/producer Gavin Castleton a few times over the years, spotlighting his airy and enjoyable covers of Peter Gabriel, Frank Ocean, and the Twin Peaks theme. But that didn’t prepare us for his newest, a hard-hitting and powerfully charged of Billie Holiday’s harrowing song about lynching, “Strange Fruit.”

One reason for our surprise is that Castleton recruited another Cover Me favorite to sing: Rescue of funk-rock band Bad Rabbits (hear them covering Smashing Pumpkins and Michael Jackson). Rescue delivers one of the most powerful vocals we’ve heard this year, lurching from aggressive pummel to wavering falsetto. And it blends perfectly with Castleton’s thudding electronic production, spare and unrelenting in a way that won’t let you turn away. Continue reading »

May 052011
 

Oftentimes, it’s hard to love a faithful cover. One might wonder, “if it’s so close to the original, why shouldn’t I just listen to the original?” It’s a difficult position to argue against, especially for those of us who listen to more than our fair share of covers. Most of the time, a perfect replication of rhythm and tune and even those tiny little sound effects that give a song some of its nostalgia in our memory does add up nothing more than impressive mimicry. Continue reading »

Feb 242011
 

Michael Jackson‘s death almost two years ago has led to a resurgence of interest in his music, and, not coincidentally, a glut of covers. Unfortunately, not everyone can pull off a tribute to The King of Pop. Boston’s Bad Rabbits, though, take “Human Nature” from the Thriller album and turn it from soft rock into a spaced-out funk tune. The ’80s synths are replaced with crisp, swirling keys, the reverb is gone, and lead singer Dua Boakye showcases a great falsetto. Continue reading »