1989 was a crucial time in my musical education. At age 11, I was several months into taking drum lessons when my teacher asked me a loaded question: “What drummers do you listen to?” Given that it was the ‘80s and I was deeply enthralled with metal, I rattled off a list of big-haired, double-bass drum playing thunder gods, including Anthrax’s Charlie Benante. My teacher, in what was likely a well-rehearsed speech, quickly rattled off a list of drummers I should be listening to including: Neil Peart of Rush, Bill Bruford of Yes, session drummer Steve Gadd and jazz masters Billy Cobham and Art Blakey. All great drummers, who I’ve been listening to for years – the fact that I can still rattle off the list 31 years after the fact is telling.
It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!
Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.
One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Today we conclude our series of posts about The Yardbirds.
“But wait!” you exclaim. “The headline says ‘Led Zeppelin‘. Aren’t we talking about the folk-rock ballad that originally appeared in 1970 on the softer acoustic second side of Led Zeppelin III?”
Indeed we are, and “Tangerine” has been mentioned once or twice before on these pages. But a recent re-release, widely anticipated by fans of Rock & Roll Hall of Famers, The Yardbirds, has re-opened the discussion about the songs’ origins. Is “Tangerine” really a Led Zeppelin song?
When it comes to songwriting credits, things aren’t always cut and dried with Jimmy Page. As it were, this particular instance follows suit. Around the time of last year’s “Stairway to Heaven” plagiarism lawsuit – won by Led Zeppelin – Rolling Stone cited 10 other Zep tunes with cloudy origins. The article mentioned “Dazed And Confused” – a song with ties to Page’s stint in The Yardbirds – but made no mention of “Tangerine” a song sharing similar ties. Both songs were the only two non-instrumental Led Zeppelin tracks to carry a songwriting credit attributed solely to Jimmy Page. The writing credit on “Dazed” was later amended in 2012 (singer-songwriter Jake Holmes was added as Page’s inspiration), but a cloud continues to hang over “Tangerine.”
Why the fuss? Cover Me readers might be interested in some of the forensics. Two years prior to the release of Led Zeppelin III, The Yardbirds, with Page as a member, recorded a demo for a song titled “Knowing That I’m Losing You” which was never officially released. Thirty-two years later, “Knowing” was scheduled to be included on The Yardbirds’ 2000 album Cumular Limit with other live and unreleased material, but the track was pulled. Seventeen years after that, Page, as producer, included an authorized re-mastered instrumental version, with the modified title “Knowing That I’m Losing You (Tangerine)” on the new Yardbirds ’68 compilation.
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
There’s a cartoon circulating on social media mocking U2 for a penchant for nostalgia. And, on its face, it’s pretty funny:
It doesn’t hold up to scrutiny, though. U2 is entirely the wrong group to pick for this joke. “World’s laziest band”? If anything, they have the opposite problem, endlessly hustling and trend-chasing in pursuit of their next hit. Their current Joshua Tree tour is just about the first nostalgia-trip moneygrab in a forty-year career. Unlike just about every other major band from the ’70s and ’80s, they generally avoid the greatest-hits summer tours and Oldchella combos the comic rightly lampoons.
The band is, however, indulging a rare back-pat on their current stadium tour by playing The Joshua Tree from start to finish. It’s one of the front-loaded albums of all time, an insane run of hits on side one followed by relative obscurities on the flip (including “Red Hill Mining Town,” which they’d never played live until this year). Which sounds like it might make for odd concert pacing, but early reviews have been great.
So if it’s good enough for them, it’s good enough for us. As U2 celebrates thirty years of The Joshua Tree, we will too, with covers of every song on the album.
Last night the “Big Four” of thrash metal – Metallica, Slayer, Megadeath, and Anthrax – played their second U.S. show at Yankee Stadium. Despite bad blood in the past, the vibe onstage was all bro-hugs and congratulations all around on having made it this far. The four bands even united during Metallica’s first encore song to pay tribute to a mutual influence: Motörhead. James Heftield called Lemmy the Godfather of Metal (“whether he likes it or not”) before rocking through the band’s legendary “Overkill.”