Sep 282021
 

i'll be your mirror tributeI love the old chestnut that everybody who ever saw the Velvet Underground started a band. Certainly, were that the case, their shows must have been jampacked with underage punters, with children, even, since most of those in bands and who most keenly rate them and cite their influence would have been far too young. Many would have been in the wrong country, likewise. But, hey, it’s a great tale and, who knows, had they all actually been there, the band may have been a lot bigger and more successful in their lifetime.

For, undoubtedly, their imprint on rock music has been hugely out of proportion to their actual footprint. I forget, maybe it was all those who bought their first album started a band, but again, the numbers don’t really stack up until you collate the cumulative sales, decade on decade after the initial release. (Ed: It was, in fact, no less than Brian Eno who made this assertion, in 1982.) Hampered by a brace of lawsuits, relating to the copyright of some of the cover photos, the album limped out in 1967, taking some time to ratchet up many sales at all, trashed by critics and ignored by the record label publicity machine. Lyrics about sado-masochism, IV drugs and prostitution were seen as anathema to the mores of the day, and the linkage to Andy Warhol, then enfant terrible of the American art-house film movement, will have hardly have warmed them to any mainstream audience. But maybe that was the point. Be that as it may, in the half century plus since, the star of this still sometimes difficult record has shone ever more brightly. That first album was, to give it its full title, The Velvet Underground and Nico, with the iconic banana logo, and it is this record that is here recreated and revisioned, revalidated and recalibrated. Continue reading »

Apr 132016
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

jackson browne nico

“These Days” was written by an old soul of sixteen, Jackson Browne, several years before he released an album of his own. The melancholy ballad was originally released on the 1967 album Chelsea Girl (a reference to Andy Warhol’s 1966 film Chelsea Girls) by the singer-songwriter, lyricist, composer, musician, fashion model, actress, and ’60s counterculture queen, Nico. It may have been Browne’s song, but Nico was the first to put a stamp on it, and her stamp was an indelible one.

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