Oct 012024
Jul 032023
Rufus Wainwright’s Folkocracy is a reminder of how different a context is the word folk, when there is that Atlantic Ocean dividing America and Europe. This album feels a very North American version, where, broadly, anything much with an acoustic guitar, and on the softer side of rock, fits the bill, with often a fair old slice of the older social commentators, Seeger, Guthrie et al, chucked in for good measure. In the UK, folk tends more to the trad. arr., in style if not necessarily sacrosanct in content, and of a devoutly Celtic or Anglo hue. Wainwright doesn’t totally ignore any particular aul’ country, but Folkocracy is full of nods, sometimes eccentric, to an early 60’s heyday of Kingston Trios, Peter Paul and Mary and that ilk, if with a few left field lurches into Broadway and Hollywood. At times it is astonishing, in a beguiling way, sometimes bewildering and sometimes just plain odd. But, overall, this album is impressive, if more on the side of to be admired more than loved, with a slew of guests adding their varied (and variable) flavors at several stages along the way.
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May 312023
Beck – Hands on the Wheel (Willie Nelson cover)
Willie Nelson’s giant 90th birthday concert in Los Angeles featured a whole host of covers. Some of them featured the man himself. Admittedly, that makes those not really covers, so we’ll feature a couple Willie-less Willie tunes. First up, Beck tackles Willie’s Red Headed Stranger classic “Hands on the Wheel.” (Find another cover of this song in the Best of the Rest list.) Continue reading »
May 152023
The title track of Neil Young’s breakthrough album Harvest is a bit of a deep cut. Never released as a single, it has never got the radio play that the hits from Harvest have received over the years. This is especially true since Young’s last hit of any size was “Harvest Moon,” an unrelated song that further obscured the original. Continue reading »
Sep 282021
I love the old chestnut that everybody who ever saw the Velvet Underground started a band. Certainly, were that the case, their shows must have been jampacked with underage punters, with children, even, since most of those in bands and who most keenly rate them and cite their influence would have been far too young. Many would have been in the wrong country, likewise. But, hey, it’s a great tale and, who knows, had they all actually been there, the band may have been a lot bigger and more successful in their lifetime.
For, undoubtedly, their imprint on rock music has been hugely out of proportion to their actual footprint. I forget, maybe it was all those who bought their first album started a band, but again, the numbers don’t really stack up until you collate the cumulative sales, decade on decade after the initial release. (Ed: It was, in fact, no less than Brian Eno who made this assertion, in 1982.) Hampered by a brace of lawsuits, relating to the copyright of some of the cover photos, the album limped out in 1967, taking some time to ratchet up many sales at all, trashed by critics and ignored by the record label publicity machine. Lyrics about sado-masochism, IV drugs and prostitution were seen as anathema to the mores of the day, and the linkage to Andy Warhol, then enfant terrible of the American art-house film movement, will have hardly have warmed them to any mainstream audience. But maybe that was the point. Be that as it may, in the half century plus since, the star of this still sometimes difficult record has shone ever more brightly. That first album was, to give it its full title, The Velvet Underground and Nico, with the iconic banana logo, and it is this record that is here recreated and revisioned, revalidated and recalibrated. Continue reading »
May 242021
‘The Best Covers Ever’ series counts down our favorite covers of great artists.
When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.
We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.
So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.
With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)
In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”
The list begins on Page 2.