What do all of those “B” artists have in common? Not much, except for this: They all have a lot of different songs that get covered by a lot of different people.
But there are some artists who will likely never get their own list here. Why not? Maybe they just don’t get covered enough. Or maybe they get covered often — but people mostly just cover a single song. These are the artists we colloquially call One Hit Wonders. And in a special series starting today, we’re celebrating covers of their songs.Continue reading »
At Cover Me, our goal is to share great covers, whether they comes from artists with ten fans or ten million. But I am always vaguely curious what cover songs break out, which among the thousands we hear each year become genuine hits.
I was reminded of this when a recent Country Now headline crossed my Google Alerts: “Luke Combs’ ‘Fast Car’ Cover Is A Streaming Giant.” After only a month, the country star’s fairly faithful take on Tracy Chapman’s 1988 classic has racked up 33 million streams in the U.S. alone. Covers by famous singers come and go, but this one clearly has staying power.
So I decided to try to figure out which other covers from the 21st century have reached this level of breakout success. I’m not privy to Billboard‘s deep-dive chart data, so I used an easy metric available to an amateur like myself: Seeing how many plays something has on Spotify. As good a measure for “a popular song” as you can probably get these days, albeit still imperfect.
I found twenty-four 21st-century covers with over 100 million U.S. streams as of this writing (April 2023). Some very popular covers didn’t quite make the 100m+ threshold: Weezer’s “Africa” (75 million), Iron & Wine’s “Such Great Heights” (76 million), Fall Out Boy and John Mayer’s “Beat It” (89 million). Ryan Adams’ “Wonderwall” only just crossed the 100 million streams mark in the past couple months. And while older covers obviously have an advantage in more time to rack up plays, number one — by a lot! — came out only a few years ago.
Here’s the list of 24. No commentary since, for once, we’re not unearthing buried treasures here. Let’s count down the 24 most-streamed covers on Spotify, with the year of release and number of streams as of this writing. (And it’s possible, even likely, I missed a few, so feel free to suggest additions in the comments — if they qualify, I’ll add ’em.) Continue reading »
The matching outfits. The perfectly coiffed hair. The synchronized finger-snapping. The beautiful faces. And, of course, the angelic voices. Just saying the phrase “Girl Groups” conjures images of these well-styled ladies from the past singing their hearts out, dreaming of those young boys they hoped to marry.
Many of the group names are legendary. The Supremes, The Ronettes, The Crystals, The Shirelles, and Martha and the Vandellas have been fixtures of “oldies” format radio for decades. Leading these groups were great frontwomen like Diana Ross, Ronnie Spector, and Martha Reeves, as well as Darlene Love, who sang for multiple groups unbeknownst to the record buying public. There were also countless ladies who did not become household names, such as Arlene Smith, lead singer of the Chantels, who belted out the group’s classic “Maybe.”
For the purposes of this list, we decided to focus on the period known as the “Golden Age of Girl Groups.” Though we’re calling it ’60s in the headline, it really spanned from roughly 1955 to 1970. In this era, the music was transported from the street corners and dance halls to the radio, which broadcast it into living rooms across the country. The songs blended elements of doo-wop, early rock ‘n’ roll, pop, gospel, and rhythm & blues. When melded together, it created a sound as fresh and new as the 45s and transistor radios that blasted out the music.
Most of the best-known girl groups were women of color (with a few notable exceptions, such as the Shangri-Las). These women not only topped the charts, they broke down barriers as they helped to integrate segregated audiences across the country, including the Deep South.
Behind the scenes were equally legendary songwriters, musicians and producers. You know their names, too: tunesmiths such as Carole King and Gerry Goffin, and the Motown song and production trio Holland/Dozier/Holland (Lamont Dozier and brothers Brian and Eddie Holland).
Such a shiny veneer had a dark side, though, in the form of the notorious Phil Spector. He was a brilliant producer who presided over many of the era’s biggest hits, but he was also a truly terrible human being who physically and emotionally abused his charges, including his ex-wife Ronnie Spector. He would eventually be convicted of murder and died in prison earlier this year.
The music has continued to inspire covers by both male and female artists – or boys and girls, in the parlance of the genre. Our list features covers by everyone from Aerosmith to Amy Winehouse, the Beatles to Bananarama (a girl group of another era), as well as ska bands, punk bands, indie bands, and countless Rock and Roll Hall of Famers who have covered tracks from the era.
That’s probably because the songs were so darn powerful. Love songs that captured the ecstasy and agony of teenage emotions like “Will You Love Me Tomorrow,” “Please Mr. Postman” and “You Can’t Hurry Love.” Party favorites such as “Dancing in the Streets” and “Heat Wave.” And songs that dealt with more complex social issues such as “Love Child,” and the disturbing “He Hit Me (And It Felt Like a Kiss).” Such great songs inspire great artists to record fantastic covers. Here’s a selection of our favorites.
We’re not generally in the practice of publishing reader mail at Cover Me (doesn’t mean we don’t appreciate getting it!). There’s no Letters to the Editor page like you’d see in an old magazine. The comments section and social media serve that function well enough. But today, we’re making an exception.
Last summer, a German reader named Karsten Schroeder wrote in offering to share some cool covers he liked by German bands. We said sure – we’re always looking to discover new stuff, after all. We didn’t hear much after that and, to be honest, forgot about it. Then, a full ten months later, he emailed an exhaustive look at the covers scene in Germany. Across 123 songs, Karsten explored covers spanning punk – his favorite genre – to hip-hop, folk to pop to a few genres that are Germany-specific (“Fun-Punk,” “Deutschrock”). It was so rich and detailed, full of amazing covers that we – and, I expect, you – had never heard before that we asked him if we could publish it.Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Lesley Gore wasn’t the first to record “It’s My Party” (that would be Helen Shapiro), but she definitely made the greatest impact with it. The tale of Judy and Johnny having to go and spoil everything sounded not like it once happened to Gore, but like she was a high school junior (which she was) going through it in the moment, a moment that was extended in her answer song “Judy’s Turn to Cry.” The song has maintained its hold on the cultural landscape; to this day, if someone says “It’s my party,” someone else is sure to respond “and I’ll cry if I want to.”
