Billie Joe Shaver was one tough dude. The mere fact that he made it to 81 years old is a tribute as much to his constitution as to anything else, because his life and times read as if he wasn’t one much for compromise. Hell, too tough even for the Highwaymen, turning down the opportunity to be a member of that iconic grouping of his peers. As a performer he may not have been as celebrated as Waylon, Willie & Johnny, being very much in the gravel ‘n’ grits school of rough and ready, but his songs have gone right across the board and back again. You just might surprise yourself by how many you recognize on Live Forever: A Tribute to Billie Joe Shaver. Continue reading »
Last weekend, CMT broadcast “A Celebration of the Life and Music of Loretta Lynn” at Nashville’s Grand Ole Opry House. A host of country music royalty turned up to play her songs, from veteran industries stars like George Strait and Tanya Tucker to newer outlaws like The Highwomen and Margo Price. Jack White sang “Van Lear Rose,” off the album of the same name he produced for Lynn in 2004. Keith Urban busted out a banjo-guitar for “You’re Lookin’ at Country,” Lynn’s 1971 hit. Strait tackled early chart-topper “Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind).” Her tracks pushing at the conservative country establishment got airings too: Price performed the pioneering birth control song “The Pill” – a song the Opry, where this show took place, once tried to ban – and Darius Rucker (of all people) performed the feminist anthem “Fist City.”Continue reading »
When Joe Biden was bidding for POTUS, Jason Isbell declared his support by tweeting a promise. If the state of Georgia, his home state, went blue (Democrat), a possibility hitherto deemed impossible, he would record a cover album of Georgia-related songs for charity, “and damn is that gonna be fun.” As Isbell would later say, he had been looking for an excuse to record such a record for some time, but this now offered the ideal opportunity.
Well, Georgia went blue, against the odds and expectations, and with the release of Georgia Blue, three organizations are the better off for it, with all the album’s proceeds going toward Black Voters Matter, Georgia Stand-Up and Fair Fight. Continue reading »
Our first song kicks off what will be a theme here. A lot of these came out at the very top of the year (or the very end of 2020) to kick a garbage year to the curb and hope for something better. Shires said: “’That’s All’ is a song that I have played a lot on tour. The song defines 2020 for me. It’s a true Covid anthem and I dare you to not dance to my version when you hear it!”Continue reading »
Last week, Donald Trump gave his headlining speech at the Republican National Convention. Right after, fireworks exploded over the Washington Monument, soundtracked by a cover of “Hallelujah.” A few minutes later, a second singer covered “Hallelujah” while the entire Trump family watched. Both covers were unauthorized, and Leonard Cohen’s estate quickly said they are exploring legal action. (It must also be said that the covers weren’t very good – you won’t find either one on this list.)
Though hardly a shining moment in the history of Cohen covers, this event speaks to the cultural ubiquity of his work, and of “Hallelujah” in particular. For an artist who never sold that many records, Cohen has become about as iconic as icons get. Humble to the end, he would no doubt object – politely, of course – to that statement. But it’s true. His songs transcend his albums, they transcend his performances, they even transcend Leonard Cohen himself.
There’s never a bad time to talk about Leonard Cohen covers, but they’ve really been on my mind the past couple years. Why? Because I’ve been writing an entire book on the subject, which is out today. It’s in the 33 1/3 series of small books on specific albums. The album I selected? The 1991 tribute album I’m Your Fan: The Songs of Leonard Cohen. Without it, you probably wouldn’t even know “Hallelujah”… but we’ll get to that later.
In the book, I explore not just that one tribute album, but the entire history of Leonard Cohen covers generally. It’s a long and fascinating story, but suffice to say here that Cohen wouldn’t have had anywhere near the reach he did without others covering his songs. Covers gave him his start – Judy Collins’s, in particular – and resurrected his career more than once.
There are far too many great Cohen covers to fit in a list like this (and our Patreon supporters will soon get a bonus list of 100 more of them). But we all dug deep to pull the highlights, both the best of the totemic covers as well as brilliant but lesser-known interpretations. The covers span his entire catalog too. Plenty of “Hallelujah”s, of course, and versions of the ’60s songs that made him famous, but also covers of deeper cuts from albums throughout his recording career, up to and including his very last. We hope you’ll discover some new favorites, and maybe be able to listen to the classics you already know in a fresh light.
It’s a strange circumstance: What has been awful for humanity at large has been pretty good for the world of cover songs. Even we would say that’s a terrible trade-off!
Nevertheless, we’ve been grateful that so many musicians have taken to Facebook, Instagram, etc to share their music and, in many cases, cover favorite songs that are helping get them through. So, for the fourth time and certainly not the last, we’re rounding up some of the best we’ve seen recently and encouraging you to add your own below.
One note: There are some obvious names you won’t see here. John Prine. Bill Withers. Adam Schlesinger. Kenny Rogers. So many wonderful covers are emerging to pay tribute to artists no longer with them that we’ll be rounding them up separately. We did the first set for Prine here.Continue reading »